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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB52B9 it is the complementary color #14AD46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB52B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB52B9 shade: #F052B4, #FF64C7, #FF76DA, #FF88ED and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB52B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB52B9 shade: #EB52B9, #DA40A6, #C92E93, #B81C80 and #A70A6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB52B9 shade: #EB52B9, #EB528F, #EB5266 and #EB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB52B9 shade: #EB52B9, #EB52E2, #CA52EB, #A152EB and #7852EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB52B9 shade matches the following richer shades: #EB52B9 and #FA42BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB52B9 shade: #EB52B9, #DB61B3, #CB71AE, #BC81A8 and #AC90A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB52B9 shade: #C952EB, #EB52E3, #EB52BA, #EB5291 and #EB5269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB52B9 shade: #D11995, #E62DAA, #EB52B9, #EF76C8 and #F39BD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB52B9 shade: #EB52B9, #EBA152 and #52EBDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB52B9 shade: #EB52B9, #BAEB52 and #52BAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB52B9 shade: #EB52B9, #EBA152, #52EB82 and #529CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB52B9 shade: #EB52B9, #EBCF52, #52EB82 and #526EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

Complementary color

CMYK 88 / 0 / 60 / 32

HEX #14AD46

RGB 20 173 70

HSL 139.61, 0.79%, 0.38%

LAB 62.06, -58.48, 41.97

 

CMYK 0 / 66 / 25 / 6

HEX #F052B4

RGB 240 82 180

HSL 322.78, 0.84%, 0.63%

LAB 59.76, 69.38, -19.53

 

CMYK 0 / 61 / 22 / 0

HEX #FF64C7

RGB 255 100 199

HSL 321.68, 1%, 0.7%

LAB 65.36, 68.76, -21.61

 

CMYK 0 / 54 / 15 / 0

HEX #FF76DA

RGB 255 118 218

HSL 316.2, 1%, 0.73%

LAB 68.95, 63.63, -26.74

 

CMYK 0 / 47 / 7 / 0

HEX #FF88ED

RGB 255 136 237

HSL 309.08, 1%, 0.77%

LAB 72.88, 58.15, -31.17

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 71 / 24 / 15

HEX #DA40A6

RGB 218 64 166

HSL 320.26, 0.68%, 0.55%

LAB 53.3, 68.42, -21.58

 

CMYK 0 / 77 / 27 / 21

HEX #C92E93

RGB 201 46 147

HSL 320.9, 0.63%, 0.48%

LAB 47.6, 67.56, -19.31

 

CMYK 0 / 85 / 30 / 28

HEX #B81C80

RGB 184 28 128

HSL 321.54, 0.74%, 0.42%

LAB 42.12, 65.85, -16.4

 

CMYK 0 / 94 / 35 / 35

HEX #A70A6D

RGB 167 10 109

HSL 322.17, 0.89%, 0.35%

LAB 37, 62.91, -12.64

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 65 / 39 / 8

HEX #EB528F

RGB 235 82 143

HSL 336.08, 0.79%, 0.62%

LAB 57.73, 63.74, -1.14

 

CMYK 0 / 65 / 57 / 8

HEX #EB5266

RGB 235 82 102

HSL 352.16, 0.79%, 0.62%

LAB 56.74, 60.15, 21.57

 

CMYK 0 / 65 / 65 / 8

HEX #EB5252

RGB 235 82 82

HSL 0, 0.79%, 0.62%

LAB 56.39, 58.88, 32.73

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 65 / 4 / 8

HEX #EB52E2

RGB 235 82 226

HSL 303.53, 0.79%, 0.62%

LAB 60.95, 74.65, -43.88

 

CMYK 14 / 65 / 0 / 8

HEX #CA52EB

RGB 202 82 235

HSL 287.06, 0.79%, 0.62%

LAB 56.67, 68.71, -56

 

CMYK 31 / 65 / 0 / 8

HEX #A152EB

RGB 161 82 235

HSL 270.98, 0.79%, 0.62%

LAB 51.39, 59.9, -64.77

 

CMYK 49 / 65 / 0 / 8

HEX #7852EB

RGB 120 82 235

HSL 254.9, 0.79%, 0.62%

LAB 47.01, 51.98, -72.09

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BE

RGB 250 66 190

HSL 319.57, 0.95%, 0.62%

LAB 59.83, 78.55, -25.02

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 56 / 18 / 14

HEX #DB61B3

RGB 219 97 179

HSL 319.67, 0.63%, 0.62%

LAB 58.85, 57.08, -20.63

 

CMYK 0 / 44 / 14 / 20

HEX #CB71AE

RGB 203 113 174

HSL 319.33, 0.46%, 0.62%

LAB 59.49, 43.51, -16.98

 

CMYK 0 / 31 / 11 / 26

HEX #BC81A8

RGB 188 129 168

HSL 320.34, 0.31%, 0.62%

LAB 60.97, 28.83, -11.48

 

CMYK 0 / 16 / 5 / 33

HEX #AC90A3

RGB 172 144 163

HSL 319.29, 0.14%, 0.62%

LAB 62.81, 13.82, -6.07

 

CMYK 14 / 65 / 0 / 8

HEX #C952EB

RGB 201 82 235

HSL 286.67, 0.79%, 0.62%

LAB 56.54, 68.49, -56.23

 

CMYK 0 / 65 / 3 / 8

HEX #EB52E3

RGB 235 82 227

HSL 303.14, 0.79%, 0.62%

LAB 61, 74.8, -44.37

 

CMYK 0 / 65 / 21 / 8

HEX #EB52BA

RGB 235 82 186

HSL 319.22, 0.79%, 0.62%

LAB 59.2, 68.84, -23.91

 

CMYK 0 / 65 / 38 / 8

HEX #EB5291

RGB 235 82 145

HSL 335.29, 0.79%, 0.62%

LAB 57.79, 63.95, -2.22

 

CMYK 0 / 65 / 55 / 8

HEX #EB5269

RGB 235 82 105

HSL 350.98, 0.79%, 0.62%

LAB 56.8, 60.37, 19.89

 

CMYK 0 / 88 / 29 / 18

HEX #D11995

RGB 209 25 149

HSL 319.57, 0.79%, 0.46%

LAB 47.52, 74.28, -20.5

 

CMYK 0 / 80 / 26 / 10

HEX #E62DAA

RGB 230 45 170

HSL 319.46, 0.79%, 0.54%

LAB 53.6, 77.25, -23.29

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 51 / 16 / 6

HEX #EF76C8

RGB 239 118 200

HSL 319.34, 0.79%, 0.7%

LAB 66.12, 56.29, -21.21

 

CMYK 0 / 36 / 12 / 5

HEX #F39BD7

RGB 243 155 215

HSL 319.09, 0.79%, 0.78%

LAB 74.45, 41.31, -16.86

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 31 / 65 / 8

HEX #EBA152

RGB 235 161 82

HSL 30.98, 0.79%, 0.62%

LAB 72.07, 20.02, 51.21

 

CMYK 65 / 0 / 6 / 8

HEX #52EBDE

RGB 82 235 222

HSL 174.9, 0.79%, 0.62%

LAB 85.24, -42.77, -5.53

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 21 / 0 / 65 / 8

HEX #BAEB52

RGB 186 235 82

HSL 79.22, 0.79%, 0.62%

LAB 87.22, -37.36, 66.47

 

CMYK 65 / 21 / 0 / 8

HEX #52BAEB

RGB 82 186 235

HSL 199.22, 0.79%, 0.62%

LAB 71.49, -15.25, -33.29

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 31 / 65 / 8

HEX #EBA152

RGB 235 161 82

HSL 30.98, 0.79%, 0.62%

LAB 72.07, 20.02, 51.21

 

CMYK 65 / 0 / 45 / 8

HEX #52EB82

RGB 82 235 130

HSL 138.82, 0.79%, 0.62%

LAB 83.35, -62.43, 39.32

 

CMYK 65 / 34 / 0 / 8

HEX #529CEB

RGB 82 156 235

HSL 210.98, 0.79%, 0.62%

LAB 62.98, 1.35, -46.58

 

CMYK 0 / 65 / 21 / 8

HEX #EB52B9

RGB 235 82 185

HSL 319.61, 0.79%, 0.62%

LAB 59.16, 68.7, -23.39

 

CMYK 0 / 12 / 65 / 8

HEX #EBCF52

RGB 235 207 82

HSL 49.02, 0.79%, 0.62%

LAB 83.39, -4.06, 63.54

 

CMYK 65 / 0 / 45 / 8

HEX #52EB82

RGB 82 235 130

HSL 138.82, 0.79%, 0.62%

LAB 83.35, -62.43, 39.32

 

CMYK 65 / 53 / 0 / 8

HEX #526EEB

RGB 82 110 235

HSL 229.02, 0.79%, 0.62%

LAB 50.62, 29.09, -66.34

 

Description

Color code: HEX #EB52B9 | qconv.com Color code: HEX #EB52B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 82 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 82 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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