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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB511A it is the complementary color #14AEE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB511A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB511A shade: #F05115, #FF6328, #FF753B, #FF874E and #FF9961

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB511A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB511A shade: #EB511A, #DA3F07, #C92D00, #B81B00 and #A70900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB511A shade: #EB5019 and #EB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB511A shade: #EB5019, #EB8919, #EBC219, #DCEB19 and #A3EB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB511A shade matches the following richer shades: #EB5019

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB511A shade: #EB5019, #D75A2D, #C36342, #AE6D56 and #9A776A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB511A shade: #EB1955, #EB191D, #EB4E19, #EB8619 and #EBBE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB511A shade: #A3350E, #C94212, #EB5019, #EE6D3F and #F28A65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB511A shade: #EB511A, #8DEB19 and #1939EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB511A shade: #EB511A, #19EB4E and #4E19EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB511A shade: #EB511A, #8DEB19, #19B7EB and #7819EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB511A shade: #EB511A, #4EEB19, #19B7EB and #B719EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

Complementary color

CMYK 91 / 24 / 0 / 10

HEX #14AEE5

RGB 20 174 229

HSL 195.79, 0.84%, 0.49%

LAB 66.58, -17.16, -37.74

 

CMYK 0 / 66 / 91 / 6

HEX #F05115

RGB 240 81 21

HSL 16.44, 0.88%, 0.51%

LAB 56.55, 58.87, 62.26

 

CMYK 0 / 61 / 84 / 0

HEX #FF6328

RGB 255 99 40

HSL 16.47, 1%, 0.58%

LAB 61.94, 56.84, 60.75

 

CMYK 0 / 54 / 77 / 0

HEX #FF753B

RGB 255 117 59

HSL 17.76, 1%, 0.62%

LAB 65.2, 49.26, 55.51

 

CMYK 0 / 47 / 69 / 0

HEX #FF874E

RGB 255 135 78

HSL 19.32, 1%, 0.65%

LAB 68.85, 41.3, 50.25

 

CMYK 0 / 40 / 62 / 0

HEX #FF9961

RGB 255 153 97

HSL 21.27, 1%, 0.69%

LAB 72.83, 33.24, 45.27

 

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

CMYK 0 / 71 / 97 / 15

HEX #DA3F07

RGB 218 63 7

HSL 15.92, 0.94%, 0.44%

LAB 50.07, 58.39, 59.87

 

CMYK 0 / 78 / 100 / 21

HEX #C92D00

RGB 201 45 0

HSL 13.43, 1%, 0.39%

LAB 44.65, 59.04, 57.28

 

CMYK 0 / 85 / 100 / 28

HEX #B81B00

RGB 184 27 0

HSL 8.8, 1%, 0.36%

LAB 39.54, 58.8, 53.11

 

CMYK 0 / 95 / 100 / 35

HEX #A70900

RGB 167 9 0

HSL 3.23, 1%, 0.33%

LAB 34.82, 57.2, 48.91

 

CMYK 0 / 66 / 89 / 8

HEX #EB5019

RGB 235 80 25

HSL 15.71, 0.84%, 0.51%

LAB 55.55, 57.67, 59.87

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 66 / 89 / 8

HEX #EB5019

RGB 235 80 25

HSL 15.71, 0.84%, 0.51%

LAB 55.55, 57.67, 59.87

 

CMYK 0 / 42 / 89 / 8

HEX #EB8919

RGB 235 137 25

HSL 32, 0.84%, 0.51%

LAB 66.23, 30.52, 67.8

 

CMYK 0 / 17 / 89 / 8

HEX #EBC219

RGB 235 194 25

HSL 48.29, 0.84%, 0.51%

LAB 79.79, 0.52, 78.18

 

CMYK 6 / 0 / 89 / 8

HEX #DCEB19

RGB 220 235 25

HSL 64.29, 0.84%, 0.51%

LAB 89.25, -26.2, 85.03

 

CMYK 31 / 0 / 89 / 8

HEX #A3EB19

RGB 163 235 25

HSL 80.57, 0.84%, 0.51%

LAB 85.64, -48.45, 80.61

 

CMYK 0 / 66 / 89 / 8

HEX #EB5019

RGB 235 80 25

HSL 15.71, 0.84%, 0.51%

LAB 55.55, 57.67, 59.87

 

CMYK 0 / 66 / 89 / 8

HEX #EB5019

RGB 235 80 25

HSL 15.71, 0.84%, 0.51%

LAB 55.55, 57.67, 59.87

 

CMYK 0 / 58 / 79 / 16

HEX #D75A2D

RGB 215 90 45

HSL 15.88, 0.68%, 0.51%

LAB 53.97, 46.79, 48.91

 

CMYK 0 / 49 / 66 / 24

HEX #C36342

RGB 195 99 66

HSL 15.35, 0.52%, 0.51%

LAB 52.86, 35.68, 35.95

 

CMYK 0 / 37 / 51 / 32

HEX #AE6D56

RGB 174 109 86

HSL 15.68, 0.35%, 0.51%

LAB 52.52, 23.32, 23.64

 

CMYK 0 / 23 / 31 / 40

HEX #9A776A

RGB 154 119 106

HSL 16.25, 0.19%, 0.51%

LAB 53.06, 11.73, 12.4

 

CMYK 0 / 89 / 64 / 8

HEX #EB1955

RGB 235 25 85

HSL 342.86, 0.84%, 0.51%

LAB 50.7, 75.08, 23.72

 

CMYK 0 / 89 / 88 / 8

HEX #EB191D

RGB 235 25 29

HSL 358.86, 0.84%, 0.51%

LAB 50.03, 73.18, 54.21

 

CMYK 0 / 67 / 89 / 8

HEX #EB4E19

RGB 235 78 25

HSL 15.14, 0.84%, 0.51%

LAB 55.26, 58.46, 59.66

 

CMYK 0 / 43 / 89 / 8

HEX #EB8619

RGB 235 134 25

HSL 31.14, 0.84%, 0.51%

LAB 65.58, 32.09, 67.31

 

CMYK 0 / 19 / 89 / 8

HEX #EBBE19

RGB 235 190 25

HSL 47.14, 0.84%, 0.51%

LAB 78.79, 2.59, 77.4

 

CMYK 0 / 67 / 91 / 36

HEX #A3350E

RGB 163 53 14

HSL 15.7, 0.84%, 0.35%

LAB 38.49, 43.81, 45.49

 

CMYK 0 / 67 / 91 / 21

HEX #C94212

RGB 201 66 18

HSL 15.74, 0.84%, 0.43%

LAB 47.44, 51.73, 53.68

 

CMYK 0 / 66 / 89 / 8

HEX #EB5019

RGB 235 80 25

HSL 15.71, 0.84%, 0.51%

LAB 55.55, 57.67, 59.87

 

CMYK 0 / 54 / 74 / 7

HEX #EE6D3F

RGB 238 109 63

HSL 15.77, 0.84%, 0.59%

LAB 61.2, 46.96, 48.65

 

CMYK 0 / 43 / 58 / 5

HEX #F28A65

RGB 242 138 101

HSL 15.74, 0.84%, 0.67%

LAB 68.02, 36.19, 36.92

 

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

CMYK 40 / 0 / 89 / 8

HEX #8DEB19

RGB 141 235 25

HSL 86.86, 0.84%, 0.51%

LAB 84.56, -56.07, 79.28

 

CMYK 89 / 76 / 0 / 8

HEX #1939EB

RGB 25 57 235

HSL 230.86, 0.84%, 0.51%

LAB 36.24, 55.78, -90.01

 

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

CMYK 89 / 0 / 67 / 8

HEX #19EB4E

RGB 25 235 78

HSL 135.14, 0.84%, 0.51%

LAB 81.93, -76.17, 60.81

 

CMYK 67 / 89 / 0 / 8

HEX #4E19EB

RGB 78 25 235

HSL 255.14, 0.84%, 0.51%

LAB 34.63, 71.47, -92.6

 

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

CMYK 40 / 0 / 89 / 8

HEX #8DEB19

RGB 141 235 25

HSL 86.86, 0.84%, 0.51%

LAB 84.56, -56.07, 79.28

 

CMYK 89 / 22 / 0 / 8

HEX #19B7EB

RGB 25 183 235

HSL 194.86, 0.84%, 0.51%

LAB 69.52, -19.6, -36.44

 

CMYK 49 / 89 / 0 / 8

HEX #7819EB

RGB 120 25 235

HSL 267.14, 0.84%, 0.51%

LAB 39.05, 74.71, -85.14

 

CMYK 0 / 66 / 89 / 8

HEX #EB511A

RGB 235 81 26

HSL 15.79, 0.84%, 0.51%

LAB 55.71, 57.28, 59.64

 

CMYK 67 / 0 / 89 / 8

HEX #4EEB19

RGB 78 235 25

HSL 104.86, 0.84%, 0.51%

LAB 82.44, -72.78, 76.64

 

CMYK 89 / 22 / 0 / 8

HEX #19B7EB

RGB 25 183 235

HSL 194.86, 0.84%, 0.51%

LAB 69.52, -19.6, -36.44

 

CMYK 22 / 89 / 0 / 8

HEX #B719EB

RGB 183 25 235

HSL 285.14, 0.84%, 0.51%

LAB 47.96, 82.27, -70.2

 

Description

Color code: HEX #EB511A | qconv.com Color code: HEX #EB511A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 81 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 81 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 89 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 89% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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