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Color name
HEX #EB4F30

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB4F30 it is the complementary color #14B0CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB4F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB4F30 shade: #F04F2B, #FF613E, #FF7351, #FF8564 and #FF9777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB4F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB4F30 shade: #EB4F30, #DA3D1D, #C92B0A, #B81900 and #A70700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB4F30 shade: #EA4D2E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB4F30 shade: #EA4D2E, #EA802E, #EAB32E, #EAE62E and #BCEA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB4F30 shade matches the following richer shades: #EA4D2E and #FD411C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB4F30 shade: #EA4D2E, #D85A41, #C56653, #B37366 and #A07F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB4F30 shade: #EA2E76, #EA2E44, #EA4A2E, #EA7D2E and #EAAF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB4F30 shade: #B42D12, #DA3616, #EA4D2E, #EE6D54 and #F28D79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB4F30 shade: #EB4F30, #A8EA2E and #2E5DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB4F30 shade: #EB4F30, #2EEA4A and #4A2EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB4F30 shade: #EB4F30, #A8EA2E, #2ECEEA and #702EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB4F30 shade: #EB4F30, #70EA2E, #2ECEEA and #A82EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

Complementary color

CMYK 90 / 15 / 0 / 19

HEX #14B0CF

RGB 20 176 207

HSL 189.95, 0.82%, 0.45%

LAB 66.29, -25.72, -26.08

 

CMYK 0 / 67 / 82 / 6

HEX #F04F2B

RGB 240 79 43

HSL 10.96, 0.87%, 0.55%

LAB 56.38, 60.1, 53.6

 

CMYK 0 / 62 / 76 / 0

HEX #FF613E

RGB 255 97 62

HSL 10.88, 1%, 0.62%

LAB 61.79, 58.35, 50.59

 

CMYK 0 / 55 / 68 / 0

HEX #FF7351

RGB 255 115 81

HSL 11.72, 1%, 0.66%

LAB 65.05, 51.15, 44.41

 

CMYK 0 / 48 / 61 / 0

HEX #FF8564

RGB 255 133 100

HSL 12.77, 1%, 0.7%

LAB 68.72, 43.58, 38.71

 

CMYK 0 / 41 / 53 / 0

HEX #FF9777

RGB 255 151 119

HSL 14.12, 1%, 0.73%

LAB 72.71, 35.88, 33.57

 

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

CMYK 0 / 72 / 87 / 15

HEX #DA3D1D

RGB 218 61 29

HSL 10.16, 0.77%, 0.48%

LAB 49.9, 59.41, 52.69

 

CMYK 0 / 79 / 95 / 21

HEX #C92B0A

RGB 201 43 10

HSL 10.37, 0.91%, 0.41%

LAB 44.47, 59.73, 54.24

 

CMYK 0 / 86 / 100 / 28

HEX #B81900

RGB 184 25 0

HSL 8.15, 1%, 0.36%

LAB 39.39, 59.23, 53.05

 

CMYK 0 / 96 / 100 / 35

HEX #A70700

RGB 167 7 0

HSL 2.51, 1%, 0.33%

LAB 34.74, 57.46, 48.86

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 45 / 80 / 8

HEX #EA802E

RGB 234 128 46

HSL 26.17, 0.82%, 0.55%

LAB 64.26, 35.31, 59.2

 

CMYK 0 / 24 / 80 / 8

HEX #EAB32E

RGB 234 179 46

HSL 42.45, 0.82%, 0.55%

LAB 76.03, 8.42, 69.78

 

CMYK 0 / 2 / 80 / 8

HEX #EAE62E

RGB 234 230 46

HSL 58.72, 0.82%, 0.55%

LAB 89.06, -17.52, 81.11

 

CMYK 20 / 0 / 80 / 8

HEX #BCEA2E

RGB 188 234 46

HSL 74.68, 0.82%, 0.55%

LAB 86.87, -38.01, 77.94

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 74 / 89 / 1

HEX #FD411C

RGB 253 65 28

HSL 9.87, 0.98%, 0.55%

LAB 56.83, 68.75, 61.2

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 58 / 70 / 15

HEX #D85A41

RGB 216 90 65

HSL 9.93, 0.66%, 0.55%

LAB 54.34, 48, 39.04

 

CMYK 0 / 48 / 58 / 23

HEX #C56653

RGB 197 102 83

HSL 10, 0.5%, 0.55%

LAB 54.02, 36.08, 27.91

 

CMYK 0 / 36 / 43 / 30

HEX #B37366

RGB 179 115 102

HSL 10.13, 0.34%, 0.55%

LAB 54.87, 23.69, 17.67

 

CMYK 0 / 21 / 25 / 37

HEX #A07F78

RGB 160 127 120

HSL 10.5, 0.17%, 0.55%

LAB 56.1, 11.62, 8.64

 

CMYK 0 / 80 / 50 / 8

HEX #EA2E76

RGB 234 46 118

HSL 337.02, 0.82%, 0.55%

LAB 52.68, 72.89, 6.39

 

CMYK 0 / 80 / 71 / 8

HEX #EA2E44

RGB 234 46 68

HSL 352.98, 0.82%, 0.55%

LAB 51.68, 69.87, 35.05

 

CMYK 0 / 68 / 80 / 8

HEX #EA4A2E

RGB 234 74 46

HSL 8.94, 0.82%, 0.55%

LAB 54.64, 60.16, 50.18

 

CMYK 0 / 47 / 80 / 8

HEX #EA7D2E

RGB 234 125 46

HSL 25.21, 0.82%, 0.55%

LAB 63.64, 36.84, 58.62

 

CMYK 0 / 25 / 80 / 8

HEX #EAAF2E

RGB 234 175 46

HSL 41.17, 0.82%, 0.55%

LAB 75.04, 10.53, 68.91

 

CMYK 0 / 75 / 90 / 29

HEX #B42D12

RGB 180 45 18

HSL 10, 0.82%, 0.39%

LAB 40.61, 52.73, 46.96

 

CMYK 0 / 75 / 90 / 15

HEX #DA3616

RGB 218 54 22

HSL 9.8, 0.82%, 0.47%

LAB 49.01, 61.64, 54.82

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 54 / 65 / 7

HEX #EE6D54

RGB 238 109 84

HSL 9.74, 0.82%, 0.63%

LAB 61.44, 48.03, 37.9

 

CMYK 0 / 42 / 50 / 5

HEX #F28D79

RGB 242 141 121

HSL 9.92, 0.82%, 0.71%

LAB 68.97, 36.27, 27.29

 

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

CMYK 28 / 0 / 80 / 8

HEX #A8EA2E

RGB 168 234 46

HSL 81.06, 0.82%, 0.55%

LAB 85.69, -45.57, 76.44

 

CMYK 80 / 60 / 0 / 8

HEX #2E5DEA

RGB 46 93 234

HSL 225, 0.82%, 0.55%

LAB 44.73, 35.09, -75.43

 

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

CMYK 80 / 0 / 68 / 8

HEX #2EEA4A

RGB 46 234 74

HSL 128.94, 0.82%, 0.55%

LAB 81.8, -74.47, 62.27

 

CMYK 68 / 80 / 0 / 8

HEX #4A2EEA

RGB 74 46 234

HSL 248.94, 0.82%, 0.55%

LAB 36.65, 63.62, -88.68

 

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

CMYK 28 / 0 / 80 / 8

HEX #A8EA2E

RGB 168 234 46

HSL 81.06, 0.82%, 0.55%

LAB 85.69, -45.57, 76.44

 

CMYK 80 / 12 / 0 / 8

HEX #2ECEEA

RGB 46 206 234

HSL 188.94, 0.82%, 0.55%

LAB 76.48, -30.1, -25.16

 

CMYK 52 / 80 / 0 / 8

HEX #702EEA

RGB 112 46 234

HSL 261.06, 0.82%, 0.55%

LAB 40.15, 67.34, -82.79

 

CMYK 0 / 66 / 80 / 8

HEX #EB4F30

RGB 235 79 48

HSL 9.95, 0.82%, 0.55%

LAB 55.55, 58.61, 50.13

 

CMYK 52 / 0 / 80 / 8

HEX #70EA2E

RGB 112 234 46

HSL 98.94, 0.82%, 0.55%

LAB 83.17, -63.71, 73.22

 

CMYK 80 / 12 / 0 / 8

HEX #2ECEEA

RGB 46 206 234

HSL 188.94, 0.82%, 0.55%

LAB 76.48, -30.1, -25.16

 

CMYK 28 / 80 / 0 / 8

HEX #A82EEA

RGB 168 46 234

HSL 278.94, 0.82%, 0.55%

LAB 47.26, 75.07, -70.86

 

Description

Color code: HEX #EB4F30 | qconv.com Color code: HEX #EB4F30 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 79 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 79 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 80% 8% C M Y K

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