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Color name
HEX #EB47F4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB47F4 it is the complementary color #14B80B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB47F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB47F4 shade: #F047EF, #FF59FF, #FF6BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB47F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB47F4 shade: #EB47F4, #DA35E1, #C923CE, #B811BB and #A700A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB47F4 shade: #EB48F4, #F448CF, #F448A0, #F44872 and #F44848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB47F4 shade: #EB48F4, #BD48F4, #8E48F4, #6048F4 and #4848F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB47F4 shade matches the following richer shades: #EB48F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB47F4 shade: #EB48F4, #DD58E5, #CF67D5, #C177C5 and #B387B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB47F4 shade: #8D48F4, #BB48F4, #E948F4, #F448D2 and #F448A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB47F4 shade: #D20DDD, #E721F2, #EB48F4, #F06FF7 and #F496F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB47F4 shade: #EB47F4, #F45F48 and #48F4A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB47F4 shade: #EB47F4, #F4E948 and #48F4E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB47F4 shade: #EB47F4, #F45F48, #53F448 and #48DDF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB47F4 shade: #EB47F4, #F49348, #53F448 and #48AAF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

Complementary color

CMYK 89 / 0 / 94 / 28

HEX #14B80B

RGB 20 184 11

HSL 116.88, 0.89%, 0.38%

LAB 65.32, -66.13, 63.91

 

CMYK 0 / 70 / 0 / 6

HEX #F047EF

RGB 240 71 239

HSL 300.36, 0.85%, 0.61%

LAB 61.01, 81.57, -50.99

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

CMYK 3 / 76 / 0 / 12

HEX #DA35E1

RGB 218 53 225

HSL 297.56, 0.74%, 0.55%

LAB 54.96, 80.29, -52.98

 

CMYK 2 / 83 / 0 / 19

HEX #C923CE

RGB 201 35 206

HSL 298.25, 0.71%, 0.47%

LAB 49.59, 78.48, -50.88

 

CMYK 2 / 91 / 0 / 27

HEX #B811BB

RGB 184 17 187

HSL 298.94, 0.83%, 0.4%

LAB 44.49, 75.64, -48.16

 

CMYK 1 / 100 / 0 / 34

HEX #A700A8

RGB 167 0 168

HSL 299.64, 1%, 0.33%

LAB 39.65, 71.72, -44.82

 

CMYK 4 / 70 / 0 / 4

HEX #EB48F4

RGB 235 72 244

HSL 296.86, 0.89%, 0.62%

LAB 60.63, 81, -54.43

 

CMYK 0 / 70 / 15 / 4

HEX #F448CF

RGB 244 72 207

HSL 312.91, 0.89%, 0.62%

LAB 60.22, 77.45, -34.19

 

CMYK 0 / 70 / 34 / 4

HEX #F448A0

RGB 244 72 160

HSL 329.3, 0.89%, 0.62%

LAB 58.42, 71.7, -9.9

 

CMYK 0 / 70 / 53 / 4

HEX #F44872

RGB 244 72 114

HSL 345.35, 0.89%, 0.62%

LAB 57.16, 67.5, 15.33

 

CMYK 0 / 70 / 70 / 4

HEX #F44848

RGB 244 72 72

HSL 0, 0.89%, 0.62%

LAB 56.42, 65, 38.8

 

CMYK 4 / 70 / 0 / 4

HEX #EB48F4

RGB 235 72 244

HSL 296.86, 0.89%, 0.62%

LAB 60.63, 81, -54.43

 

CMYK 23 / 70 / 0 / 4

HEX #BD48F4

RGB 189 72 244

HSL 280.81, 0.89%, 0.62%

LAB 54.01, 71.77, -65.41

 

CMYK 42 / 70 / 0 / 4

HEX #8E48F4

RGB 142 72 244

HSL 264.42, 0.89%, 0.62%

LAB 48.16, 63.15, -75.18

 

CMYK 61 / 70 / 0 / 4

HEX #6048F4

RGB 96 72 244

HSL 248.37, 0.89%, 0.62%

LAB 43.73, 56.22, -82.59

 

CMYK 70 / 70 / 0 / 4

HEX #4848F4

RGB 72 72 244

HSL 240, 0.89%, 0.62%

LAB 42.07, 53.5, -85.39

 

CMYK 4 / 70 / 0 / 4

HEX #EB48F4

RGB 235 72 244

HSL 296.86, 0.89%, 0.62%

LAB 60.63, 81, -54.43

 

CMYK 4 / 70 / 0 / 4

HEX #EB48F4

RGB 235 72 244

HSL 296.86, 0.89%, 0.62%

LAB 60.63, 81, -54.43

 

CMYK 3 / 62 / 0 / 10

HEX #DD58E5

RGB 221 88 229

HSL 296.6, 0.73%, 0.62%

LAB 59.9, 69.51, -47.36

 

CMYK 3 / 52 / 0 / 16

HEX #CF67D5

RGB 207 103 213

HSL 296.73, 0.57%, 0.62%

LAB 59.68, 56.41, -38.83

 

CMYK 2 / 40 / 0 / 23

HEX #C177C5

RGB 193 119 197

HSL 296.92, 0.4%, 0.62%

LAB 60.39, 41.2, -28.81

 

CMYK 2 / 26 / 0 / 29

HEX #B387B6

RGB 179 135 182

HSL 296.17, 0.24%, 0.62%

LAB 61.9, 24.96, -18.13

 

CMYK 42 / 70 / 0 / 4

HEX #8D48F4

RGB 141 72 244

HSL 264.07, 0.89%, 0.62%

LAB 48.04, 62.98, -75.36

 

CMYK 23 / 70 / 0 / 4

HEX #BB48F4

RGB 187 72 244

HSL 280.12, 0.89%, 0.62%

LAB 53.74, 71.38, -65.86

 

CMYK 5 / 70 / 0 / 4

HEX #E948F4

RGB 233 72 244

HSL 296.16, 0.89%, 0.62%

LAB 60.33, 80.59, -54.93

 

CMYK 0 / 70 / 14 / 4

HEX #F448D2

RGB 244 72 210

HSL 311.86, 0.89%, 0.62%

LAB 60.36, 77.86, -35.69

 

CMYK 0 / 70 / 33 / 4

HEX #F448A4

RGB 244 72 164

HSL 327.91, 0.89%, 0.62%

LAB 58.55, 72.14, -12.03

 

CMYK 5 / 94 / 0 / 13

HEX #D20DDD

RGB 210 13 221

HSL 296.83, 0.89%, 0.46%

LAB 50.93, 85.49, -57.23

 

CMYK 5 / 86 / 0 / 5

HEX #E721F2

RGB 231 33 242

HSL 296.84, 0.89%, 0.54%

LAB 56.57, 89.53, -59.84

 

CMYK 4 / 70 / 0 / 4

HEX #EB48F4

RGB 235 72 244

HSL 296.86, 0.89%, 0.62%

LAB 60.63, 81, -54.43

 

CMYK 3 / 55 / 0 / 3

HEX #F06FF7

RGB 240 111 247

HSL 296.91, 0.89%, 0.7%

LAB 66.98, 67.41, -45.99

 

CMYK 2 / 40 / 0 / 2

HEX #F496F9

RGB 244 150 249

HSL 296.97, 0.89%, 0.78%

LAB 74.75, 50.05, -34.92

 

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

CMYK 0 / 61 / 70 / 4

HEX #F45F48

RGB 244 95 72

HSL 8.02, 0.89%, 0.62%

LAB 59.79, 55.89, 42.68

 

CMYK 70 / 0 / 33 / 4

HEX #48F4A4

RGB 72 244 164

HSL 152.09, 0.89%, 0.62%

LAB 86.38, -61.31, 26.24

 

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

CMYK 0 / 5 / 70 / 4

HEX #F4E948

RGB 244 233 72

HSL 56.16, 0.89%, 0.62%

LAB 90.77, -13.87, 75.1

 

CMYK 70 / 0 / 5 / 4

HEX #48F4E9

RGB 72 244 233

HSL 176.16, 0.89%, 0.62%

LAB 87.95, -45.16, -7.32

 

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

CMYK 0 / 61 / 70 / 4

HEX #F45F48

RGB 244 95 72

HSL 8.02, 0.89%, 0.62%

LAB 59.79, 55.89, 42.68

 

CMYK 66 / 0 / 70 / 4

HEX #53F448

RGB 83 244 72

HSL 116.16, 0.89%, 0.62%

LAB 85.51, -72.16, 67.09

 

CMYK 70 / 9 / 0 / 4

HEX #48DDF4

RGB 72 221 244

HSL 188.02, 0.89%, 0.62%

LAB 81.63, -31.54, -22.6

 

CMYK 4 / 71 / 0 / 4

HEX #EB47F4

RGB 235 71 244

HSL 296.88, 0.89%, 0.62%

LAB 60.52, 81.33, -54.61

 

CMYK 0 / 40 / 70 / 4

HEX #F49348

RGB 244 147 72

HSL 26.16, 0.89%, 0.62%

LAB 69.87, 30.54, 53.84

 

CMYK 66 / 0 / 70 / 4

HEX #53F448

RGB 83 244 72

HSL 116.16, 0.89%, 0.62%

LAB 85.51, -72.16, 67.09

 

CMYK 70 / 30 / 0 / 4

HEX #48AAF4

RGB 72 170 244

HSL 205.81, 0.89%, 0.62%

LAB 67.02, -5.09, -45.19

 

Description

Color code: HEX #EB47F4 | qconv.com Color code: HEX #EB47F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 71 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 71 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 71 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 71% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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