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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB45BA it is the complementary color #14BA45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB45BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB45BA shade: #F045B5, #FF57C8, #FF69DB, #FF7BEE and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB45BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB45BA shade: #EB45BA, #DA33A7, #C92194, #B80F81 and #A7006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB45BA shade: #EC46BB, #EC468E, #EC4662 and #EC4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB45BA shade: #EC46BB, #EC46E7, #C346EC, #9746EC and #6A46EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB45BA shade matches the following richer shades: #EC46BB and #FC36C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB45BA shade: #EC46BB, #DB57B4, #CB67AD, #BA78A7 and #AA88A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB45BA shade: #C246EC, #EC46E9, #EC46BD, #EC4691 and #EC4665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB45BA shade: #CA1595, #E821AD, #EC46BB, #F06CC9 and #F391D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB45BA shade: #EB45BA, #EC9646 and #46ECD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB45BA shade: #EB45BA, #BDEC46 and #46BDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB45BA shade: #EB45BA, #EC9646, #46EC75 and #469CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB45BA shade: #EB45BA, #ECC846, #46EC75 and #466AEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

Complementary color

CMYK 89 / 0 / 63 / 27

HEX #14BA45

RGB 20 186 69

HSL 137.71, 0.81%, 0.4%

LAB 66.29, -62.74, 47.27

 

CMYK 0 / 71 / 25 / 6

HEX #F045B5

RGB 240 69 181

HSL 320.7, 0.85%, 0.61%

LAB 58.15, 74.1, -22.57

 

CMYK 0 / 66 / 22 / 0

HEX #FF57C8

RGB 255 87 200

HSL 319.64, 1%, 0.67%

LAB 63.55, 73.97, -24.94

 

CMYK 0 / 59 / 14 / 0

HEX #FF69DB

RGB 255 105 219

HSL 314.4, 1%, 0.71%

LAB 66.88, 69.45, -30.49

 

CMYK 0 / 52 / 7 / 0

HEX #FF7BEE

RGB 255 123 238

HSL 307.73, 1%, 0.74%

LAB 70.59, 64.44, -35.26

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

CMYK 0 / 77 / 23 / 15

HEX #DA33A7

RGB 218 51 167

HSL 318.32, 0.69%, 0.53%

LAB 51.91, 72.61, -24.32

 

CMYK 0 / 84 / 26 / 21

HEX #C92194

RGB 201 33 148

HSL 318.93, 0.72%, 0.46%

LAB 46.5, 70.93, -21.59

 

CMYK 0 / 92 / 30 / 28

HEX #B80F81

RGB 184 15 129

HSL 319.53, 0.85%, 0.39%

LAB 41.4, 68.17, -18.12

 

CMYK 0 / 100 / 34 / 35

HEX #A7006E

RGB 167 0 110

HSL 320.48, 1%, 0.33%

LAB 36.63, 64.2, -13.83

 

CMYK 0 / 70 / 21 / 7

HEX #EC46BB

RGB 236 70 187

HSL 317.71, 0.81%, 0.6%

LAB 57.85, 73.55, -26.55

 

CMYK 0 / 70 / 40 / 7

HEX #EC468E

RGB 236 70 142

HSL 333.98, 0.81%, 0.6%

LAB 56.25, 68.38, -2.7

 

CMYK 0 / 70 / 58 / 7

HEX #EC4662

RGB 236 70 98

HSL 349.88, 0.81%, 0.6%

LAB 55.17, 64.74, 21.86

 

CMYK 0 / 70 / 70 / 7

HEX #EC4646

RGB 236 70 70

HSL 0, 0.81%, 0.6%

LAB 54.72, 63.17, 37.57

 

CMYK 0 / 70 / 21 / 7

HEX #EC46BB

RGB 236 70 187

HSL 317.71, 0.81%, 0.6%

LAB 57.85, 73.55, -26.55

 

CMYK 0 / 70 / 2 / 7

HEX #EC46E7

RGB 236 70 231

HSL 301.81, 0.81%, 0.6%

LAB 59.87, 79.81, -48.37

 

CMYK 17 / 70 / 0 / 7

HEX #C346EC

RGB 195 70 236

HSL 285.18, 0.81%, 0.6%

LAB 54.07, 72.17, -60.79

 

CMYK 36 / 70 / 0 / 7

HEX #9746EC

RGB 151 70 236

HSL 269.28, 0.81%, 0.6%

LAB 48.28, 63.72, -70.43

 

CMYK 55 / 70 / 0 / 7

HEX #6A46EC

RGB 106 70 236

HSL 253.01, 0.81%, 0.6%

LAB 43.51, 56.31, -78.42

 

CMYK 0 / 70 / 21 / 7

HEX #EC46BB

RGB 236 70 187

HSL 317.71, 0.81%, 0.6%

LAB 57.85, 73.55, -26.55

 

CMYK 0 / 79 / 23 / 1

HEX #FC36C2

RGB 252 54 194

HSL 317.58, 0.97%, 0.6%

LAB 59.19, 82.76, -28.28

 

CMYK 0 / 70 / 21 / 7

HEX #EC46BB

RGB 236 70 187

HSL 317.71, 0.81%, 0.6%

LAB 57.85, 73.55, -26.55

 

CMYK 0 / 60 / 18 / 14

HEX #DB57B4

RGB 219 87 180

HSL 317.73, 0.65%, 0.6%

LAB 57.24, 61.66, -23.67

 

CMYK 0 / 49 / 15 / 20

HEX #CB67AD

RGB 203 103 173

HSL 318, 0.49%, 0.6%

LAB 57.48, 48.44, -19.47

 

CMYK 0 / 35 / 10 / 27

HEX #BA78A7

RGB 186 120 167

HSL 317.27, 0.32%, 0.6%

LAB 58.66, 32.92, -14.42

 

CMYK 0 / 20 / 6 / 33

HEX #AA88A0

RGB 170 136 160

HSL 317.65, 0.17%, 0.6%

LAB 60.51, 17.06, -7.81

 

CMYK 18 / 70 / 0 / 7

HEX #C246EC

RGB 194 70 236

HSL 284.82, 0.81%, 0.6%

LAB 53.93, 71.96, -61.03

 

CMYK 0 / 70 / 1 / 7

HEX #EC46E9

RGB 236 70 233

HSL 301.08, 0.81%, 0.6%

LAB 59.98, 80.12, -49.33

 

CMYK 0 / 70 / 20 / 7

HEX #EC46BD

RGB 236 70 189

HSL 316.99, 0.81%, 0.6%

LAB 57.93, 73.81, -27.57

 

CMYK 0 / 70 / 39 / 7

HEX #EC4691

RGB 236 70 145

HSL 332.89, 0.81%, 0.6%

LAB 56.34, 68.68, -4.33

 

CMYK 0 / 70 / 57 / 7

HEX #EC4665

RGB 236 70 101

HSL 348.8, 0.81%, 0.6%

LAB 55.23, 64.94, 20.17

 

CMYK 0 / 90 / 26 / 21

HEX #CA1595

RGB 202 21 149

HSL 317.57, 0.81%, 0.44%

LAB 45.99, 73.41, -22.96

 

CMYK 0 / 86 / 25 / 9

HEX #E821AD

RGB 232 33 173

HSL 317.79, 0.81%, 0.52%

LAB 53.23, 80.49, -25.59

 

CMYK 0 / 70 / 21 / 7

HEX #EC46BB

RGB 236 70 187

HSL 317.71, 0.81%, 0.6%

LAB 57.85, 73.55, -26.55

 

CMYK 0 / 55 / 16 / 6

HEX #F06CC9

RGB 240 108 201

HSL 317.73, 0.81%, 0.68%

LAB 64.54, 61.37, -24.18

 

CMYK 0 / 40 / 12 / 5

HEX #F391D6

RGB 243 145 214

HSL 317.76, 0.8%, 0.76%

LAB 72.34, 46.31, -19.5

 

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

CMYK 0 / 36 / 70 / 7

HEX #EC9646

RGB 236 150 70

HSL 28.92, 0.81%, 0.6%

LAB 69.53, 25.6, 54.11

 

CMYK 70 / 0 / 8 / 7

HEX #46ECD8

RGB 70 236 216

HSL 172.77, 0.81%, 0.6%

LAB 85.12, -46.43, -2.58

 

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

CMYK 20 / 0 / 70 / 7

HEX #BDEC46

RGB 189 236 70

HSL 76.99, 0.81%, 0.6%

LAB 87.61, -37.42, 71.36

 

CMYK 70 / 20 / 0 / 7

HEX #46BDEC

RGB 70 189 236

HSL 196.99, 0.81%, 0.6%

LAB 72.06, -18.28, -32.98

 

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

CMYK 0 / 36 / 70 / 7

HEX #EC9646

RGB 236 150 70

HSL 28.92, 0.81%, 0.6%

LAB 69.53, 25.6, 54.11

 

CMYK 70 / 0 / 50 / 7

HEX #46EC75

RGB 70 236 117

HSL 136.99, 0.81%, 0.6%

LAB 83.22, -66.81, 45.38

 

CMYK 70 / 34 / 0 / 7

HEX #469CEC

RGB 70 156 236

HSL 208.92, 0.81%, 0.6%

LAB 62.62, -0.15, -47.74

 

CMYK 0 / 71 / 21 / 8

HEX #EB45BA

RGB 235 69 186

HSL 317.71, 0.81%, 0.6%

LAB 57.52, 73.51, -26.48

 

CMYK 0 / 15 / 70 / 7

HEX #ECC846

RGB 236 200 70

HSL 46.99, 0.81%, 0.6%

LAB 81.61, -0.7, 66.57

 

CMYK 70 / 0 / 50 / 7

HEX #46EC75

RGB 70 236 117

HSL 136.99, 0.81%, 0.6%

LAB 83.22, -66.81, 45.38

 

CMYK 70 / 55 / 0 / 7

HEX #466AEC

RGB 70 106 236

HSL 226.99, 0.81%, 0.6%

LAB 49.09, 30.21, -69.42

 

Description

Color code: HEX #EB45BA | qconv.com Color code: HEX #EB45BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 69 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 69 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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