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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3CAB it is the complementary color #14C354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3CAB shade: #F03CA6, #FF4EB9, #FF60CC, #FF72DF and #FF84F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3CAB shade: #EB3CAB, #DA2A98, #C91885, #B80672 and #A7005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3CAB shade: #EA3DAB, #EA3D7C, #EA3D4D and #EA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3CAB shade: #EA3DAB, #EA3DD9, #CC3DEA, #9D3DEA and #6E3DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3CAB shade matches the following richer shades: #EA3DAB and #FB2BAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3CAB shade: #EA3DAB, #D94EA6, #C75FA1, #B6719D and #A58298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3CAB shade: #CA3DEA, #EA3DDC, #EA3DAD, #EA3D7F and #EA3D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3CAB shade: #C11481, #E6189A, #EA3DAB, #EE62BB and #F287CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3CAB shade: #EB3CAB, #EA9C3D and #3DEAE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3CAB shade: #EB3CAB, #ADEA3D and #3DADEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3CAB shade: #EB3CAB, #EA9C3D, #3DEA79 and #3D8BEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3CAB shade: #EB3CAB, #EAD03D, #3DEA79 and #3D57EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

Complementary color

CMYK 90 / 0 / 57 / 24

HEX #14C354

RGB 20 195 84

HSL 141.94, 0.81%, 0.42%

LAB 69.34, -63.65, 43.97

 

CMYK 0 / 75 / 31 / 6

HEX #F03CA6

RGB 240 60 166

HSL 324.67, 0.86%, 0.59%

LAB 56.59, 75.15, -16.22

 

CMYK 0 / 69 / 27 / 0

HEX #FF4EB9

RGB 255 78 185

HSL 323.73, 1%, 0.65%

LAB 61.84, 75.32, -19.01

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CC

RGB 255 96 204

HSL 319.25, 1%, 0.69%

LAB 64.95, 71.04, -25.05

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DF

RGB 255 114 223

HSL 313.62, 1%, 0.72%

LAB 68.48, 66.16, -30.25

 

CMYK 0 / 48 / 5 / 0

HEX #FF84F2

RGB 255 132 242

HSL 306.34, 1%, 0.76%

LAB 72.34, 60.89, -34.74

 

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

CMYK 0 / 81 / 30 / 15

HEX #DA2A98

RGB 218 42 152

HSL 322.5, 0.7%, 0.51%

LAB 50.49, 73.2, -17.61

 

CMYK 0 / 88 / 34 / 21

HEX #C91885

RGB 201 24 133

HSL 323.05, 0.79%, 0.44%

LAB 45.31, 70.97, -14.31

 

CMYK 0 / 97 / 38 / 28

HEX #B80672

RGB 184 6 114

HSL 323.6, 0.94%, 0.37%

LAB 40.47, 67.59, -10.21

 

CMYK 0 / 100 / 43 / 35

HEX #A7005F

RGB 167 0 95

HSL 325.87, 1%, 0.33%

LAB 36.06, 62.73, -5.11

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3D

RGB 234 61 61

HSL 0, 0.8%, 0.58%

LAB 53.13, 65.26, 40.71

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 74 / 7 / 8

HEX #EA3DD9

RGB 234 61 217

HSL 305.9, 0.8%, 0.58%

LAB 57.88, 80.05, -43.65

 

CMYK 13 / 74 / 0 / 8

HEX #CC3DEA

RGB 204 61 234

HSL 289.6, 0.8%, 0.58%

LAB 54.15, 76.72, -59.47

 

CMYK 33 / 74 / 0 / 8

HEX #9D3DEA

RGB 157 61 234

HSL 273.29, 0.8%, 0.58%

LAB 47.55, 68.09, -70.45

 

CMYK 53 / 74 / 0 / 8

HEX #6E3DEA

RGB 110 61 234

HSL 256.99, 0.8%, 0.58%

LAB 42.14, 60.74, -79.52

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 83 / 30 / 2

HEX #FB2BAF

RGB 251 43 175

HSL 321.92, 0.96%, 0.58%

LAB 57.4, 82.87, -20.07

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 64 / 24 / 15

HEX #D94EA6

RGB 217 78 166

HSL 322.01, 0.65%, 0.58%

LAB 55.02, 62.92, -18.96

 

CMYK 0 / 52 / 19 / 22

HEX #C75FA1

RGB 199 95 161

HSL 321.92, 0.48%, 0.58%

LAB 54.97, 49.31, -16.37

 

CMYK 0 / 38 / 14 / 29

HEX #B6719D

RGB 182 113 157

HSL 321.74, 0.32%, 0.58%

LAB 56.28, 33.68, -12.28

 

CMYK 0 / 21 / 8 / 35

HEX #A58298

RGB 165 130 152

HSL 322.29, 0.16%, 0.58%

LAB 58.26, 17.18, -6.63

 

CMYK 14 / 74 / 0 / 8

HEX #CA3DEA

RGB 202 61 234

HSL 288.9, 0.8%, 0.58%

LAB 53.85, 76.33, -59.96

 

CMYK 0 / 74 / 6 / 8

HEX #EA3DDC

RGB 234 61 220

HSL 304.86, 0.8%, 0.58%

LAB 58.03, 80.49, -45.11

 

CMYK 0 / 74 / 26 / 8

HEX #EA3DAD

RGB 234 61 173

HSL 321.16, 0.8%, 0.58%

LAB 55.93, 74.2, -21.41

 

CMYK 0 / 74 / 46 / 8

HEX #EA3D7F

RGB 234 61 127

HSL 337.11, 0.8%, 0.58%

LAB 54.41, 69.42, 3.48

 

CMYK 0 / 74 / 65 / 8

HEX #EA3D51

RGB 234 61 81

HSL 353.06, 0.8%, 0.58%

LAB 53.41, 66.18, 29.54

 

CMYK 0 / 90 / 33 / 24

HEX #C11481

RGB 193 20 129

HSL 322.2, 0.81%, 0.42%

LAB 43.39, 69.42, -14.92

 

CMYK 0 / 90 / 33 / 10

HEX #E6189A

RGB 230 24 154

HSL 322.14, 0.81%, 0.5%

LAB 51.62, 79.42, -16.87

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 59 / 21 / 7

HEX #EE62BB

RGB 238 98 187

HSL 321.86, 0.8%, 0.66%

LAB 62.08, 63.25, -20.02

 

CMYK 0 / 44 / 16 / 5

HEX #F287CB

RGB 242 135 203

HSL 321.87, 0.8%, 0.74%

LAB 69.84, 49.34, -17.21

 

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

CMYK 0 / 33 / 74 / 8

HEX #EA9C3D

RGB 234 156 61

HSL 32.95, 0.8%, 0.58%

LAB 70.6, 21.17, 59.11

 

CMYK 74 / 0 / 4 / 8

HEX #3DEAE1

RGB 61 234 225

HSL 176.88, 0.8%, 0.58%

LAB 84.62, -44.21, -8.07

 

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

CMYK 26 / 0 / 74 / 8

HEX #ADEA3D

RGB 173 234 61

HSL 81.16, 0.8%, 0.58%

LAB 86.04, -43.05, 72.52

 

CMYK 74 / 26 / 0 / 8

HEX #3DADEA

RGB 61 173 234

HSL 201.16, 0.8%, 0.58%

LAB 67.14, -11.55, -39.55

 

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

CMYK 0 / 33 / 74 / 8

HEX #EA9C3D

RGB 234 156 61

HSL 32.95, 0.8%, 0.58%

LAB 70.6, 21.17, 59.11

 

CMYK 74 / 0 / 48 / 8

HEX #3DEA79

RGB 61 234 121

HSL 140.81, 0.8%, 0.58%

LAB 82.5, -66.86, 42.53

 

CMYK 74 / 41 / 0 / 8

HEX #3D8BEA

RGB 61 139 234

HSL 212.95, 0.8%, 0.58%

LAB 57.46, 7.97, -54.84

 

CMYK 0 / 74 / 27 / 8

HEX #EB3CAB

RGB 235 60 171

HSL 321.94, 0.81%, 0.58%

LAB 55.92, 74.51, -20.25

 

CMYK 0 / 11 / 74 / 8

HEX #EAD03D

RGB 234 208 61

HSL 50.98, 0.8%, 0.58%

LAB 83.41, -6.04, 71.57

 

CMYK 74 / 0 / 48 / 8

HEX #3DEA79

RGB 61 234 121

HSL 140.81, 0.8%, 0.58%

LAB 82.5, -66.86, 42.53

 

CMYK 74 / 63 / 0 / 8

HEX #3D57EA

RGB 61 87 234

HSL 230.98, 0.8%, 0.58%

LAB 43.87, 40.24, -76.82

 

Description

Color code: HEX #EB3CAB | qconv.com Color code: HEX #EB3CAB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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