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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3C4C it is the complementary color #14C3B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3C4C shade: #F03C47, #FF4E5A, #FF606D, #FF7280 and #FF8493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3C4C shade: #EB3C4C, #DA2A39, #C91826, #B80613 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3C4C shade: #EA3D4D and #EA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3C4C shade: #EA3D4D, #EA3D7B, #EA3DAA, #EA3DD9 and #CD3DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3C4C shade matches the following richer shades: #EA3D4D and #FB2B3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3C4C shade: #EA3D4D, #D94E5B, #C75F69, #B67177 and #A58285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3C4C shade: #EA3DAB, #EA3D7C, #EA3D4E, #EA5A3D and #EA883D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3C4C shade: #C11424, #E6182B, #EA3D4D, #EE626F and #F28791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3C4C shade: #EB3C4C, #D9EA3D and #3D93EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3C4C shade: #EB3C4C, #4EEA3D and #3D4EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3C4C shade: #EB3C4C, #D9EA3D, #3DEAD9 and #4E3DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3C4C shade: #EB3C4C, #A5EA3D, #3DEAD9 and #823DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

Complementary color

CMYK 90 / 0 / 8 / 24

HEX #14C3B3

RGB 20 195 179

HSL 174.51, 0.81%, 0.42%

LAB 71.17, -43.27, -3.35

 

CMYK 0 / 75 / 70 / 6

HEX #F03C47

RGB 240 60 71

HSL 356.33, 0.86%, 0.59%

LAB 54.25, 67.75, 36.63

 

CMYK 0 / 69 / 65 / 0

HEX #FF4E5A

RGB 255 78 90

HSL 355.93, 1%, 0.65%

LAB 59.39, 67.08, 32.63

 

CMYK 0 / 62 / 57 / 0

HEX #FF606D

RGB 255 96 109

HSL 355.09, 1%, 0.69%

LAB 62.28, 61.27, 25.48

 

CMYK 0 / 55 / 50 / 0

HEX #FF7280

RGB 255 114 128

HSL 354.04, 1%, 0.72%

LAB 65.63, 54.84, 19.18

 

CMYK 0 / 48 / 42 / 0

HEX #FF8493

RGB 255 132 147

HSL 352.68, 1%, 0.76%

LAB 69.38, 48.04, 13.66

 

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

CMYK 0 / 81 / 74 / 15

HEX #DA2A39

RGB 218 42 57

HSL 354.89, 0.7%, 0.51%

LAB 48.08, 66.04, 36.47

 

CMYK 0 / 88 / 81 / 21

HEX #C91826

RGB 201 24 38

HSL 355.25, 0.79%, 0.44%

LAB 43.08, 64.7, 40.93

 

CMYK 0 / 97 / 90 / 28

HEX #B80613

RGB 184 6 19

HSL 355.62, 0.94%, 0.37%

LAB 38.49, 62.26, 45.32

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3D

RGB 234 61 61

HSL 0, 0.8%, 0.58%

LAB 53.13, 65.26, 40.71

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7B

RGB 234 61 123

HSL 338.5, 0.8%, 0.58%

LAB 54.3, 69.08, 5.71

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAA

RGB 234 61 170

HSL 322.2, 0.8%, 0.58%

LAB 55.82, 73.85, -19.83

 

CMYK 0 / 74 / 7 / 8

HEX #EA3DD9

RGB 234 61 217

HSL 305.9, 0.8%, 0.58%

LAB 57.88, 80.05, -43.65

 

CMYK 12 / 74 / 0 / 8

HEX #CD3DEA

RGB 205 61 234

HSL 289.94, 0.8%, 0.58%

LAB 54.3, 76.91, -59.22

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 83 / 75 / 2

HEX #FB2B3E

RGB 251 43 62

HSL 354.52, 0.96%, 0.58%

LAB 54.64, 74.88, 42.73

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 64 / 58 / 15

HEX #D94E5B

RGB 217 78 91

HSL 354.39, 0.65%, 0.58%

LAB 52.9, 55.24, 22.4

 

CMYK 0 / 52 / 47 / 22

HEX #C75F69

RGB 199 95 105

HSL 354.23, 0.48%, 0.58%

LAB 53.33, 42.35, 14.22

 

CMYK 0 / 38 / 35 / 29

HEX #B67177

RGB 182 113 119

HSL 354.78, 0.32%, 0.58%

LAB 55.16, 28.03, 8.24

 

CMYK 0 / 21 / 19 / 35

HEX #A58285

RGB 165 130 133

HSL 354.86, 0.16%, 0.58%

LAB 57.71, 13.91, 3.52

 

CMYK 0 / 74 / 27 / 8

HEX #EA3DAB

RGB 234 61 171

HSL 321.85, 0.8%, 0.58%

LAB 55.86, 73.96, -20.36

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4E

RGB 234 61 78

HSL 354.1, 0.8%, 0.58%

LAB 53.36, 66.02, 31.24

 

CMYK 0 / 62 / 74 / 8

HEX #EA5A3D

RGB 234 90 61

HSL 10.06, 0.8%, 0.58%

LAB 57.21, 54.15, 45.2

 

CMYK 0 / 42 / 74 / 8

HEX #EA883D

RGB 234 136 61

HSL 26.01, 0.8%, 0.58%

LAB 66.09, 31.72, 54.54

 

CMYK 0 / 90 / 81 / 24

HEX #C11424

RGB 193 20 36

HSL 354.45, 0.81%, 0.42%

LAB 41.16, 63.2, 39.59

 

CMYK 0 / 90 / 81 / 10

HEX #E6182B

RGB 230 24 43

HSL 354.47, 0.81%, 0.5%

LAB 49.07, 72.35, 46.08

 

CMYK 0 / 74 / 67 / 8

HEX #EA3D4D

RGB 234 61 77

HSL 354.45, 0.8%, 0.58%

LAB 53.35, 65.97, 31.81

 

CMYK 0 / 59 / 53 / 7

HEX #EE626F

RGB 238 98 111

HSL 354.43, 0.8%, 0.66%

LAB 59.94, 54.99, 20.73

 

CMYK 0 / 44 / 40 / 5

HEX #F28791

RGB 242 135 145

HSL 354.39, 0.8%, 0.74%

LAB 68.2, 41.73, 12.88

 

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

CMYK 7 / 0 / 74 / 8

HEX #D9EA3D

RGB 217 234 61

HSL 65.9, 0.8%, 0.58%

LAB 88.89, -25.88, 76.23

 

CMYK 74 / 37 / 0 / 8

HEX #3D93EA

RGB 61 147 234

HSL 210.17, 0.8%, 0.58%

LAB 59.71, 3.21, -51.26

 

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

CMYK 67 / 0 / 74 / 8

HEX #4EEA3D

RGB 78 234 61

HSL 114.1, 0.8%, 0.58%

LAB 82.27, -70.73, 67.56

 

CMYK 74 / 67 / 0 / 8

HEX #3D4EEA

RGB 61 78 234

HSL 234.1, 0.8%, 0.58%

LAB 41.82, 45.69, -80.19

 

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

CMYK 7 / 0 / 74 / 8

HEX #D9EA3D

RGB 217 234 61

HSL 65.9, 0.8%, 0.58%

LAB 88.89, -25.88, 76.23

 

CMYK 74 / 0 / 7 / 8

HEX #3DEAD9

RGB 61 234 217

HSL 174.1, 0.8%, 0.58%

LAB 84.41, -46.37, -4.18

 

CMYK 67 / 74 / 0 / 8

HEX #4E3DEA

RGB 78 61 234

HSL 245.9, 0.8%, 0.58%

LAB 39.41, 56.88, -84.12

 

CMYK 0 / 74 / 68 / 8

HEX #EB3C4C

RGB 235 60 76

HSL 354.51, 0.81%, 0.58%

LAB 53.4, 66.53, 32.5

 

CMYK 29 / 0 / 74 / 8

HEX #A5EA3D

RGB 165 234 61

HSL 83.93, 0.8%, 0.58%

LAB 85.6, -45.97, 71.94

 

CMYK 74 / 0 / 7 / 8

HEX #3DEAD9

RGB 61 234 217

HSL 174.1, 0.8%, 0.58%

LAB 84.41, -46.37, -4.18

 

CMYK 44 / 74 / 0 / 8

HEX #823DEA

RGB 130 61 234

HSL 263.93, 0.8%, 0.58%

LAB 44.27, 63.66, -75.95

 

Description

Color code: HEX #EB3C4C | qconv.com Color code: HEX #EB3C4C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 68 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 68% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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