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Color name
HEX #EB3C2F99

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3C2F99 it is the complementary color #14C3D099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #EB3C2F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3C2F99 shade: #F03C2A99, #FF4E3D99, #FF605099, #FF726399 and #FF847699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #EB3C2F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3C2F99 shade: #EB3C2F99, #DA2A1C99, #C9180999, #B8060099 and #A7000099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3C2F99 shade: #EA3B2E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3C2F99 shade: #EA3B2E, #EA6E2E, #EAA12E, #EAD32E and #CFEA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3C2F99 shade matches the following richer shades: #EA3B2E and #FD2B1C

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3C2F99 shade: #EA3B2E, #D84B41, #C55B53, #B36B66 and #A07B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3C2F99 shade: #EA2E86, #EA2E54, #EA3B2E, #EA6D2E and #EA9F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3C2F99 shade: #B41D12, #DA2316, #EA3B2E, #EE5E54 and #F28279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3C2F99 shade: #EB3C2F, #B8EA2E and #2E6DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3C2F99 shade: #EB3C2F, #2EEA3B and #3B2EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3C2F99 shade: #EB3C2F, #B8EA2E, #2EDEEA and #602EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3C2F99 shade: #EB3C2F, #80EA2E, #2EDEEA and #992EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 48 / 5

RGBA 235 60 47 0.6

HSLA 4.15, 0.82%, 0.55%, 0.6

LABA 53.06, 65.4, 48.2, 0.6

Complementary color

CMYK 54 / 4 / 0 / 11

RGBA 20 195 208 0.6

HSLA 184.15, 0.82%, 0.45%, 0.6

LABA 72.05, -34.65, -17.85, 0.6

Lighter colors

CMYK 0 / 45 / 50 / 4

RGBA 240 60 42 0.6

HSLA 5.45, 0.87%, 0.55%, 0.6

LABA 53.95, 66.75, 51.86, 0.6

CMYK 0 / 42 / 46 / 0

RGBA 255 78 61 0.6

HSLA 5.26, 1%, 0.62%, 0.6

LABA 59.02, 65.79, 48.19, 0.6

CMYK 0 / 37 / 41 / 0

RGBA 255 96 80 0.6

HSLA 5.49, 1%, 0.66%, 0.6

LABA 61.83, 59.55, 41.19, 0.6

CMYK 0 / 33 / 37 / 0

RGBA 255 114 99 0.6

HSLA 5.77, 1%, 0.69%, 0.6

LABA 65.12, 52.66, 34.77, 0.6

CMYK 0 / 29 / 32 / 0

RGBA 255 132 118 0.6

HSLA 6.13, 1%, 0.73%, 0.6

LABA 68.8, 45.4, 29.03, 0.6

Darker colors

CMYK 0 / 45 / 48 / 5

RGBA 235 60 47 0.6

HSLA 4.15, 0.82%, 0.55%, 0.6

LABA 53.06, 65.4, 48.2, 0.6

CMYK 0 / 48 / 52 / 9

RGBA 218 42 28 0.6

HSLA 4.42, 0.77%, 0.48%, 0.6

LABA 47.81, 65.2, 51.46, 0.6

CMYK 0 / 53 / 57 / 13

RGBA 201 24 9 0.6

HSLA 4.69, 0.91%, 0.41%, 0.6

LABA 42.9, 64.17, 53.65, 0.6

CMYK 0 / 58 / 60 / 17

RGBA 184 6 0 0.6

HSLA 1.96, 1%, 0.36%, 0.6

LABA 38.41, 62.03, 52.68, 0.6

CMYK 0 / 60 / 60 / 21

RGBA 167 0 0 0.6

HSLA 0, 1%, 0.33%, 0.6

LABA 34.43, 58.35, 48.69, 0.6

Warmer colors

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 80 / 80 / 8

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

Colder colors

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 53 / 80 / 8

HSL 20.43, 0.82%, 0.55%

LAB 60.64, 44.35, 55.85

CMYK 0 / 31 / 80 / 8

HSL 36.7, 0.82%, 0.55%

LAB 71.68, 17.95, 65.91

CMYK 0 / 10 / 80 / 8

HSL 52.66, 0.82%, 0.55%

LAB 84.11, -8.1, 76.85

CMYK 12 / 0 / 80 / 8

HSL 68.62, 0.82%, 0.55%

LAB 88.12, -30.49, 79.52

Richer colors

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 83 / 89 / 1

HSL 4, 0.98%, 0.55%

LAB 54.76, 74.59, 59.72

Paler colors

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 65 / 70 / 15

HSL 3.97, 0.66%, 0.55%

LAB 51.85, 54.61, 36.15

CMYK 0 / 54 / 58 / 23

HSL 4.21, 0.5%, 0.55%

LAB 51.81, 41.7, 25.07

CMYK 0 / 40 / 43 / 30

RGB 179 107 102

HSL 3.9, 0.34%, 0.55%

LAB 53.01, 28.13, 15.12

CMYK 0 / 23 / 25 / 37

RGB 160 123 120

HSL 4.5, 0.17%, 0.55%

LAB 55.07, 13.91, 7.18

Analogue colors

CMYK 0 / 80 / 43 / 8

HSL 331.91, 0.82%, 0.55%

LAB 53.13, 74.23, -2.57

CMYK 0 / 80 / 64 / 8

HSL 347.87, 0.82%, 0.55%

LAB 51.93, 70.64, 25.88

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 53 / 80 / 8

HSL 20.11, 0.82%, 0.55%

LAB 60.45, 44.83, 55.67

CMYK 0 / 32 / 80 / 8

HSL 36.06, 0.82%, 0.55%

LAB 71.2, 19.01, 65.49

Monochromatic colors

CMYK 0 / 84 / 90 / 29

HSL 4.07, 0.82%, 0.39%

LAB 38.94, 57.42, 45.72

CMYK 0 / 84 / 90 / 15

HSL 3.98, 0.82%, 0.47%

LAB 47.19, 66.76, 53.53

CMYK 0 / 75 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 52.75, 65.39, 48.34

CMYK 0 / 61 / 65 / 7

HSL 3.9, 0.82%, 0.63%

LAB 58.81, 54.91, 34.69

CMYK 0 / 46 / 50 / 5

RGB 242 130 121

HSL 4.46, 0.82%, 0.71%

LAB 66.69, 41.89, 24.24

Partial complementary colors

CMYK 0 / 74 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 53.06, 65.4, 48.2

CMYK 21 / 0 / 80 / 8

HSL 75.96, 0.82%, 0.55%

LAB 86.62, -39.55, 77.62

CMYK 80 / 53 / 0 / 8

HSL 219.89, 0.82%, 0.55%

LAB 48.83, 24.95, -68.75

Triadic colors

CMYK 0 / 74 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 53.06, 65.4, 48.2

CMYK 80 / 0 / 75 / 8

HSL 124.15, 0.82%, 0.55%

LAB 81.7, -75.69, 67.46

CMYK 75 / 80 / 0 / 8

HSL 244.15, 0.82%, 0.55%

LAB 35.64, 62.56, -90.38

Rectangular (tetradic) colors

CMYK 0 / 74 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 53.06, 65.4, 48.2

CMYK 21 / 0 / 80 / 8

HSL 75.96, 0.82%, 0.55%

LAB 86.62, -39.55, 77.62

CMYK 80 / 5 / 0 / 8

HSL 183.83, 0.82%, 0.55%

LAB 81.16, -37.66, -18.04

CMYK 59 / 80 / 0 / 8

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

Square colors

CMYK 0 / 74 / 80 / 8

HSL 4.15, 0.82%, 0.55%

LAB 53.06, 65.4, 48.2

CMYK 45 / 0 / 80 / 8

HSL 93.83, 0.82%, 0.55%

LAB 83.77, -59.09, 74

CMYK 80 / 5 / 0 / 8

HSL 183.83, 0.82%, 0.55%

LAB 81.16, -37.66, -18.04

CMYK 35 / 80 / 0 / 8

HSL 274.15, 0.82%, 0.55%

LAB 45.17, 72.79, -74.35

Description

Color code: HEX #EB3C2F99 | qconv.com

Color code: HEX #EB3C2F99 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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