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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB390ACE it is the complementary color #14C6F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB390ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB390ACE shade: #F03905CE, #FF4B18CE, #FF5D2BCE, #FF6F3ECE and #FF8151CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB390ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB390ACE shade: #EB390ACE, #DA2700CE, #C91500CE, #B80300CE and #A70000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB390ACE shade: #EB390A and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB390ACE shade: #EB390A, #EB760A, #EBB20A, #E7EB0A and #AAEB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB390ACE shade matches the following richer shades: #EB390A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB390ACE shade: #EB390A, #D7441E, #C35031, #B05B45 and #9C6759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB390ACE shade: #EB0A55, #EB0A19, #EB370A, #EB730A and #EBAF0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB390ACE shade: #9C2606, #C32F08, #EB390A, #F65328 and #F87350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB390ACE shade: #EB390A, #91EB0A and #0A37EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB390ACE shade: #EB390A, #0AEB37 and #370AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB390ACE shade: #EB390A, #91EB0A, #0ABEEB and #640AEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB390ACE shade: #EB390A, #4DEB0A, #0ABEEB and #A70AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 78 / 6

HEX #EB390ACE

RGBA 235 57 10 0.81

HSLA 12.53, 0.92%, 0.48%, 0.81

LABA 52.52, 65.67, 62.22, 0.81

 

Complementary color

CMYK 74 / 16 / 0 / 3

HEX #14C6F5CE

RGBA 20 198 245 0.81

HSLA 192.53, 0.92%, 0.52%, 0.81

LABA 74.27, -24.14, -34.48, 0.81

 

CMYK 0 / 62 / 79 / 5

HEX #F03905CE

RGBA 240 57 5 0.81

HSLA 13.28, 0.96%, 0.48%, 0.81

LABA 53.45, 67.12, 64.35, 0.81

 

CMYK 0 / 57 / 73 / 0

HEX #FF4B18CE

RGBA 255 75 24 0.81

HSLA 13.25, 1%, 0.55%, 0.81

LABA 58.38, 65.97, 63.82, 0.81

 

CMYK 0 / 51 / 67 / 0

HEX #FF5D2BCE

RGBA 255 93 43 0.81

HSLA 14.15, 1%, 0.58%, 0.81

LABA 61.01, 59.44, 58.71, 0.81

 

CMYK 0 / 46 / 61 / 0

HEX #FF6F3ECE

RGBA 255 111 62 0.81

HSLA 15.23, 1%, 0.62%, 0.81

LABA 64.14, 52.16, 53.02, 0.81

 

CMYK 0 / 40 / 55 / 0

HEX #FF8151CE

RGBA 255 129 81 0.81

HSLA 16.55, 1%, 0.66%, 0.81

LABA 67.69, 44.43, 47.44, 0.81

 

CMYK 0 / 61 / 78 / 6

HEX #EB390ACE

RGBA 235 57 10 0.81

HSLA 12.53, 0.92%, 0.48%, 0.81

LABA 52.52, 65.67, 62.22, 0.81

 

CMYK 0 / 67 / 81 / 12

HEX #DA2700CE

RGBA 218 39 0 0.81

HSLA 10.73, 1%, 0.43%, 0.81

LABA 47.44, 65.62, 60.44, 0.81

 

CMYK 0 / 73 / 81 / 17

HEX #C91500CE

RGBA 201 21 0 0.81

HSLA 6.27, 1%, 0.39%, 0.81

LABA 42.69, 64.59, 56.48, 0.81

 

CMYK 0 / 80 / 81 / 23

HEX #B80300CE

RGBA 184 3 0 0.81

HSLA 0.98, 1%, 0.36%, 0.81

LABA 38.3, 62.36, 52.64, 0.81

 

CMYK 0 / 81 / 81 / 28

HEX #A70000CE

RGBA 167 0 0 0.81

HSLA 0, 1%, 0.33%, 0.81

LABA 34.43, 58.35, 48.69, 0.81

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 0 / 50 / 96 / 8

HEX #EB760A

RGB 235 118 10

HSL 28.8, 0.92%, 0.48%

LAB 62.2, 40.07, 68.06

 

CMYK 0 / 24 / 96 / 8

HEX #EBB20A

RGB 235 178 10

HSL 44.8, 0.92%, 0.48%

LAB 75.78, 8.67, 77.36

 

CMYK 2 / 0 / 96 / 8

HEX #E7EB0A

RGB 231 235 10

HSL 61.07, 0.92%, 0.48%

LAB 90.06, -21.84, 87.68

 

CMYK 28 / 0 / 96 / 8

HEX #AAEB0A

RGB 170 235 10

HSL 77.33, 0.92%, 0.48%

LAB 86, -46.12, 82.8

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 0 / 68 / 86 / 16

HEX #D7441E

RGB 215 68 30

HSL 12.32, 0.76%, 0.48%

LAB 50.3, 55.86, 52.38

 

CMYK 0 / 59 / 75 / 24

HEX #C35031

RGB 195 80 49

HSL 12.74, 0.6%, 0.48%

LAB 48.96, 44.28, 40.72

 

CMYK 0 / 48 / 61 / 31

HEX #B05B45

RGB 176 91 69

HSL 12.34, 0.44%, 0.48%

LAB 48.44, 32.56, 28.25

 

CMYK 0 / 34 / 43 / 39

HEX #9C6759

RGB 156 103 89

HSL 12.54, 0.27%, 0.48%

LAB 48.87, 19.57, 16.62

 

CMYK 0 / 96 / 64 / 8

HEX #EB0A55

RGB 235 10 85

HSL 340, 0.92%, 0.48%

LAB 50.14, 76.71, 22.98

 

CMYK 0 / 96 / 89 / 8

HEX #EB0A19

RGB 235 10 25

HSL 356, 0.92%, 0.48%

LAB 49.43, 74.78, 55.5

 

CMYK 0 / 77 / 96 / 8

HEX #EB370A

RGB 235 55 10

HSL 12, 0.92%, 0.48%

LAB 52.3, 66.28, 62.1

 

CMYK 0 / 51 / 96 / 8

HEX #EB730A

RGB 235 115 10

HSL 28, 0.92%, 0.48%

LAB 61.61, 41.57, 67.68

 

CMYK 0 / 26 / 96 / 8

HEX #EBAF0A

RGB 235 175 10

HSL 44, 0.92%, 0.48%

LAB 75.04, 10.25, 76.84

 

CMYK 0 / 76 / 96 / 39

HEX #9C2606

RGB 156 38 6

HSL 12.8, 0.93%, 0.32%

LAB 34.94, 47.21, 45.31

 

CMYK 0 / 76 / 96 / 24

HEX #C32F08

RGB 195 47 8

HSL 12.51, 0.92%, 0.4%

LAB 43.73, 56.65, 53.76

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 0 / 66 / 84 / 4

HEX #F65328

RGB 246 83 40

HSL 12.52, 0.92%, 0.56%

LAB 57.97, 60.42, 56.76

 

CMYK 0 / 54 / 68 / 3

HEX #F87350

RGB 248 115 80

HSL 12.5, 0.92%, 0.64%

LAB 64, 48.58, 43.44

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 38 / 0 / 96 / 8

HEX #91EB0A

RGB 145 235 10

HSL 84, 0.92%, 0.48%

LAB 84.72, -55, 81.25

 

CMYK 96 / 77 / 0 / 8

HEX #0A37EB

RGB 10 55 235

HSL 228, 0.92%, 0.48%

LAB 35.59, 56.49, -91.1

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 96 / 0 / 77 / 8

HEX #0AEB37

RGB 10 235 55

HSL 132, 0.92%, 0.48%

LAB 81.71, -78.75, 68.63

 

CMYK 77 / 96 / 0 / 8

HEX #370AEB

RGB 55 10 235

HSL 252, 0.92%, 0.48%

LAB 31.87, 73.6, -97.24

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 38 / 0 / 96 / 8

HEX #91EB0A

RGB 145 235 10

HSL 84, 0.92%, 0.48%

LAB 84.72, -55, 81.25

 

CMYK 96 / 19 / 0 / 8

HEX #0ABEEB

RGB 10 190 235

HSL 192, 0.92%, 0.48%

LAB 71.48, -23.76, -33.41

 

CMYK 57 / 96 / 0 / 8

HEX #640AEB

RGB 100 10 235

HSL 264, 0.92%, 0.48%

LAB 35.84, 75.72, -90.53

 

CMYK 0 / 76 / 96 / 8

HEX #EB390A

RGB 235 57 10

HSL 12.53, 0.92%, 0.48%

LAB 52.52, 65.67, 62.22

 

CMYK 67 / 0 / 96 / 8

HEX #4DEB0A

RGB 77 235 10

HSL 102.13, 0.92%, 0.48%

LAB 82.39, -73.29, 78.4

 

CMYK 96 / 19 / 0 / 8

HEX #0ABEEB

RGB 10 190 235

HSL 192, 0.92%, 0.48%

LAB 71.48, -23.76, -33.41

 

CMYK 29 / 96 / 0 / 8

HEX #A70AEB

RGB 167 10 235

HSL 281.87, 0.92%, 0.48%

LAB 44.84, 82.06, -75.38

 

Description

Color code: HEX #EB390ACE | qconv.com Color code: HEX #EB390ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 57 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 57 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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