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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB37D4 it is the complementary color #14C82B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB37D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB37D4 shade: #F037CF, #FF49E2, #FF5BF5, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB37D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB37D4 shade: #EB37D4, #DA25C1, #C913AE, #B8019B and #A70088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB37D4 shade: #EB37D4, #EB37A3, #EB3773, #EB3742 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB37D4 shade: #EB37D4, #D137EB, #A137EB, #7037EB and #4037EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB37D4 shade matches the following richer shades: #EB37D4 and #FD25E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB37D4 shade: #EB37D4, #D949C7, #C75AB9, #B66CAC and #A47E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB37D4 shade: #A037EB, #D037EB, #EB37D6, #EB37A6 and #EB3776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB37D4 shade: #BD12A7, #E216C8, #EB37D4, #EE5CDC and #F282E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB37D4 shade: #EB37D4, #EB7037 and #37EBB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB37D4 shade: #EB37D4, #D6EB37 and #37D6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB37D4 shade: #EB37D4, #EB7037, #37EB4C and #37B2EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB37D4 shade: #EB37D4, #EBA637, #37EB4C and #377CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

Complementary color

CMYK 90 / 0 / 79 / 22

HEX #14C82B

RGB 20 200 43

HSL 127.67, 0.82%, 0.43%

LAB 70.62, -69.27, 61.59

 

CMYK 0 / 77 / 14 / 6

HEX #F037CF

RGB 240 55 207

HSL 310.7, 0.86%, 0.58%

LAB 57.81, 81.57, -38.01

 

CMYK 0 / 71 / 11 / 0

HEX #FF49E2

RGB 255 73 226

HSL 309.56, 1%, 0.64%

LAB 62.94, 82.25, -40.53

 

CMYK 0 / 64 / 4 / 0

HEX #FF5BF5

RGB 255 91 245

HSL 303.66, 1%, 0.68%

LAB 66.01, 78.89, -46.28

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 83 / 11 / 15

HEX #DA25C1

RGB 218 37 193

HSL 308.29, 0.71%, 0.5%

LAB 51.93, 79.4, -39.48

 

CMYK 0 / 91 / 13 / 21

HEX #C913AE

RGB 201 19 174

HSL 308.9, 0.83%, 0.43%

LAB 46.89, 76.59, -36.5

 

CMYK 0 / 99 / 16 / 28

HEX #B8019B

RGB 184 1 155

HSL 309.51, 0.99%, 0.36%

LAB 42.12, 72.78, -32.88

 

CMYK 0 / 100 / 19 / 35

HEX #A70088

RGB 167 0 136

HSL 311.14, 1%, 0.33%

LAB 37.83, 67.24, -28.25

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 77 / 31 / 8

HEX #EB37A3

RGB 235 55 163

HSL 324, 0.82%, 0.57%

LAB 55.11, 75.04, -16.8

 

CMYK 0 / 77 / 51 / 8

HEX #EB3773

RGB 235 55 115

HSL 340, 0.82%, 0.57%

LAB 53.63, 70.51, 9.58

 

CMYK 0 / 77 / 72 / 8

HEX #EB3742

RGB 235 55 66

HSL 356.33, 0.82%, 0.57%

LAB 52.72, 67.6, 37.46

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 11 / 77 / 0 / 8

HEX #D137EB

RGB 209 55 235

HSL 291.33, 0.82%, 0.57%

LAB 54.33, 79.67, -59.7

 

CMYK 31 / 77 / 0 / 8

HEX #A137EB

RGB 161 55 235

HSL 275.33, 0.82%, 0.57%

LAB 47.38, 71.22, -71.28

 

CMYK 52 / 77 / 0 / 8

HEX #7037EB

RGB 112 55 235

HSL 259, 0.82%, 0.57%

LAB 41.49, 63.96, -81.14

 

CMYK 73 / 77 / 0 / 8

HEX #4037EB

RGB 64 55 235

HSL 243, 0.82%, 0.57%

LAB 37.52, 58.96, -87.84

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 85 / 11 / 1

HEX #FD25E1

RGB 253 37 225

HSL 307.78, 0.98%, 0.57%

LAB 59.56, 90.34, -45.31

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 66 / 8 / 15

HEX #D949C7

RGB 217 73 199

HSL 307.5, 0.65%, 0.57%

LAB 55.73, 69.57, -36.97

 

CMYK 0 / 55 / 7 / 22

HEX #C75AB9

RGB 199 90 185

HSL 307.71, 0.49%, 0.57%

LAB 55.03, 55.49, -30.21

 

CMYK 0 / 41 / 5 / 29

HEX #B66CAC

RGB 182 108 172

HSL 308.11, 0.34%, 0.57%

LAB 55.73, 39, -21.8

 

CMYK 0 / 23 / 3 / 36

HEX #A47E9F

RGB 164 126 159

HSL 307.89, 0.17%, 0.57%

LAB 57.38, 20.41, -11.97

 

CMYK 32 / 77 / 0 / 8

HEX #A037EB

RGB 160 55 235

HSL 275, 0.82%, 0.57%

LAB 47.24, 71.06, -71.51

 

CMYK 11 / 77 / 0 / 8

HEX #D037EB

RGB 208 55 235

HSL 291, 0.82%, 0.57%

LAB 54.18, 79.48, -59.96

 

CMYK 0 / 77 / 9 / 8

HEX #EB37D6

RGB 235 55 214

HSL 307, 0.82%, 0.57%

LAB 57.32, 81.5, -42.83

 

CMYK 0 / 77 / 29 / 8

HEX #EB37A6

RGB 235 55 166

HSL 323, 0.82%, 0.57%

LAB 55.22, 75.37, -18.39

 

CMYK 0 / 77 / 50 / 8

HEX #EB3776

RGB 235 55 118

HSL 339, 0.82%, 0.57%

LAB 53.71, 70.74, 7.88

 

CMYK 0 / 90 / 12 / 26

HEX #BD12A7

RGB 189 18 167

HSL 307.72, 0.83%, 0.41%

LAB 44.29, 73.51, -36.59

 

CMYK 0 / 90 / 12 / 11

HEX #E216C8

RGB 226 22 200

HSL 307.65, 0.82%, 0.49%

LAB 52.85, 84.28, -41.97

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 61 / 8 / 7

HEX #EE5CDC

RGB 238 92 220

HSL 307.4, 0.81%, 0.65%

LAB 62.51, 70.56, -38.04

 

CMYK 0 / 46 / 6 / 5

HEX #F282E4

RGB 242 130 228

HSL 307.5, 0.81%, 0.73%

LAB 69.78, 55.8, -31.14

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 52 / 77 / 8

HEX #EB7037

RGB 235 112 55

HSL 19, 0.82%, 0.57%

LAB 61.24, 44.06, 52.43

 

CMYK 77 / 0 / 22 / 8

HEX #37EBB8

RGB 55 235 184

HSL 163, 0.82%, 0.57%

LAB 83.8, -55.7, 12.28

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 9 / 0 / 77 / 8

HEX #D6EB37

RGB 214 235 55

HSL 67, 0.82%, 0.57%

LAB 88.92, -27.82, 77.99

 

CMYK 77 / 9 / 0 / 8

HEX #37D6EB

RGB 55 214 235

HSL 187, 0.82%, 0.57%

LAB 78.99, -32.81, -21.86

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 52 / 77 / 8

HEX #EB7037

RGB 235 112 55

HSL 19, 0.82%, 0.57%

LAB 61.24, 44.06, 52.43

 

CMYK 77 / 0 / 68 / 8

HEX #37EB4C

RGB 55 235 76

HSL 127, 0.82%, 0.57%

LAB 82.24, -73.51, 62.02

 

CMYK 77 / 24 / 0 / 8

HEX #37B2EB

RGB 55 178 235

HSL 199, 0.82%, 0.57%

LAB 68.5, -14.61, -37.99

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D4

RGB 235 55 212

HSL 307.67, 0.82%, 0.57%

LAB 57.22, 81.21, -41.85

 

CMYK 0 / 29 / 77 / 8

HEX #EBA637

RGB 235 166 55

HSL 37, 0.82%, 0.57%

LAB 73.03, 16.04, 63.93

 

CMYK 77 / 0 / 68 / 8

HEX #37EB4C

RGB 55 235 76

HSL 127, 0.82%, 0.57%

LAB 82.24, -73.51, 62.02

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

Description

Color code: HEX #EB37D4 | qconv.com Color code: HEX #EB37D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 55 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 55 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 10 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 10% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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