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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB378B it is the complementary color #14C874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB378B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB378B shade: #F03786, #FF4999, #FF5BAC, #FF6DBF and #FF7FD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB378B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB378B shade: #EB378B, #DA2578, #C91365, #B80152 and #A7003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB378B shade: #EB378B, #EB375A and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB378B shade: #EB378B, #EB37BB, #EA37EB, #B937EB and #8937EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB378B shade matches the following richer shades: #EB378B and #FD258A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB378B shade: #EB378B, #D9498C, #C75A8D, #B66C8E and #A47E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB378B shade: #EB37EB, #EB37BB, #EB378B, #EB375B and #EB4337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB378B shade: #BD1262, #E21675, #EB378B, #EE5CA1 and #F282B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB378B shade: #EB378B, #EBBB37 and #37D3EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB378B shade: #EB378B, #8BEB37 and #378BEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB378B shade: #EB378B, #EBBB37, #37EB97 and #3767EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB378B shade: #EB378B, #E5EB37, #37EB97 and #3D37EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

Complementary color

CMYK 90 / 0 / 42 / 22

HEX #14C874

RGB 20 200 116

HSL 152, 0.82%, 0.43%

LAB 71.36, -60.12, 30.66

 

CMYK 0 / 77 / 44 / 6

HEX #F03786

RGB 240 55 134

HSL 334.38, 0.86%, 0.58%

LAB 55.05, 73.39, 0.37

 

CMYK 0 / 71 / 40 / 0

HEX #FF4999

RGB 255 73 153

HSL 333.63, 1%, 0.64%

LAB 60.18, 73.56, -3

 

CMYK 0 / 64 / 33 / 0

HEX #FF5BAC

RGB 255 91 172

HSL 330.37, 1%, 0.68%

LAB 63.11, 69.06, -9.64

 

CMYK 0 / 57 / 25 / 0

HEX #FF6DBF

RGB 255 109 191

HSL 326.3, 1%, 0.71%

LAB 66.49, 63.89, -15.38

 

CMYK 0 / 50 / 18 / 0

HEX #FF7FD2

RGB 255 127 210

HSL 321.09, 1%, 0.75%

LAB 70.24, 58.29, -20.33

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 83 / 45 / 15

HEX #DA2578

RGB 218 37 120

HSL 332.49, 0.71%, 0.5%

LAB 48.99, 71.18, -0.54

 

CMYK 0 / 91 / 50 / 21

HEX #C91365

RGB 201 19 101

HSL 332.97, 0.83%, 0.43%

LAB 43.98, 68.81, 3.5

 

CMYK 0 / 99 / 55 / 28

HEX #B80152

RGB 184 1 82

HSL 333.44, 0.99%, 0.36%

LAB 39.28, 65.44, 8.35

 

CMYK 0 / 100 / 62 / 35

HEX #A7003F

RGB 167 0 63

HSL 337.37, 1%, 0.33%

LAB 35.15, 60.31, 14.39

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 77 / 62 / 8

HEX #EB375A

RGB 235 55 90

HSL 348.33, 0.82%, 0.57%

LAB 53.09, 68.81, 23.84

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 77 / 20 / 8

HEX #EB37BB

RGB 235 55 187

HSL 316, 0.82%, 0.57%

LAB 56.07, 77.88, -29.31

 

CMYK 0 / 77 / 0 / 8

HEX #EA37EB

RGB 234 55 235

HSL 299.67, 0.82%, 0.57%

LAB 58.25, 84.38, -53.21

 

CMYK 21 / 77 / 0 / 8

HEX #B937EB

RGB 185 55 235

HSL 283.33, 0.82%, 0.57%

LAB 50.74, 75.33, -65.67

 

CMYK 42 / 77 / 0 / 8

HEX #8937EB

RGB 137 55 235

HSL 267.33, 0.82%, 0.57%

LAB 44.3, 67.45, -76.43

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 85 / 45 / 1

HEX #FD258A

RGB 253 37 138

HSL 331.94, 0.98%, 0.57%

LAB 56.13, 80.97, -0.15

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 66 / 35 / 15

HEX #D9498C

RGB 217 73 140

HSL 332.08, 0.65%, 0.57%

LAB 53.4, 61.74, -6.1

 

CMYK 0 / 55 / 29 / 22

HEX #C75A8D

RGB 199 90 141

HSL 331.93, 0.49%, 0.57%

LAB 53.36, 48.93, -7.05

 

CMYK 0 / 41 / 22 / 29

HEX #B66C8E

RGB 182 108 142

HSL 332.43, 0.34%, 0.57%

LAB 54.68, 34.01, -5.92

 

CMYK 0 / 23 / 12 / 36

HEX #A47E90

RGB 164 126 144

HSL 331.58, 0.17%, 0.57%

LAB 56.91, 17.66, -4.02

 

CMYK 0 / 77 / 0 / 8

HEX #EB37EB

RGB 235 55 235

HSL 300, 0.82%, 0.57%

LAB 58.41, 84.57, -52.95

 

CMYK 0 / 77 / 20 / 8

HEX #EB37BB

RGB 235 55 187

HSL 316, 0.82%, 0.57%

LAB 56.07, 77.88, -29.31

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 77 / 61 / 8

HEX #EB375B

RGB 235 55 91

HSL 348, 0.82%, 0.57%

LAB 53.11, 68.87, 23.26

 

CMYK 0 / 71 / 77 / 8

HEX #EB4337

RGB 235 67 55

HSL 4, 0.82%, 0.57%

LAB 53.98, 63.32, 44.95

 

CMYK 0 / 90 / 48 / 26

HEX #BD1262

RGB 189 18 98

HSL 331.93, 0.83%, 0.41%

LAB 41.43, 65.87, 1.39

 

CMYK 0 / 90 / 48 / 11

HEX #E21675

RGB 226 22 117

HSL 332.06, 0.82%, 0.49%

LAB 49.53, 75.46, 2.26

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 61 / 32 / 7

HEX #EE5CA1

RGB 238 92 161

HSL 331.64, 0.81%, 0.65%

LAB 60.25, 62.52, -7.85

 

CMYK 0 / 46 / 25 / 5

HEX #F282B6

RGB 242 130 182

HSL 332.14, 0.81%, 0.73%

LAB 68.18, 48.8, -7.95

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 20 / 77 / 8

HEX #EBBB37

RGB 235 187 55

HSL 44, 0.82%, 0.57%

LAB 78.16, 4.97, 68.75

 

CMYK 77 / 10 / 0 / 8

HEX #37D3EB

RGB 55 211 235

HSL 188, 0.82%, 0.57%

LAB 78.11, -31.37, -23.19

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 41 / 0 / 77 / 8

HEX #8BEB37

RGB 139 235 55

HSL 92, 0.82%, 0.57%

LAB 84.58, -55.59, 72.39

 

CMYK 77 / 41 / 0 / 8

HEX #378BEB

RGB 55 139 235

HSL 212, 0.82%, 0.57%

LAB 57.34, 7.62, -55.59

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 0 / 20 / 77 / 8

HEX #EBBB37

RGB 235 187 55

HSL 44, 0.82%, 0.57%

LAB 78.16, 4.97, 68.75

 

CMYK 77 / 0 / 36 / 8

HEX #37EB97

RGB 55 235 151

HSL 152, 0.82%, 0.57%

LAB 83.16, -62.76, 28.45

 

CMYK 77 / 56 / 0 / 8

HEX #3767EB

RGB 55 103 235

HSL 224, 0.82%, 0.57%

LAB 47.64, 29.98, -71.24

 

CMYK 0 / 77 / 41 / 8

HEX #EB378B

RGB 235 55 139

HSL 332, 0.82%, 0.57%

LAB 54.3, 72.57, -3.82

 

CMYK 3 / 0 / 77 / 8

HEX #E5EB37

RGB 229 235 55

HSL 62, 0.82%, 0.57%

LAB 90.02, -21.71, 79.4

 

CMYK 77 / 0 / 36 / 8

HEX #37EB97

RGB 55 235 151

HSL 152, 0.82%, 0.57%

LAB 83.16, -62.76, 28.45

 

CMYK 74 / 77 / 0 / 8

HEX #3D37EB

RGB 61 55 235

HSL 242, 0.82%, 0.57%

LAB 37.34, 58.73, -88.14

 

Description

Color code: HEX #EB378B | qconv.com Color code: HEX #EB378B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 55 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 55 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 41% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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