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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3744 it is the complementary color #14C8BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3744 shade: #F0373F, #FF4952, #FF5B65, #FF6D78 and #FF7F8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3744 shade: #EB3744, #DA2531, #C9131E, #B8010B and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3744 shade: #EB3744 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3744 shade: #EB3744, #EB3774, #EB37A5, #EB37D5 and #D037EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3744 shade matches the following richer shades: #EB3744 and #FD2535

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3744 shade: #EB3744, #D94953, #C75A62, #B66C71 and #A47E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3744 shade: #EB37A6, #EB3776, #EB3746, #EB5837 and #EB8837

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3744 shade: #BD121F, #E21625, #EB3744, #EE5C67 and #F2828A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3744 shade: #EB3744, #D6EB37 and #378EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3744 shade: #EB3744, #46EB37 and #3746EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3744 shade: #EB3744, #D6EB37, #37EBDC and #4C37EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3744 shade: #EB3744, #A0EB37, #37EBDC and #8237EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

Complementary color

CMYK 90 / 0 / 7 / 22

HEX #14C8BB

RGB 20 200 187

HSL 175.67, 0.82%, 0.43%

LAB 72.92, -43.18, -5.13

 

CMYK 0 / 77 / 74 / 6

HEX #F0373F

RGB 240 55 63

HSL 357.41, 0.86%, 0.58%

LAB 53.62, 68.91, 40.44

 

CMYK 0 / 71 / 68 / 0

HEX #FF4952

RGB 255 73 82

HSL 357.03, 1%, 0.64%

LAB 58.63, 68.42, 36.26

 

CMYK 0 / 64 / 60 / 0

HEX #FF5B65

RGB 255 91 101

HSL 356.34, 1%, 0.68%

LAB 61.38, 62.78, 28.88

 

CMYK 0 / 57 / 53 / 0

HEX #FF6D78

RGB 255 109 120

HSL 355.48, 1%, 0.71%

LAB 64.61, 56.45, 22.32

 

CMYK 0 / 50 / 45 / 0

HEX #FF7F8B

RGB 255 127 139

HSL 354.38, 1%, 0.75%

LAB 68.24, 49.69, 16.57

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 83 / 78 / 15

HEX #DA2531

RGB 218 37 49

HSL 356.02, 0.71%, 0.5%

LAB 47.56, 66.96, 40.47

 

CMYK 0 / 91 / 85 / 21

HEX #C9131E

RGB 201 19 30

HSL 356.37, 0.83%, 0.43%

LAB 42.73, 65.31, 44.88

 

CMYK 0 / 99 / 94 / 28

HEX #B8010B

RGB 184 1 11

HSL 356.72, 0.99%, 0.36%

LAB 38.26, 62.7, 48.48

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 77 / 51 / 8

HEX #EB3774

RGB 235 55 116

HSL 339.67, 0.82%, 0.57%

LAB 53.66, 70.59, 9.01

 

CMYK 0 / 77 / 30 / 8

HEX #EB37A5

RGB 235 55 165

HSL 323.33, 0.82%, 0.57%

LAB 55.19, 75.26, -17.86

 

CMYK 0 / 77 / 9 / 8

HEX #EB37D5

RGB 235 55 213

HSL 307.33, 0.82%, 0.57%

LAB 57.27, 81.35, -42.34

 

CMYK 11 / 77 / 0 / 8

HEX #D037EB

RGB 208 55 235

HSL 291, 0.82%, 0.57%

LAB 54.18, 79.48, -59.96

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 85 / 79 / 1

HEX #FD2535

RGB 253 37 53

HSL 355.56, 0.98%, 0.57%

LAB 54.51, 76.33, 47.64

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 66 / 62 / 15

HEX #D94953

RGB 217 73 83

HSL 355.83, 0.65%, 0.57%

LAB 52, 56.76, 25.94

 

CMYK 0 / 55 / 51 / 22

HEX #C75A62

RGB 199 90 98

HSL 355.6, 0.49%, 0.57%

LAB 52.22, 44.17, 16.84

 

CMYK 0 / 41 / 38 / 29

HEX #B66C71

RGB 182 108 113

HSL 355.95, 0.34%, 0.57%

LAB 53.88, 30.03, 9.94

 

CMYK 0 / 23 / 21 / 36

HEX #A47E81

RGB 164 126 129

HSL 355.26, 0.17%, 0.57%

LAB 56.49, 15.16, 4.05

 

CMYK 0 / 77 / 29 / 8

HEX #EB37A6

RGB 235 55 166

HSL 323, 0.82%, 0.57%

LAB 55.22, 75.37, -18.39

 

CMYK 0 / 77 / 50 / 8

HEX #EB3776

RGB 235 55 118

HSL 339, 0.82%, 0.57%

LAB 53.71, 70.74, 7.88

 

CMYK 0 / 77 / 70 / 8

HEX #EB3746

RGB 235 55 70

HSL 355, 0.82%, 0.57%

LAB 52.77, 67.78, 35.22

 

CMYK 0 / 63 / 77 / 8

HEX #EB5837

RGB 235 88 55

HSL 11, 0.82%, 0.57%

LAB 56.99, 55.13, 48.1

 

CMYK 0 / 42 / 77 / 8

HEX #EB8837

RGB 235 136 55

HSL 27, 0.82%, 0.57%

LAB 66.17, 31.88, 57.32

 

CMYK 0 / 90 / 84 / 26

HEX #BD121F

RGB 189 18 31

HSL 355.44, 0.83%, 0.41%

LAB 40.16, 62.33, 41.1

 

CMYK 0 / 90 / 84 / 11

HEX #E21625

RGB 226 22 37

HSL 355.59, 0.82%, 0.49%

LAB 48.1, 71.47, 48.03

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 0 / 61 / 57 / 7

HEX #EE5C67

RGB 238 92 103

HSL 355.48, 0.81%, 0.65%

LAB 58.8, 57.02, 23.83

 

CMYK 0 / 46 / 43 / 5

HEX #F2828A

RGB 242 130 138

HSL 355.71, 0.81%, 0.73%

LAB 67.03, 43.52, 15.18

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 9 / 0 / 77 / 8

HEX #D6EB37

RGB 214 235 55

HSL 67, 0.82%, 0.57%

LAB 88.92, -27.82, 77.99

 

CMYK 77 / 40 / 0 / 8

HEX #378EEB

RGB 55 142 235

HSL 211, 0.82%, 0.57%

LAB 58.19, 5.82, -54.25

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 70 / 0 / 77 / 8

HEX #46EB37

RGB 70 235 55

HSL 115, 0.82%, 0.57%

LAB 82.38, -72.88, 69.51

 

CMYK 77 / 70 / 0 / 8

HEX #3746EB

RGB 55 70 235

HSL 235, 0.82%, 0.57%

LAB 39.9, 50.18, -83.92

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 9 / 0 / 77 / 8

HEX #D6EB37

RGB 214 235 55

HSL 67, 0.82%, 0.57%

LAB 88.92, -27.82, 77.99

 

CMYK 77 / 0 / 6 / 8

HEX #37EBDC

RGB 55 235 220

HSL 175, 0.82%, 0.57%

LAB 84.69, -46.62, -5.36

 

CMYK 68 / 77 / 0 / 8

HEX #4C37EB

RGB 76 55 235

HSL 247, 0.82%, 0.57%

LAB 38.32, 59.97, -86.49

 

CMYK 0 / 77 / 71 / 8

HEX #EB3744

RGB 235 55 68

HSL 355.67, 0.82%, 0.57%

LAB 52.74, 67.69, 36.34

 

CMYK 32 / 0 / 77 / 8

HEX #A0EB37

RGB 160 235 55

HSL 85, 0.82%, 0.57%

LAB 85.59, -48.48, 73.7

 

CMYK 77 / 0 / 6 / 8

HEX #37EBDC

RGB 55 235 220

HSL 175, 0.82%, 0.57%

LAB 84.69, -46.62, -5.36

 

CMYK 45 / 77 / 0 / 8

HEX #8237EB

RGB 130 55 235

HSL 265, 0.82%, 0.57%

LAB 43.47, 66.42, -77.82

 

Description

Color code: HEX #EB3744 | qconv.com Color code: HEX #EB3744 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 55 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 55 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 71 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 71% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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