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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3676 it is the complementary color #14C989. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3676. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3676 shade: #F03671, #FF4884, #FF5A97, #FF6CAA and #FF7EBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3676. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3676 shade: #EB3676, #DA2463, #C91250, #B8003D and #A7002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3676 shade: #EB3777, #EB3747 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3676 shade: #EB3777, #EB37A8, #EB37D8, #CE37EB and #9E37EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3676 shade matches the following richer shades: #EB3777 and #FD2672

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3676 shade: #EB3777, #DA497C, #C85B81, #B66D87 and #A47E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3676 shade: #EB37D9, #EB37A9, #EB3779, #EB3749 and #EB5537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3676 shade: #BD134F, #E3165F, #EB3777, #EF5D91 and #F383AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3676 shade: #EB3676, #EBCD37 and #37C1EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3676 shade: #EB3676, #79EB37 and #3779EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3676 shade: #EB3676, #EBCD37, #37EBA9 and #3755EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3676 shade: #EB3676, #D3EB37, #37EBA9 and #4F37EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

Complementary color

CMYK 90 / 0 / 32 / 21

HEX #14C989

RGB 20 201 137

HSL 158.78, 0.82%, 0.43%

LAB 72.05, -56.23, 20.58

 

CMYK 0 / 78 / 53 / 6

HEX #F03671

RGB 240 54 113

HSL 340.97, 0.86%, 0.58%

LAB 54.4, 71.97, 11.99

 

CMYK 0 / 72 / 48 / 0

HEX #FF4884

RGB 255 72 132

HSL 340.33, 1%, 0.64%

LAB 59.49, 72.02, 8.29

 

CMYK 0 / 65 / 41 / 0

HEX #FF5A97

RGB 255 90 151

HSL 337.82, 1%, 0.68%

LAB 62.34, 67.23, 1.33

 

CMYK 0 / 58 / 33 / 0

HEX #FF6CAA

RGB 255 108 170

HSL 334.69, 1%, 0.71%

LAB 65.66, 61.77, -4.71

 

CMYK 0 / 51 / 26 / 0

HEX #FF7EBD

RGB 255 126 189

HSL 330.7, 1%, 0.75%

LAB 69.37, 55.86, -9.93

 

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

CMYK 0 / 83 / 55 / 15

HEX #DA2463

RGB 218 36 99

HSL 339.23, 0.72%, 0.5%

LAB 48.35, 69.74, 11.4

 

CMYK 0 / 91 / 60 / 21

HEX #C91250

RGB 201 18 80

HSL 339.67, 0.84%, 0.43%

LAB 43.4, 67.49, 15.87

 

CMYK 0 / 100 / 67 / 28

HEX #B8003D

RGB 184 0 61

HSL 340.11, 1%, 0.36%

LAB 38.77, 64.3, 21.13

 

CMYK 0 / 100 / 75 / 35

HEX #A7002A

RGB 167 0 42

HSL 344.91, 1%, 0.33%

LAB 34.77, 59.27, 27.48

 

CMYK 0 / 77 / 49 / 8

HEX #EB3777

RGB 235 55 119

HSL 338.67, 0.82%, 0.57%

LAB 53.74, 70.82, 7.32

 

CMYK 0 / 77 / 70 / 8

HEX #EB3747

RGB 235 55 71

HSL 354.67, 0.82%, 0.57%

LAB 52.78, 67.82, 34.66

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 77 / 49 / 8

HEX #EB3777

RGB 235 55 119

HSL 338.67, 0.82%, 0.57%

LAB 53.74, 70.82, 7.32

 

CMYK 0 / 77 / 29 / 8

HEX #EB37A8

RGB 235 55 168

HSL 322.33, 0.82%, 0.57%

LAB 55.3, 75.6, -19.44

 

CMYK 0 / 77 / 8 / 8

HEX #EB37D8

RGB 235 55 216

HSL 306.33, 0.82%, 0.57%

LAB 57.42, 81.78, -43.81

 

CMYK 12 / 77 / 0 / 8

HEX #CE37EB

RGB 206 55 235

HSL 290.33, 0.82%, 0.57%

LAB 53.87, 79.11, -60.46

 

CMYK 33 / 77 / 0 / 8

HEX #9E37EB

RGB 158 55 235

HSL 274.33, 0.82%, 0.57%

LAB 46.97, 70.73, -71.95

 

CMYK 0 / 77 / 49 / 8

HEX #EB3777

RGB 235 55 119

HSL 338.67, 0.82%, 0.57%

LAB 53.74, 70.82, 7.32

 

CMYK 0 / 85 / 55 / 1

HEX #FD2672

RGB 253 38 114

HSL 338.79, 0.98%, 0.57%

LAB 55.57, 79.01, 13.38

 

CMYK 0 / 77 / 49 / 8

HEX #EB3777

RGB 235 55 119

HSL 338.67, 0.82%, 0.57%

LAB 53.74, 70.82, 7.32

 

CMYK 0 / 67 / 43 / 15

HEX #DA497C

RGB 218 73 124

HSL 338.9, 0.66%, 0.57%

LAB 53.09, 60.37, 3

 

CMYK 0 / 55 / 36 / 22

HEX #C85B81

RGB 200 91 129

HSL 339.08, 0.5%, 0.57%

LAB 53.33, 47.28, 0.03

 

CMYK 0 / 40 / 26 / 29

HEX #B66D87

RGB 182 109 135

HSL 338.63, 0.33%, 0.57%

LAB 54.69, 32.42, -1.81

 

CMYK 0 / 23 / 15 / 36

HEX #A47E8C

RGB 164 126 140

HSL 337.89, 0.17%, 0.57%

LAB 56.79, 16.97, -1.88

 

CMYK 0 / 77 / 8 / 8

HEX #EB37D9

RGB 235 55 217

HSL 306, 0.82%, 0.57%

LAB 57.47, 81.92, -44.3

 

CMYK 0 / 77 / 28 / 8

HEX #EB37A9

RGB 235 55 169

HSL 322, 0.82%, 0.57%

LAB 55.34, 75.71, -19.97

 

CMYK 0 / 77 / 49 / 8

HEX #EB3779

RGB 235 55 121

HSL 338, 0.82%, 0.57%

LAB 53.79, 70.99, 6.19

 

CMYK 0 / 77 / 69 / 8

HEX #EB3749

RGB 235 55 73

HSL 354, 0.82%, 0.57%

LAB 52.81, 67.91, 33.53

 

CMYK 0 / 64 / 77 / 8

HEX #EB5537

RGB 235 85 55

HSL 10, 0.82%, 0.57%

LAB 56.52, 56.4, 47.61

 

CMYK 0 / 90 / 58 / 26

HEX #BD134F

RGB 189 19 79

HSL 338.82, 0.82%, 0.41%

LAB 40.98, 64.32, 12.78

 

CMYK 0 / 90 / 58 / 11

HEX #E3165F

RGB 227 22 95

HSL 338.63, 0.82%, 0.49%

LAB 49.17, 74.15, 15.27

 

CMYK 0 / 77 / 49 / 8

HEX #EB3777

RGB 235 55 119

HSL 338.67, 0.82%, 0.57%

LAB 53.74, 70.82, 7.32

 

CMYK 0 / 61 / 39 / 6

HEX #EF5D91

RGB 239 93 145

HSL 338.63, 0.82%, 0.65%

LAB 60.09, 60.63, 1.22

 

CMYK 0 / 46 / 30 / 5

HEX #F383AA

RGB 243 131 170

HSL 339.11, 0.82%, 0.73%

LAB 68.16, 47.05, -1.22

 

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

CMYK 0 / 13 / 77 / 8

HEX #EBCD37

RGB 235 205 55

HSL 50, 0.82%, 0.57%

LAB 82.7, -4.33, 72.94

 

CMYK 77 / 18 / 0 / 8

HEX #37C1EB

RGB 55 193 235

HSL 194, 0.82%, 0.57%

LAB 72.86, -22.46, -31.23

 

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

CMYK 49 / 0 / 77 / 8

HEX #79EB37

RGB 121 235 55

HSL 98, 0.82%, 0.57%

LAB 83.84, -61.09, 71.42

 

CMYK 77 / 49 / 0 / 8

HEX #3779EB

RGB 55 121 235

HSL 218, 0.82%, 0.57%

LAB 52.38, 18.66, -63.56

 

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

CMYK 0 / 13 / 77 / 8

HEX #EBCD37

RGB 235 205 55

HSL 50, 0.82%, 0.57%

LAB 82.7, -4.33, 72.94

 

CMYK 77 / 0 / 28 / 8

HEX #37EBA9

RGB 55 235 169

HSL 158, 0.82%, 0.57%

LAB 83.49, -59.07, 19.65

 

CMYK 77 / 64 / 0 / 8

HEX #3755EB

RGB 55 85 235

HSL 230, 0.82%, 0.57%

LAB 43.22, 41.23, -78.45

 

CMYK 0 / 77 / 50 / 8

HEX #EB3676

RGB 235 54 118

HSL 338.78, 0.82%, 0.57%

LAB 53.61, 71.03, 7.74

 

CMYK 10 / 0 / 77 / 8

HEX #D3EB37

RGB 211 235 55

HSL 68, 0.82%, 0.57%

LAB 88.71, -29.02, 77.71

 

CMYK 77 / 0 / 28 / 8

HEX #37EBA9

RGB 55 235 169

HSL 158, 0.82%, 0.57%

LAB 83.49, -59.07, 19.65

 

CMYK 66 / 77 / 0 / 8

HEX #4F37EB

RGB 79 55 235

HSL 248, 0.82%, 0.57%

LAB 38.54, 60.25, -86.12

 

Description

Color code: HEX #EB3676 | qconv.com Color code: HEX #EB3676 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 54 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 54 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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