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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB33DF it is the complementary color #14CC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB33DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB33DF shade: #F033DA, #FF45ED, #FF57FF, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB33DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB33DF shade: #EB33DF, #DA21CC, #C90FB9, #B800A6 and #A70093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB33DF shade: #EB33DF, #EB33AD, #EB337C, #EB334A and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB33DF shade: #EB33DF, #C533EB, #9433EB, #6233EB and #3333EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB33DF shade matches the following richer shades: #EB33DF and #FD21EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB33DF shade: #EB33DF, #D945CF, #C657BF, #B469AF and #A27BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB33DF shade: #9233EB, #C333EB, #EB33E2, #EB33B1 and #EB337F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB33DF shade: #B912AE, #DE16D1, #EB33DF, #EF58E5 and #F27EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB33DF shade: #EB33DF, #EB6133 and #33EBAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB33DF shade: #EB33DF, #E2EB33 and #33E2EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB33DF shade: #EB33DF, #EB6133, #33EB3C and #33BDEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB33DF shade: #EB33DF, #EB9833, #33EB3C and #3386EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

Complementary color

CMYK 90 / 0 / 84 / 20

HEX #14CC20

RGB 20 204 32

HSL 123.91, 0.82%, 0.44%

LAB 71.85, -71.02, 65.71

 

CMYK 0 / 79 / 9 / 6

HEX #F033DA

RGB 240 51 218

HSL 306.98, 0.86%, 0.57%

LAB 57.99, 84.08, -43.98

 

CMYK 0 / 73 / 7 / 0

HEX #FF45ED

RGB 255 69 237

HSL 305.81, 1%, 0.64%

LAB 63.04, 85.01, -46.53

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 85 / 6 / 15

HEX #DA21CC

RGB 218 33 204

HSL 304.54, 0.74%, 0.49%

LAB 52.23, 81.69, -45.34

 

CMYK 0 / 93 / 8 / 21

HEX #C90FB9

RGB 201 15 185

HSL 305.16, 0.86%, 0.42%

LAB 47.32, 78.56, -42.3

 

CMYK 0 / 100 / 10 / 28

HEX #B800A6

RGB 184 0 166

HSL 305.87, 1%, 0.36%

LAB 42.68, 74.34, -38.61

 

CMYK 0 / 100 / 12 / 35

HEX #A70093

RGB 167 0 147

HSL 307.19, 1%, 0.33%

LAB 38.41, 68.7, -34.09

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 78 / 26 / 8

HEX #EB33AD

RGB 235 51 173

HSL 320.22, 0.82%, 0.56%

LAB 55.12, 77.25, -22.64

 

CMYK 0 / 78 / 47 / 8

HEX #EB337C

RGB 235 51 124

HSL 336.2, 0.82%, 0.56%

LAB 53.48, 72.34, 3.95

 

CMYK 0 / 78 / 69 / 8

HEX #EB334A

RGB 235 51 74

HSL 352.5, 0.82%, 0.56%

LAB 52.42, 69.1, 32.47

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 16 / 78 / 0 / 8

HEX #C533EB

RGB 197 51 235

HSL 287.61, 0.82%, 0.56%

LAB 52.1, 78.65, -63.38

 

CMYK 37 / 78 / 0 / 8

HEX #9433EB

RGB 148 51 235

HSL 271.63, 0.82%, 0.56%

LAB 45.17, 70.59, -74.96

 

CMYK 58 / 78 / 0 / 8

HEX #6233EB

RGB 98 51 235

HSL 255.33, 0.82%, 0.56%

LAB 39.52, 64.01, -84.45

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 87 / 6 / 1

HEX #FD21EF

RGB 253 33 239

HSL 303.82, 0.98%, 0.56%

LAB 60.07, 92.84, -52.36

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 68 / 5 / 15

HEX #D945CF

RGB 217 69 207

HSL 304.05, 0.66%, 0.56%

LAB 55.6, 72.25, -41.75

 

CMYK 0 / 56 / 4 / 22

HEX #C657BF

RGB 198 87 191

HSL 303.78, 0.49%, 0.56%

LAB 54.64, 57.61, -34.28

 

CMYK 0 / 42 / 3 / 29

HEX #B469AF

RGB 180 105 175

HSL 304, 0.33%, 0.56%

LAB 54.97, 40.51, -24.72

 

CMYK 0 / 24 / 1 / 36

HEX #A27BA0

RGB 162 123 160

HSL 303.08, 0.17%, 0.56%

LAB 56.47, 21.61, -13.95

 

CMYK 38 / 78 / 0 / 8

HEX #9233EB

RGB 146 51 235

HSL 270.98, 0.82%, 0.56%

LAB 44.91, 70.29, -75.39

 

CMYK 17 / 78 / 0 / 8

HEX #C333EB

RGB 195 51 235

HSL 286.96, 0.82%, 0.56%

LAB 51.8, 78.3, -63.88

 

CMYK 0 / 78 / 4 / 8

HEX #EB33E2

RGB 235 51 226

HSL 302.93, 0.82%, 0.56%

LAB 57.58, 84.24, -49.21

 

CMYK 0 / 78 / 25 / 8

HEX #EB33B1

RGB 235 51 177

HSL 318.91, 0.82%, 0.56%

LAB 55.28, 77.72, -24.72

 

CMYK 0 / 78 / 46 / 8

HEX #EB337F

RGB 235 51 127

HSL 335.22, 0.82%, 0.56%

LAB 53.56, 72.59, 2.27

 

CMYK 0 / 90 / 6 / 27

HEX #B912AE

RGB 185 18 174

HSL 303.95, 0.82%, 0.4%

LAB 43.95, 73.75, -41.34

 

CMYK 0 / 90 / 6 / 13

HEX #DE16D1

RGB 222 22 209

HSL 303.9, 0.82%, 0.48%

LAB 52.63, 84.79, -47.54

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 63 / 4 / 6

HEX #EF58E5

RGB 239 88 229

HSL 303.97, 0.83%, 0.64%

LAB 62.5, 73.79, -43.08

 

CMYK 0 / 48 / 3 / 5

HEX #F27EEB

RGB 242 126 235

HSL 303.62, 0.82%, 0.72%

LAB 69.32, 58.92, -35.71

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 59 / 78 / 8

HEX #EB6133

RGB 235 97 51

HSL 15, 0.82%, 0.56%

LAB 58.46, 51.01, 51.54

 

CMYK 78 / 0 / 28 / 8

HEX #33EBAA

RGB 51 235 170

HSL 158.8, 0.82%, 0.56%

LAB 83.45, -59.28, 19.07

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 4 / 0 / 78 / 8

HEX #E2EB33

RGB 226 235 51

HSL 62.93, 0.82%, 0.56%

LAB 89.78, -23.08, 80.2

 

CMYK 78 / 4 / 0 / 8

HEX #33E2EB

RGB 51 226 235

HSL 182.93, 0.82%, 0.56%

LAB 82.43, -38.78, -16.66

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 59 / 78 / 8

HEX #EB6133

RGB 235 97 51

HSL 15, 0.82%, 0.56%

LAB 58.46, 51.01, 51.54

 

CMYK 78 / 0 / 74 / 8

HEX #33EB3C

RGB 51 235 60

HSL 122.93, 0.82%, 0.56%

LAB 82.08, -75.33, 67.53

 

CMYK 78 / 20 / 0 / 8

HEX #33BDEB

RGB 51 189 235

HSL 195, 0.82%, 0.56%

LAB 71.62, -20.81, -33.15

 

CMYK 0 / 78 / 5 / 8

HEX #EB33DF

RGB 235 51 223

HSL 303.91, 0.82%, 0.56%

LAB 57.42, 83.8, -47.76

 

CMYK 0 / 35 / 78 / 8

HEX #EB9833

RGB 235 152 51

HSL 32.93, 0.82%, 0.56%

LAB 69.72, 23.31, 62.35

 

CMYK 78 / 0 / 74 / 8

HEX #33EB3C

RGB 51 235 60

HSL 122.93, 0.82%, 0.56%

LAB 82.08, -75.33, 67.53

 

CMYK 78 / 43 / 0 / 8

HEX #3386EB

RGB 51 134 235

HSL 212.93, 0.82%, 0.56%

LAB 55.84, 10.22, -58.01

 

Description

Color code: HEX #EB33DF | qconv.com Color code: HEX #EB33DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 51 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 51 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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