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Color name
HEX #EB2FD5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB2FD5 it is the complementary color #14D02A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB2FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB2FD5 shade: #F02FD0, #FF41E3, #FF53F6, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB2FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB2FD5 shade: #EB2FD5, #DA1DC2, #C90BAF, #B8009C and #A70089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB2FD5 shade: #EA2ED4, #EA2EA2, #EA2E6F, #EA2E3C and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB2FD5 shade: #EA2ED4, #CE2EEA, #9B2EEA, #682EEA and #352EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB2FD5 shade matches the following richer shades: #EA2ED4 and #FD1CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB2FD5 shade: #EA2ED4, #D841C6, #C553B8, #B366AA and #A0789B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB2FD5 shade: #9C2EEA, #CE2EEA, #EA2ED4, #EA2EA2 and #EA2E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB2FD5 shade: #B412A1, #DA16C3, #EA2ED4, #EE54DC and #F279E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB2FD5 shade: #EB2FD5, #EA6A2E and #2EEAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB2FD5 shade: #EB2FD5, #D4EA2E and #2ED4EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB2FD5 shade: #EB2FD5, #EA6A2E, #2EEA44 and #2EAFEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB2FD5 shade: #EB2FD5, #EAA22E, #2EEA44 and #2E76EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

Complementary color

CMYK 90 / 0 / 80 / 18

HEX #14D02A

RGB 20 208 42

HSL 127.02, 0.82%, 0.45%

LAB 73.17, -71.61, 64.32

 

CMYK 0 / 80 / 13 / 6

HEX #F02FD0

RGB 240 47 208

HSL 309.95, 0.87%, 0.56%

LAB 57.18, 83.65, -39.57

 

CMYK 0 / 75 / 11 / 0

HEX #FF41E3

RGB 255 65 227

HSL 308.84, 1%, 0.63%

LAB 62.16, 84.75, -42.32

 

CMYK 0 / 67 / 4 / 0

HEX #FF53F6

RGB 255 83 246

HSL 303.14, 1%, 0.66%

LAB 65.04, 81.89, -48.36

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

CMYK 0 / 87 / 11 / 15

HEX #DA1DC2

RGB 218 29 194

HSL 307.62, 0.77%, 0.48%

LAB 51.47, 81, -40.77

 

CMYK 0 / 95 / 13 / 21

HEX #C90BAF

RGB 201 11 175

HSL 308.21, 0.9%, 0.42%

LAB 46.65, 77.6, -37.48

 

CMYK 0 / 100 / 15 / 28

HEX #B8009C

RGB 184 0 156

HSL 309.13, 1%, 0.36%

LAB 42.14, 73, -33.45

 

CMYK 0 / 100 / 18 / 35

HEX #A70089

RGB 167 0 137

HSL 310.78, 1%, 0.33%

LAB 37.88, 67.37, -28.79

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 80 / 31 / 8

HEX #EA2EA2

RGB 234 46 162

HSL 322.98, 0.82%, 0.55%

LAB 54.09, 77.02, -17.79

 

CMYK 0 / 80 / 53 / 8

HEX #EA2E6F

RGB 234 46 111

HSL 339.26, 0.82%, 0.55%

LAB 52.5, 72.35, 10.36

 

CMYK 0 / 80 / 74 / 8

HEX #EA2E3C

RGB 234 46 60

HSL 355.53, 0.82%, 0.55%

LAB 51.58, 69.55, 39.54

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 12 / 80 / 0 / 8

HEX #CE2EEA

RGB 206 46 234

HSL 291.06, 0.82%, 0.55%

LAB 52.97, 81.38, -61.35

 

CMYK 34 / 80 / 0 / 8

HEX #9B2EEA

RGB 155 46 234

HSL 274.79, 0.82%, 0.55%

LAB 45.45, 73.09, -73.9

 

CMYK 56 / 80 / 0 / 8

HEX #682EEA

RGB 104 46 234

HSL 258.51, 0.82%, 0.55%

LAB 39.31, 66.44, -84.21

 

CMYK 77 / 80 / 0 / 8

HEX #352EEA

RGB 53 46 234

HSL 242.23, 0.82%, 0.55%

LAB 35.3, 62.2, -90.96

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 89 / 10 / 1

HEX #FD1CE3

RGB 253 28 227

HSL 306.93, 0.98%, 0.55%

LAB 59.21, 91.93, -46.99

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 70 / 8 / 15

HEX #D841C6

RGB 216 65 198

HSL 307.15, 0.66%, 0.55%

LAB 54.51, 72.03, -38.32

 

CMYK 0 / 58 / 7 / 23

HEX #C553B8

RGB 197 83 184

HSL 306.84, 0.5%, 0.55%

LAB 53.51, 57.98, -32.02

 

CMYK 0 / 43 / 5 / 30

HEX #B366AA

RGB 179 102 170

HSL 307.01, 0.34%, 0.55%

LAB 54.02, 40.89, -23.31

 

CMYK 0 / 25 / 3 / 37

HEX #A0789B

RGB 160 120 155

HSL 307.5, 0.17%, 0.55%

LAB 55.35, 21.66, -12.76

 

CMYK 33 / 80 / 0 / 8

HEX #9C2EEA

RGB 156 46 234

HSL 275.11, 0.82%, 0.55%

LAB 45.58, 73.24, -73.67

 

CMYK 12 / 80 / 0 / 8

HEX #CE2EEA

RGB 206 46 234

HSL 291.06, 0.82%, 0.55%

LAB 52.97, 81.38, -61.35

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 80 / 31 / 8

HEX #EA2EA2

RGB 234 46 162

HSL 322.98, 0.82%, 0.55%

LAB 54.09, 77.02, -17.79

 

CMYK 0 / 80 / 52 / 8

HEX #EA2E70

RGB 234 46 112

HSL 338.94, 0.82%, 0.55%

LAB 52.53, 72.43, 9.8

 

CMYK 0 / 90 / 11 / 29

HEX #B412A1

RGB 180 18 161

HSL 307.04, 0.82%, 0.39%

LAB 42.32, 70.98, -36.23

 

CMYK 0 / 90 / 11 / 15

HEX #DA16C3

RGB 218 22 195

HSL 307.04, 0.82%, 0.47%

LAB 51.17, 82.16, -41.82

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 65 / 8 / 7

HEX #EE54DC

RGB 238 84 220

HSL 307.01, 0.82%, 0.63%

LAB 61.38, 73.68, -39.8

 

CMYK 0 / 50 / 6 / 5

HEX #F279E4

RGB 242 121 228

HSL 306.94, 0.82%, 0.71%

LAB 68.13, 60.13, -33.69

 

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

CMYK 0 / 55 / 80 / 8

HEX #EA6A2E

RGB 234 106 46

HSL 19.15, 0.82%, 0.55%

LAB 59.89, 46.28, 55.14

 

CMYK 80 / 0 / 23 / 8

HEX #2EEAB5

RGB 46 234 181

HSL 163.09, 0.82%, 0.55%

LAB 83.32, -56.9, 13.14

 

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

CMYK 9 / 0 / 80 / 8

HEX #D4EA2E

RGB 212 234 46

HSL 67.02, 0.82%, 0.55%

LAB 88.47, -28.47, 79.96

 

CMYK 80 / 9 / 0 / 8

HEX #2ED4EA

RGB 46 212 234

HSL 187.02, 0.82%, 0.55%

LAB 78.23, -32.98, -22.48

 

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

CMYK 0 / 55 / 80 / 8

HEX #EA6A2E

RGB 234 106 46

HSL 19.15, 0.82%, 0.55%

LAB 59.89, 46.28, 55.14

 

CMYK 80 / 0 / 71 / 8

HEX #2EEA44

RGB 46 234 68

HSL 127.02, 0.82%, 0.55%

LAB 81.75, -75, 64.44

 

CMYK 80 / 25 / 0 / 8

HEX #2EAFEA

RGB 46 175 234

HSL 198.83, 0.82%, 0.55%

LAB 67.41, -14.23, -39.15

 

CMYK 0 / 80 / 9 / 8

HEX #EB2FD5

RGB 235 47 213

HSL 307.02, 0.82%, 0.55%

LAB 56.58, 83.33, -43.42

 

CMYK 0 / 31 / 80 / 8

HEX #EAA22E

RGB 234 162 46

HSL 37.02, 0.82%, 0.55%

LAB 71.91, 17.42, 66.13

 

CMYK 80 / 0 / 71 / 8

HEX #2EEA44

RGB 46 234 68

HSL 127.02, 0.82%, 0.55%

LAB 81.75, -75, 64.44

 

CMYK 80 / 50 / 0 / 8

HEX #2E76EA

RGB 46 118 234

HSL 217.02, 0.82%, 0.55%

LAB 51.24, 19.27, -64.85

 

Description

Color code: HEX #EB2FD5 | qconv.com Color code: HEX #EB2FD5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 47 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 47 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 9% 8% C M Y K

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