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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB2DCC it is the complementary color #14D233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB2DCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB2DCC shade: #F02DC7, #FF3FDA, #FF51ED, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB2DCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB2DCC shade: #EB2DCC, #DA1BB9, #C909A6, #B80093 and #A70080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB2DCC shade: #EB2DCC, #EB2D99, #EB2D65, #EB2D32 and #EB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB2DCC shade: #EB2DCC, #D72DEB, #A32DEB, #702DEB and #3D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB2DCC shade matches the following richer shades: #EB2DCC and #FE1AD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB2DCC shade: #EB2DCC, #D83FBF, #C652B3, #B364A6 and #A1779A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB2DCC shade: #A22DEB, #D52DEB, #EB2DCE, #EB2D9C and #EB2D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB2DCC shade: #B5109A, #DA14BA, #EB2DCC, #EE52D5 and #F278DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB2DCC shade: #EB2DCC, #EB6F2D and #2DEBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB2DCC shade: #EB2DCC, #CEEB2D and #2DCEEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB2DCC shade: #EB2DCC, #EB6F2D, #2DEB49 and #2DA8EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB2DCC shade: #EB2DCC, #EBA82D, #2DEB49 and #2D6FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

Complementary color

CMYK 90 / 0 / 76 / 18

HEX #14D233

RGB 20 210 51

HSL 129.79, 0.83%, 0.45%

LAB 73.86, -71.58, 62.22

 

CMYK 0 / 81 / 17 / 6

HEX #F02DC7

RGB 240 45 199

HSL 312.62, 0.87%, 0.56%

LAB 56.61, 82.92, -35.32

 

CMYK 0 / 75 / 15 / 0

HEX #FF3FDA

RGB 255 63 218

HSL 311.56, 1%, 0.62%

LAB 61.55, 84.09, -38.22

 

CMYK 0 / 68 / 7 / 0

HEX #FF51ED

RGB 255 81 237

HSL 306.21, 1%, 0.66%

LAB 64.37, 81.22, -44.43

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 88 / 15 / 15

HEX #DA1BB9

RGB 218 27 185

HSL 310.37, 0.78%, 0.48%

LAB 50.91, 80.13, -36.42

 

CMYK 0 / 96 / 17 / 21

HEX #C909A6

RGB 201 9 166

HSL 310.94, 0.91%, 0.41%

LAB 46.13, 76.62, -32.95

 

CMYK 0 / 100 / 20 / 28

HEX #B80093

RGB 184 0 147

HSL 312.07, 1%, 0.36%

LAB 41.68, 71.86, -28.72

 

CMYK 0 / 100 / 23 / 35

HEX #A70080

RGB 167 0 128

HSL 314.01, 1%, 0.33%

LAB 37.43, 66.25, -23.91

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 81 / 35 / 8

HEX #EB2D99

RGB 235 45 153

HSL 325.89, 0.83%, 0.55%

LAB 53.86, 76.53, -12.8

 

CMYK 0 / 81 / 57 / 8

HEX #EB2D65

RGB 235 45 101

HSL 342.32, 0.83%, 0.55%

LAB 52.37, 72.16, 16.26

 

CMYK 0 / 81 / 79 / 8

HEX #EB2D32

RGB 235 45 50

HSL 358.42, 0.83%, 0.55%

LAB 51.58, 69.74, 45.14

 

CMYK 0 / 81 / 81 / 8

HEX #EB2D2D

RGB 235 45 45

HSL 0, 0.83%, 0.55%

LAB 51.53, 69.59, 47.74

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 9 / 81 / 0 / 8

HEX #D72DEB

RGB 215 45 235

HSL 293.68, 0.83%, 0.55%

LAB 54.37, 83.36, -59.59

 

CMYK 31 / 81 / 0 / 8

HEX #A32DEB

RGB 163 45 235

HSL 277.26, 0.83%, 0.55%

LAB 46.53, 74.8, -72.65

 

CMYK 52 / 81 / 0 / 8

HEX #702DEB

RGB 112 45 235

HSL 261.16, 0.83%, 0.55%

LAB 40.11, 67.96, -83.41

 

CMYK 74 / 81 / 0 / 8

HEX #3D2DEB

RGB 61 45 235

HSL 245.05, 0.83%, 0.55%

LAB 35.73, 63.41, -90.81

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 90 / 15 / 0

HEX #FE1AD8

RGB 254 26 216

HSL 310, 0.99%, 0.55%

LAB 58.76, 90.95, -41.48

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 71 / 12 / 15

HEX #D83FBF

RGB 216 63 191

HSL 309.8, 0.66%, 0.55%

LAB 53.94, 71.67, -35.18

 

CMYK 0 / 59 / 10 / 22

HEX #C652B3

RGB 198 82 179

HSL 309.83, 0.5%, 0.55%

LAB 53.27, 57.89, -29.48

 

CMYK 0 / 44 / 7 / 30

HEX #B364A6

RGB 179 100 166

HSL 309.87, 0.34%, 0.55%

LAB 53.44, 41.24, -21.87

HEX #B364A6

CMYK 0 / 26 / 4 / 37

HEX #A1779A

RGB 161 119 154

HSL 310, 0.18%, 0.55%

LAB 55.18, 22.39, -12.43

HEX #A1779A

CMYK 31 / 81 / 0 / 8

HEX #A22DEB

RGB 162 45 235

HSL 276.95, 0.83%, 0.55%

LAB 46.39, 74.65, -72.89

 

CMYK 9 / 81 / 0 / 8

HEX #D52DEB

RGB 213 45 235

HSL 293.05, 0.83%, 0.55%

LAB 54.05, 83.01, -60.12

 

CMYK 0 / 81 / 12 / 8

HEX #EB2DCE

RGB 235 45 206

HSL 309.16, 0.83%, 0.55%

LAB 56.08, 82.83, -40.22

 

CMYK 0 / 81 / 34 / 8

HEX #EB2D9C

RGB 235 45 156

HSL 324.95, 0.83%, 0.55%

LAB 53.96, 76.84, -14.41

 

CMYK 0 / 81 / 55 / 8

HEX #EB2D69

RGB 235 45 105

HSL 341.05, 0.83%, 0.55%

LAB 52.46, 72.43, 13.96

 

CMYK 0 / 91 / 15 / 29

HEX #B5109A

RGB 181 16 154

HSL 309.82, 0.84%, 0.39%

LAB 42.04, 70.49, -32.44

 

CMYK 0 / 91 / 15 / 15

HEX #DA14BA

RGB 218 20 186

HSL 309.7, 0.83%, 0.47%

LAB 50.63, 81.23, -37.45

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 66 / 11 / 7

HEX #EE52D5

RGB 238 82 213

HSL 309.62, 0.82%, 0.63%

LAB 60.8, 73.38, -36.77

 

CMYK 0 / 50 / 8 / 5

HEX #F278DE

RGB 242 120 222

HSL 309.84, 0.82%, 0.71%

LAB 67.71, 59.63, -31.02

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 53 / 81 / 8

HEX #EB6F2D

RGB 235 111 45

HSL 20.84, 0.83%, 0.55%

LAB 60.98, 44.21, 56.64

 

CMYK 81 / 0 / 20 / 8

HEX #2DEBBB

RGB 45 235 187

HSL 164.84, 0.83%, 0.55%

LAB 83.74, -55.96, 10.6

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 12 / 0 / 81 / 8

HEX #CEEB2D

RGB 206 235 45

HSL 69.16, 0.83%, 0.55%

LAB 88.32, -31.39, 79.91

 

CMYK 81 / 12 / 0 / 8

HEX #2DCEEB

RGB 45 206 235

HSL 189.16, 0.83%, 0.55%

LAB 76.5, -29.87, -25.66

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 53 / 81 / 8

HEX #EB6F2D

RGB 235 111 45

HSL 20.84, 0.83%, 0.55%

LAB 60.98, 44.21, 56.64

 

CMYK 81 / 0 / 69 / 8

HEX #2DEB49

RGB 45 235 73

HSL 128.84, 0.83%, 0.55%

LAB 82.09, -74.97, 62.95

 

CMYK 81 / 29 / 0 / 8

HEX #2DA8EB

RGB 45 168 235

HSL 201.16, 0.83%, 0.55%

LAB 65.41, -10.15, -42.84

 

CMYK 0 / 81 / 13 / 8

HEX #EB2DCC

RGB 235 45 204

HSL 309.79, 0.83%, 0.55%

LAB 55.99, 82.56, -39.22

 

CMYK 0 / 29 / 81 / 8

HEX #EBA82D

RGB 235 168 45

HSL 38.84, 0.83%, 0.55%

LAB 73.45, 14.63, 67.87

 

CMYK 81 / 0 / 69 / 8

HEX #2DEB49

RGB 45 235 73

HSL 128.84, 0.83%, 0.55%

LAB 82.09, -74.97, 62.95

 

CMYK 81 / 53 / 0 / 8

HEX #2D6FEB

RGB 45 111 235

HSL 219.16, 0.83%, 0.55%

LAB 49.4, 23.97, -68.39

 

Description

Color code: HEX #EB2DCC | qconv.com Color code: HEX #EB2DCC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 45 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 45 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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