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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB2CEE it is the complementary color #14D311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB2CEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB2CEE shade: #F02CE9, #FF3EFC, #FF50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB2CEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB2CEE shade: #EB2CEE, #DA1ADB, #C908C8, #B800B5 and #A700A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB2CEE shade: #EB2BEE, #EE2BBC, #EE2B88, #EE2B53 and #EE2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB2CEE shade: #EB2BEE, #B62BEE, #822BEE, #4D2BEE and #2B2BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB2CEE shade matches the following richer shades: #EB2BEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB2CEE shade: #EB2BEE, #D93DDB, #C750C9, #B562B6 and #A375A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB2CEE shade: #822BEE, #B72BEE, #EB2BEE, #EE2BBD and #EE2B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB2CEE shade: #B50FB7, #DA12DD, #EB2BEE, #EE51F1 and #F277F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB2CEE shade: #EB2CEE, #EE4E2B and #2BEE9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB2CEE shade: #EB2CEE, #EEEB2B and #2BEEEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB2CEE shade: #EB2CEE, #EE4E2B, #2EEE2B and #2BCAEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB2CEE shade: #EB2CEE, #EE892B, #2EEE2B and #2B90EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

Complementary color

CMYK 91 / 0 / 92 / 17

HEX #14D311

RGB 20 211 17

HSL 119.07, 0.85%, 0.45%

LAB 74.05, -73.5, 70.42

 

CMYK 0 / 82 / 3 / 6

HEX #F02CE9

RGB 240 44 233

HSL 302.14, 0.87%, 0.56%

LAB 58.24, 87.76, -52.05

 

CMYK 0 / 76 / 1 / 0

HEX #FF3EFC

RGB 255 62 252

HSL 300.93, 1%, 0.62%

LAB 63.12, 89.14, -54.71

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

CMYK 0 / 88 / 0 / 14

HEX #DA1ADB

RGB 218 26 219

HSL 299.69, 0.79%, 0.48%

LAB 52.68, 84.99, -53.21

 

CMYK 0 / 96 / 0 / 21

HEX #C908C8

RGB 201 8 200

HSL 300.31, 0.92%, 0.41%

LAB 47.96, 81.33, -50.02

 

CMYK 0 / 100 / 2 / 28

HEX #B800B5

RGB 184 0 181

HSL 300.98, 1%, 0.36%

LAB 43.55, 76.45, -46.14

 

CMYK 0 / 100 / 3 / 35

HEX #A700A2

RGB 167 0 162

HSL 301.8, 1%, 0.33%

LAB 39.28, 70.82, -41.8

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 0 / 82 / 21 / 7

HEX #EE2BBC

RGB 238 43 188

HSL 315.38, 0.85%, 0.55%

LAB 55.62, 81.57, -30.55

 

CMYK 0 / 82 / 43 / 7

HEX #EE2B88

RGB 238 43 136

HSL 331.38, 0.85%, 0.55%

LAB 53.69, 76.08, -2.87

 

CMYK 0 / 82 / 65 / 7

HEX #EE2B53

RGB 238 43 83

HSL 347.69, 0.85%, 0.55%

LAB 52.43, 72.36, 27.27

 

CMYK 0 / 82 / 82 / 7

HEX #EE2B2B

RGB 238 43 43

HSL 0, 0.85%, 0.55%

LAB 51.93, 70.84, 49.36

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 24 / 82 / 0 / 7

HEX #B62BEE

RGB 182 43 238

HSL 282.77, 0.85%, 0.55%

LAB 49.31, 78.87, -69.7

 

CMYK 45 / 82 / 0 / 7

HEX #822BEE

RGB 130 43 238

HSL 266.77, 0.85%, 0.55%

LAB 42.23, 71.52, -81.56

 

CMYK 68 / 82 / 0 / 7

HEX #4D2BEE

RGB 77 43 238

HSL 250.46, 0.85%, 0.55%

LAB 36.89, 66.2, -90.55

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEE

RGB 43 43 238

HSL 240, 0.85%, 0.55%

LAB 34.83, 64.22, -94.03

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 1 / 72 / 0 / 14

HEX #D93DDB

RGB 217 61 219

HSL 299.24, 0.69%, 0.55%

LAB 55.28, 76.8, -49.08

 

CMYK 1 / 60 / 0 / 21

HEX #C750C9

RGB 199 80 201

HSL 299.01, 0.53%, 0.55%

LAB 54.13, 62.68, -40.82

 

CMYK 1 / 46 / 0 / 29

HEX #B562B6

RGB 181 98 182

HSL 299.29, 0.37%, 0.55%

LAB 53.96, 45.8, -30.33

 

CMYK 1 / 29 / 0 / 36

HEX #A375A4

RGB 163 117 164

HSL 298.72, 0.21%, 0.55%

LAB 55.27, 26.17, -18.08

 

CMYK 45 / 82 / 0 / 7

HEX #822BEE

RGB 130 43 238

HSL 266.77, 0.85%, 0.55%

LAB 42.23, 71.52, -81.56

 

CMYK 23 / 82 / 0 / 7

HEX #B72BEE

RGB 183 43 238

HSL 283.08, 0.85%, 0.55%

LAB 49.46, 79.03, -69.45

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 0 / 82 / 21 / 7

HEX #EE2BBD

RGB 238 43 189

HSL 315.08, 0.85%, 0.55%

LAB 55.66, 81.69, -31.06

 

CMYK 0 / 82 / 42 / 7

HEX #EE2B89

RGB 238 43 137

HSL 331.08, 0.85%, 0.55%

LAB 53.72, 76.17, -3.42

 

CMYK 1 / 92 / 0 / 28

HEX #B50FB7

RGB 181 15 183

HSL 299.29, 0.85%, 0.39%

LAB 43.63, 74.77, -47.21

 

CMYK 1 / 92 / 0 / 13

HEX #DA12DD

RGB 218 18 221

HSL 299.11, 0.85%, 0.47%

LAB 52.46, 86.29, -54.7

 

CMYK 1 / 82 / 0 / 7

HEX #EB2BEE

RGB 235 43 238

HSL 299.08, 0.85%, 0.55%

LAB 57.62, 87.79, -55.88

 

CMYK 1 / 66 / 0 / 5

HEX #EE51F1

RGB 238 81 241

HSL 298.88, 0.85%, 0.63%

LAB 62.01, 78.07, -50.55

 

CMYK 1 / 51 / 0 / 4

HEX #F277F4

RGB 242 119 244

HSL 299.04, 0.85%, 0.71%

LAB 68.46, 63.77, -42

 

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 82 / 0 / 34 / 7

HEX #2BEE9D

RGB 43 238 157

HSL 155.08, 0.85%, 0.55%

LAB 84.02, -63.87, 26.52

 

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

CMYK 0 / 1 / 82 / 7

HEX #EEEB2B

RGB 238 235 43

HSL 59.08, 0.85%, 0.55%

LAB 90.67, -18.37, 83.34

 

CMYK 82 / 0 / 1 / 7

HEX #2BEEEB

RGB 43 238 235

HSL 179.08, 0.85%, 0.55%

LAB 85.84, -44.78, -11.56

 

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 81 / 0 / 82 / 7

HEX #2EEE2B

RGB 46 238 43

HSL 119.08, 0.85%, 0.55%

LAB 82.86, -77.8, 73.14

 

CMYK 82 / 15 / 0 / 7

HEX #2BCAEE

RGB 43 202 238

HSL 191.08, 0.85%, 0.55%

LAB 75.41, -27.11, -28.95

 

CMYK 1 / 82 / 0 / 7

HEX #EB2CEE

RGB 235 44 238

HSL 299.07, 0.85%, 0.55%

LAB 57.69, 87.59, -55.77

 

CMYK 0 / 42 / 82 / 7

HEX #EE892B

RGB 238 137 43

HSL 28.92, 0.85%, 0.55%

LAB 66.71, 32.17, 62.75

 

CMYK 81 / 0 / 82 / 7

HEX #2EEE2B

RGB 46 238 43

HSL 119.08, 0.85%, 0.55%

LAB 82.86, -77.8, 73.14

 

CMYK 82 / 39 / 0 / 7

HEX #2B90EE

RGB 43 144 238

HSL 208.92, 0.85%, 0.55%

LAB 58.63, 4.54, -55.22

 

Description

Color code: HEX #EB2CEE | qconv.com Color code: HEX #EB2CEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 44 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 44 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 82 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 82% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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