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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB2127 it is the complementary color #14DED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB2127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB2127 shade: #F02122, #FF3335, #FF4548, #FF575B and #FF696E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB2127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB2127 shade: #EB2127, #DA0F14, #C90001, #B80000 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB2127 shade: #EB242A and #EB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB2127 shade: #EB242A, #EB245F, #EB2495, #EB24CB and #D524EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB2127 shade matches the following richer shades: #EB242A and #FE1017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB2127 shade: #EB242A, #D7373C, #C44A4E, #B05E60 and #9D7173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB2127 shade: #EB2494, #EB245F, #EB242A, #EB5224 and #EB8724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB2127 shade: #AC1015, #D21319, #EB242A, #EE494E and #F26F73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB2127 shade: #EB2127, #C9EB24 and #247AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB2127 shade: #EB2127, #2AEB24 and #242AEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB2127 shade: #EB2127, #C9EB24, #24EBE4 and #4524EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB2127 shade: #EB2127, #8EEB24, #24EBE4 and #8124EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

Complementary color

CMYK 91 / 0 / 3 / 13

HEX #14DED8

RGB 20 222 216

HSL 178.22, 0.83%, 0.47%

LAB 80.38, -44.49, -9.67

 

CMYK 0 / 86 / 86 / 6

HEX #F02122

RGB 240 33 34

HSL 359.71, 0.87%, 0.54%

LAB 51.53, 73.24, 53.55

 

CMYK 0 / 80 / 79 / 0

HEX #FF3335

RGB 255 51 53

HSL 359.41, 1%, 0.6%

LAB 55.97, 73.81, 49.24

 

CMYK 0 / 73 / 72 / 0

HEX #FF4548

RGB 255 69 72

HSL 359.03, 1%, 0.64%

LAB 58.02, 69.3, 41.16

 

CMYK 0 / 66 / 64 / 0

HEX #FF575B

RGB 255 87 91

HSL 358.57, 1%, 0.67%

LAB 60.63, 63.77, 33.62

 

CMYK 0 / 59 / 57 / 0

HEX #FF696E

RGB 255 105 110

HSL 358, 1%, 0.71%

LAB 63.74, 57.48, 26.85

 

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

CMYK 0 / 93 / 91 / 15

HEX #DA0F14

RGB 218 15 20

HSL 358.52, 0.87%, 0.46%

LAB 46.04, 70.01, 53.54

 

CMYK 0 / 100 / 100 / 21

HEX #C90001

RGB 201 0 1

HSL 359.7, 1%, 0.39%

LAB 41.88, 66.97, 55.83

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 85 / 85 / 8

HEX #EB2424

RGB 235 36 36

HSL 0, 0.83%, 0.53%

LAB 50.75, 71.4, 51.55

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 85 / 60 / 8

HEX #EB245F

RGB 235 36 95

HSL 342.21, 0.83%, 0.53%

LAB 51.55, 73.76, 18.78

 

CMYK 0 / 85 / 37 / 8

HEX #EB2495

RGB 235 36 149

HSL 325.93, 0.83%, 0.53%

LAB 53.05, 78.04, -11.63

 

CMYK 0 / 85 / 14 / 8

HEX #EB24CB

RGB 235 36 203

HSL 309.65, 0.83%, 0.53%

LAB 55.31, 84.24, -39.71

 

CMYK 9 / 85 / 0 / 8

HEX #D524EB

RGB 213 36 235

HSL 293.37, 0.83%, 0.53%

LAB 53.39, 84.94, -61.18

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 94 / 91 / 0

HEX #FE1017

RGB 254 16 23

HSL 358.24, 0.99%, 0.53%

LAB 53.5, 78.89, 60.86

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 74 / 72 / 16

HEX #D7373C

RGB 215 55 60

HSL 358.13, 0.67%, 0.53%

LAB 48.89, 61.51, 35.51

 

CMYK 0 / 62 / 60 / 23

HEX #C44A4E

RGB 196 74 78

HSL 358.03, 0.51%, 0.53%

LAB 48.49, 49.03, 23.67

 

CMYK 0 / 47 / 45 / 31

HEX #B05E60

RGB 176 94 96

HSL 358.54, 0.34%, 0.53%

LAB 49.59, 33.38, 13.88

 

CMYK 0 / 28 / 27 / 38

HEX #9D7173

RGB 157 113 115

HSL 357.27, 0.18%, 0.53%

LAB 52.08, 17.69, 5.79

 

CMYK 0 / 85 / 37 / 8

HEX #EB2494

RGB 235 36 148

HSL 326.23, 0.83%, 0.53%

LAB 53.02, 77.94, -11.09

 

CMYK 0 / 85 / 60 / 8

HEX #EB245F

RGB 235 36 95

HSL 342.21, 0.83%, 0.53%

LAB 51.55, 73.76, 18.78

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 65 / 85 / 8

HEX #EB5224

RGB 235 82 36

HSL 13.87, 0.83%, 0.53%

LAB 55.91, 57.07, 55.95

 

CMYK 0 / 43 / 85 / 8

HEX #EB8724

RGB 235 135 36

HSL 29.85, 0.83%, 0.53%

LAB 65.84, 31.8, 64.29

 

CMYK 0 / 91 / 88 / 33

HEX #AC1015

RGB 172 16 21

HSL 358.08, 0.83%, 0.37%

LAB 36.36, 57.87, 41.59

 

CMYK 0 / 91 / 88 / 18

HEX #D21319

RGB 210 19 25

HSL 358.12, 0.83%, 0.45%

LAB 44.57, 67.54, 49.59

 

CMYK 0 / 85 / 82 / 8

HEX #EB242A

RGB 235 36 42

HSL 358.19, 0.83%, 0.53%

LAB 50.79, 71.53, 48.6

 

CMYK 0 / 69 / 67 / 7

HEX #EE494E

RGB 238 73 78

HSL 358.18, 0.83%, 0.61%

LAB 55.58, 63.08, 34.13

 

CMYK 0 / 54 / 52 / 5

HEX #F26F73

RGB 242 111 115

HSL 358.17, 0.83%, 0.69%

LAB 62.91, 50.69, 22.55

 

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

CMYK 14 / 0 / 85 / 8

HEX #C9EB24

RGB 201 235 36

HSL 70.25, 0.83%, 0.53%

LAB 87.95, -33.65, 81.49

 

CMYK 85 / 48 / 0 / 8

HEX #247AEB

RGB 36 122 235

HSL 214.07, 0.83%, 0.53%

LAB 52.17, 16.32, -63.93

 

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

CMYK 82 / 0 / 85 / 8

HEX #2AEB24

RGB 42 235 36

HSL 118.19, 0.83%, 0.53%

LAB 81.86, -77.7, 73.84

 

CMYK 85 / 82 / 0 / 8

HEX #242AEB

RGB 36 42 235

HSL 238.19, 0.83%, 0.53%

LAB 34.04, 63.51, -93.64

 

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

CMYK 14 / 0 / 85 / 8

HEX #C9EB24

RGB 201 235 36

HSL 70.25, 0.83%, 0.53%

LAB 87.95, -33.65, 81.49

 

CMYK 85 / 0 / 3 / 8

HEX #24EBE4

RGB 36 235 228

HSL 177.89, 0.83%, 0.53%

LAB 84.69, -45.92, -9.6

 

CMYK 71 / 85 / 0 / 8

HEX #4524EB

RGB 69 36 235

HSL 249.95, 0.83%, 0.53%

LAB 35.05, 67.5, -91.91

 

CMYK 0 / 86 / 83 / 8

HEX #EB2127

RGB 235 33 39

HSL 358.22, 0.83%, 0.53%

LAB 50.57, 72.04, 49.91

 

CMYK 40 / 0 / 85 / 8

HEX #8EEB24

RGB 142 235 36

HSL 88.04, 0.83%, 0.53%

LAB 84.64, -55.42, 77.35

 

CMYK 85 / 0 / 3 / 8

HEX #24EBE4

RGB 36 235 228

HSL 177.89, 0.83%, 0.53%

LAB 84.69, -45.92, -9.6

 

CMYK 45 / 85 / 0 / 8

HEX #8124EB

RGB 129 36 235

HSL 268.04, 0.83%, 0.53%

LAB 41.1, 72.86, -81.72

 

Description

Color code: HEX #EB2127 | qconv.com Color code: HEX #EB2127 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 33 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 33 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 83% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Carnaval do Recife 2...
Link: http://www.carnavaldorecife2014.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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