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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB1FF6 it is the complementary color #14E009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB1FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB1FF6 shade: #F01FF1, #FF31FF, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB1FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB1FF6 shade: #EB1FF6, #DA0DE3, #C900D0, #B800BD and #A700AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB1FF6 shade: #EB1EF6, #F61EC6, #F61E8C, #F61E52 and #F61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB1FF6 shade: #EB1EF6, #B01EF6, #761EF6, #3C1EF6 and #1E1EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB1FF6 shade matches the following richer shades: #EB1EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB1FF6 shade: #EB1EF6, #DA31E3, #C844D0, #B757BD and #A66AAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB1FF6 shade: #741EF6, #AE1EF6, #E71EF6, #F61ECA and #F61E91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB1FF6 shade: #B008B9, #D609E1, #EB1EF6, #EE45F7 and #F26DF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB1FF6 shade: #EB1FF6, #F63B1E and #1EF691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB1FF6 shade: #EB1FF6, #F6E71E and #1EF6E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB1FF6 shade: #EB1FF6, #F63B1E, #2CF61E and #1ED9F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB1FF6 shade: #EB1FF6, #F67B1E, #2CF61E and #1E98F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

Complementary color

CMYK 91 / 0 / 96 / 12

HEX #14E009

RGB 20 224 9

HSL 116.93, 0.92%, 0.46%

LAB 78.16, -77.19, 74.71

 

CMYK 0 / 87 / 0 / 5

HEX #F01FF1

RGB 240 31 241

HSL 299.71, 0.88%, 0.53%

LAB 57.9, 91.19, -57.07

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

CMYK 4 / 94 / 0 / 11

HEX #DA0DE3

RGB 218 13 227

HSL 297.48, 0.89%, 0.47%

LAB 52.66, 87.64, -57.78

 

CMYK 3 / 100 / 0 / 18

HEX #C900D0

RGB 201 0 208

HSL 297.98, 1%, 0.41%

LAB 48.22, 83.16, -54.22

 

CMYK 3 / 100 / 0 / 26

HEX #B800BD

RGB 184 0 189

HSL 298.41, 1%, 0.37%

LAB 44.04, 77.64, -50.06

 

CMYK 2 / 100 / 0 / 33

HEX #A700AA

RGB 167 0 170

HSL 298.94, 1%, 0.33%

LAB 39.78, 72.02, -45.81

 

CMYK 4 / 88 / 0 / 4

HEX #EB1EF6

RGB 235 30 246

HSL 296.94, 0.92%, 0.54%

LAB 57.31, 91.25, -60.85

 

CMYK 0 / 88 / 20 / 4

HEX #F61EC6

RGB 246 30 198

HSL 313.33, 0.92%, 0.54%

LAB 56.68, 86.71, -34.55

 

CMYK 0 / 88 / 43 / 4

HEX #F61E8C

RGB 246 30 140

HSL 329.44, 0.92%, 0.54%

LAB 54.46, 80.72, -3.94

 

CMYK 0 / 88 / 67 / 4

HEX #F61E52

RGB 246 30 82

HSL 345.56, 0.92%, 0.54%

LAB 53.09, 76.86, 29.03

 

CMYK 0 / 88 / 88 / 4

HEX #F61E1E

RGB 246 30 30

HSL 0, 0.92%, 0.54%

LAB 52.53, 75.24, 56.64

 

CMYK 4 / 88 / 0 / 4

HEX #EB1EF6

RGB 235 30 246

HSL 296.94, 0.92%, 0.54%

LAB 57.31, 91.25, -60.85

 

CMYK 28 / 88 / 0 / 4

HEX #B01EF6

RGB 176 30 246

HSL 280.56, 0.92%, 0.54%

LAB 48.02, 82.43, -76.33

 

CMYK 52 / 88 / 0 / 4

HEX #761EF6

RGB 118 30 246

HSL 264.44, 0.92%, 0.54%

LAB 40.3, 75.83, -89.3

 

CMYK 76 / 88 / 0 / 4

HEX #3C1EF6

RGB 60 30 246

HSL 248.33, 0.92%, 0.54%

LAB 35.09, 71.95, -98.1

 

CMYK 88 / 88 / 0 / 4

HEX #1E1EF6

RGB 30 30 246

HSL 240, 0.92%, 0.54%

LAB 33.69, 71.01, -100.47

 

CMYK 4 / 88 / 0 / 4

HEX #EB1EF6

RGB 235 30 246

HSL 296.94, 0.92%, 0.54%

LAB 57.31, 91.25, -60.85

 

CMYK 4 / 88 / 0 / 4

HEX #EB1EF6

RGB 235 30 246

HSL 296.94, 0.92%, 0.54%

LAB 57.31, 91.25, -60.85

 

CMYK 4 / 78 / 0 / 11

HEX #DA31E3

RGB 218 49 227

HSL 296.97, 0.76%, 0.54%

LAB 54.71, 81.65, -54.51

 

CMYK 4 / 67 / 0 / 18

HEX #C844D0

RGB 200 68 208

HSL 296.57, 0.6%, 0.54%

LAB 52.91, 68.93, -46.74

 

CMYK 3 / 54 / 0 / 26

HEX #B757BD

RGB 183 87 189

HSL 296.47, 0.44%, 0.54%

LAB 52.46, 53.18, -36.69

 

CMYK 2 / 38 / 0 / 33

HEX #A66AAA

RGB 166 106 170

HSL 296.25, 0.27%, 0.54%

LAB 53.3, 34.54, -24.55

 

CMYK 53 / 88 / 0 / 4

HEX #741EF6

RGB 116 30 246

HSL 263.89, 0.92%, 0.54%

LAB 40.07, 75.65, -89.68

 

CMYK 29 / 88 / 0 / 4

HEX #AE1EF6

RGB 174 30 246

HSL 280, 0.92%, 0.54%

LAB 47.73, 82.17, -76.82

 

CMYK 6 / 88 / 0 / 4

HEX #E71EF6

RGB 231 30 246

HSL 295.83, 0.92%, 0.54%

LAB 56.66, 90.6, -61.94

 

CMYK 0 / 88 / 18 / 4

HEX #F61ECA

RGB 246 30 202

HSL 312.22, 0.92%, 0.54%

LAB 56.87, 87.2, -36.56

 

CMYK 0 / 88 / 41 / 4

HEX #F61E91

RGB 246 30 145

HSL 328.06, 0.92%, 0.54%

LAB 54.62, 81.15, -6.69

 

CMYK 5 / 96 / 0 / 27

HEX #B008B9

RGB 176 8 185

HSL 296.95, 0.92%, 0.38%

LAB 42.62, 74.98, -50.06

 

CMYK 5 / 96 / 0 / 12

HEX #D609E1

RGB 214 9 225

HSL 296.94, 0.92%, 0.46%

LAB 51.76, 87.03, -58.14

 

CMYK 4 / 88 / 0 / 4

HEX #EB1EF6

RGB 235 30 246

HSL 296.94, 0.92%, 0.54%

LAB 57.31, 91.25, -60.85

 

CMYK 4 / 72 / 0 / 3

HEX #EE45F7

RGB 238 69 247

HSL 296.97, 0.92%, 0.62%

LAB 60.91, 83.05, -55.62

 

CMYK 3 / 56 / 0 / 2

HEX #F26DF9

RGB 242 109 249

HSL 297, 0.92%, 0.7%

LAB 67.02, 69.14, -47.02

 

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

CMYK 0 / 76 / 88 / 4

HEX #F63B1E

RGB 246 59 30

HSL 8.06, 0.92%, 0.54%

LAB 54.88, 68.56, 58.41

 

CMYK 88 / 0 / 41 / 4

HEX #1EF691

RGB 30 246 145

HSL 151.94, 0.92%, 0.54%

LAB 86.12, -69.9, 35.36

 

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

CMYK 0 / 6 / 88 / 4

HEX #F6E71E

RGB 246 231 30

HSL 55.83, 0.92%, 0.54%

LAB 90.25, -13.38, 85.88

 

CMYK 88 / 0 / 6 / 4

HEX #1EF6E7

RGB 30 246 231

HSL 175.83, 0.92%, 0.54%

LAB 87.95, -50.11, -6.34

 

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

CMYK 0 / 76 / 88 / 4

HEX #F63B1E

RGB 246 59 30

HSL 8.06, 0.92%, 0.54%

LAB 54.88, 68.56, 58.41

 

CMYK 82 / 0 / 88 / 4

HEX #2CF61E

RGB 44 246 30

HSL 116.11, 0.92%, 0.54%

LAB 85.27, -80.78, 78.01

 

CMYK 88 / 12 / 0 / 4

HEX #1ED9F6

RGB 30 217 246

HSL 188.06, 0.92%, 0.54%

LAB 79.93, -32.7, -26.31

 

CMYK 4 / 87 / 0 / 4

HEX #EB1FF6

RGB 235 31 246

HSL 296.93, 0.92%, 0.54%

LAB 57.36, 91.1, -60.77

 

CMYK 0 / 50 / 88 / 4

HEX #F67B1E

RGB 246 123 30

HSL 25.83, 0.92%, 0.54%

LAB 64.85, 42.16, 66.03

 

CMYK 82 / 0 / 88 / 4

HEX #2CF61E

RGB 44 246 30

HSL 116.11, 0.92%, 0.54%

LAB 85.27, -80.78, 78.01

 

CMYK 88 / 38 / 0 / 4

HEX #1E98F6

RGB 30 152 246

HSL 206.11, 0.92%, 0.54%

LAB 61.12, 1.84, -55.67

 

Description

Color code: HEX #EB1FF6 | qconv.com Color code: HEX #EB1FF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 31 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 31 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 87 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 87% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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