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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB1EEE it is the complementary color #14E111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB1EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB1EEE shade: #F01EE9, #FF30FC, #FF42FF, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB1EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB1EEE shade: #EB1EEE, #DA0CDB, #C900C8, #B800B5 and #A700A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB1EEE shade: #EB20EE, #EE20BA, #EE2082, #EE204A and #EE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB1EEE shade: #EB20EE, #B420EE, #7C20EE, #4420EE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB1EEE shade matches the following richer shades: #EB20EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB1EEE shade: #EB20EE, #D833DB, #C647C7, #B35AB4 and #A06EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB1EEE shade: #7D20EE, #B420EE, #EB20EE, #EE20BB and #EE2084

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB1EEE shade: #AC0DAF, #D210D5, #EB20EE, #EF46F1 and #F26DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB1EEE shade: #EB1EEE, #EE4620 and #20EE98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB1EEE shade: #EB1EEE, #EEEB20 and #20EEEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB1EEE shade: #EB1EEE, #EE4620, #24EE20 and #20C8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB1EEE shade: #EB1EEE, #EE8420, #24EE20 and #208BEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

Complementary color

CMYK 91 / 0 / 92 / 12

HEX #14E111

RGB 20 225 17

HSL 119.13, 0.86%, 0.47%

LAB 78.48, -77.31, 74.13

 

CMYK 0 / 88 / 3 / 6

HEX #F01EE9

RGB 240 30 233

HSL 302, 0.88%, 0.53%

LAB 57.4, 90.2, -53.38

 

CMYK 0 / 81 / 1 / 0

HEX #FF30FC

RGB 255 48 252

HSL 300.87, 1%, 0.59%

LAB 62, 92.4, -56.5

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

CMYK 0 / 95 / 0 / 14

HEX #DA0CDB

RGB 218 12 219

HSL 299.71, 0.9%, 0.45%

LAB 52.16, 86.55, -54.05

 

CMYK 0 / 100 / 0 / 21

HEX #C900C8

RGB 201 0 200

HSL 300.3, 1%, 0.39%

LAB 47.74, 81.99, -50.38

 

CMYK 0 / 100 / 2 / 28

HEX #B800B5

RGB 184 0 181

HSL 300.98, 1%, 0.36%

LAB 43.55, 76.45, -46.14

 

CMYK 0 / 100 / 3 / 35

HEX #A700A2

RGB 167 0 162

HSL 301.8, 1%, 0.33%

LAB 39.28, 70.82, -41.8

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 0 / 87 / 22 / 7

HEX #EE20BA

RGB 238 32 186

HSL 315.15, 0.86%, 0.53%

LAB 54.82, 83.4, -30.63

 

CMYK 0 / 87 / 45 / 7

HEX #EE2082

RGB 238 32 130

HSL 331.46, 0.86%, 0.53%

LAB 52.75, 77.73, -0.64

 

CMYK 0 / 87 / 69 / 7

HEX #EE204A

RGB 238 32 74

HSL 347.77, 0.86%, 0.53%

LAB 51.5, 74.17, 31.47

 

CMYK 0 / 87 / 87 / 7

HEX #EE2020

RGB 238 32 32

HSL 0, 0.86%, 0.53%

LAB 51.05, 72.87, 53.92

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 24 / 87 / 0 / 7

HEX #B420EE

RGB 180 32 238

HSL 283.11, 0.86%, 0.53%

LAB 48.15, 81.11, -71.6

 

CMYK 48 / 87 / 0 / 7

HEX #7C20EE

RGB 124 32 238

HSL 266.8, 0.86%, 0.53%

LAB 40.4, 74.09, -84.6

 

CMYK 71 / 87 / 0 / 7

HEX #4420EE

RGB 68 32 238

HSL 250.49, 0.86%, 0.53%

LAB 34.87, 69.61, -93.92

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 1 / 77 / 0 / 14

HEX #D833DB

RGB 216 51 219

HSL 298.93, 0.7%, 0.53%

LAB 54.11, 79.5, -50.95

 

CMYK 1 / 64 / 0 / 22

HEX #C647C7

RGB 198 71 199

HSL 299.53, 0.53%, 0.53%

LAB 52.55, 65.79, -42.17

 

CMYK 1 / 50 / 0 / 29

HEX #B35AB4

RGB 179 90 180

HSL 299.33, 0.38%, 0.53%

LAB 52.05, 48.93, -32.16

 

CMYK 1 / 32 / 0 / 37

HEX #A06EA1

RGB 160 110 161

HSL 298.82, 0.21%, 0.53%

LAB 53.17, 28.54, -19.57

 

CMYK 47 / 87 / 0 / 7

HEX #7D20EE

RGB 125 32 238

HSL 267.09, 0.86%, 0.53%

LAB 40.52, 74.19, -84.4

 

CMYK 24 / 87 / 0 / 7

HEX #B420EE

RGB 180 32 238

HSL 283.11, 0.86%, 0.53%

LAB 48.15, 81.11, -71.6

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 0 / 87 / 21 / 7

HEX #EE20BB

RGB 238 32 187

HSL 314.85, 0.86%, 0.53%

LAB 54.86, 83.52, -31.14

 

CMYK 0 / 87 / 45 / 7

HEX #EE2084

RGB 238 32 132

HSL 330.87, 0.86%, 0.53%

LAB 52.81, 77.9, -1.75

 

CMYK 2 / 93 / 0 / 31

HEX #AC0DAF

RGB 172 13 175

HSL 298.89, 0.86%, 0.37%

LAB 41.46, 72.24, -46.05

 

CMYK 1 / 92 / 0 / 16

HEX #D210D5

RGB 210 16 213

HSL 299.09, 0.86%, 0.45%

LAB 50.54, 84.01, -53.29

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 1 / 71 / 0 / 5

HEX #EF46F1

RGB 239 70 241

HSL 299.3, 0.86%, 0.61%

LAB 60.85, 81.99, -52.37

 

CMYK 1 / 55 / 0 / 4

HEX #F26DF4

RGB 242 109 244

HSL 299.11, 0.86%, 0.69%

LAB 66.78, 68.28, -44.64

 

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

CMYK 0 / 71 / 87 / 7

HEX #EE4620

RGB 238 70 32

HSL 11.07, 0.86%, 0.53%

LAB 54.72, 62.57, 56.85

 

CMYK 87 / 0 / 36 / 7

HEX #20EE98

RGB 32 238 152

HSL 154.95, 0.86%, 0.53%

LAB 83.82, -65.72, 28.79

 

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

CMYK 0 / 1 / 87 / 7

HEX #EEEB20

RGB 238 235 32

HSL 59.13, 0.86%, 0.53%

LAB 90.64, -18.63, 85.57

 

CMYK 87 / 0 / 1 / 7

HEX #20EEEB

RGB 32 238 235

HSL 179.13, 0.86%, 0.53%

LAB 85.73, -45.47, -11.73

 

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

CMYK 0 / 71 / 87 / 7

HEX #EE4620

RGB 238 70 32

HSL 11.07, 0.86%, 0.53%

LAB 54.72, 62.57, 56.85

 

CMYK 85 / 0 / 87 / 7

HEX #24EE20

RGB 36 238 32

HSL 118.83, 0.86%, 0.53%

LAB 82.72, -79.25, 75.39

 

CMYK 87 / 16 / 0 / 7

HEX #20C8EE

RGB 32 200 238

HSL 191.07, 0.86%, 0.53%

LAB 74.69, -26.88, -30.06

 

CMYK 1 / 87 / 0 / 7

HEX #EB1EEE

RGB 235 30 238

HSL 299.13, 0.86%, 0.53%

LAB 56.84, 90.07, -57.12

 

CMYK 0 / 45 / 87 / 7

HEX #EE8420

RGB 238 132 32

HSL 29.13, 0.86%, 0.53%

LAB 65.58, 34.48, 65.52

 

CMYK 85 / 0 / 87 / 7

HEX #24EE20

RGB 36 238 32

HSL 118.83, 0.86%, 0.53%

LAB 82.72, -79.25, 75.39

 

CMYK 87 / 42 / 0 / 7

HEX #208BEE

RGB 32 139 238

HSL 208.83, 0.86%, 0.53%

LAB 57.02, 6.72, -57.8

 

Description

Color code: HEX #EB1EEE | qconv.com Color code: HEX #EB1EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 30 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 30 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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