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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB1EC7 it is the complementary color #14E138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB1EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB1EC7 shade: #F01EC2, #FF30D5, #FF42E8, #FF54FB and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB1EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB1EC7 shade: #EB1EC7, #DA0CB4, #C900A1, #B8008E and #A7007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB1EC7 shade: #EB1EC7, #EB1E90, #EB1E58, #EB1E21 and #EB1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB1EC7 shade: #EB1EC7, #D81EEB, #A11EEB, #691EEB and #321EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB1EC7 shade matches the following richer shades: #EB1EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB1EC7 shade: #EB1EC7, #D832BA, #C445AE, #B059A1 and #9C6D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB1EC7 shade: #A01EEB, #D71EEB, #EB1EC9, #EB1E92 and #EB1E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB1EC7 shade: #A80F8D, #CE12AD, #EB1EC7, #EF44D1 and #F26ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB1EC7 shade: #EB1EC7, #EB691E and #1EEBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB1EC7 shade: #EB1EC7, #C9EB1E and #1EC9EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB1EC7 shade: #EB1EC7, #EB691E, #1EEB40 and #1EA0EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB1EC7 shade: #EB1EC7, #EBA71E, #1EEB40 and #1E62EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

Complementary color

CMYK 91 / 0 / 75 / 12

HEX #14E138

RGB 20 225 56

HSL 130.54, 0.84%, 0.48%

LAB 78.63, -75.47, 65.31

 

CMYK 0 / 88 / 19 / 6

HEX #F01EC2

RGB 240 30 194

HSL 313.14, 0.88%, 0.53%

LAB 55.43, 85.07, -34.28

 

CMYK 0 / 81 / 16 / 0

HEX #FF30D5

RGB 255 48 213

HSL 312.17, 1%, 0.59%

LAB 60.05, 87.1, -37.74

 

CMYK 0 / 74 / 9 / 0

HEX #FF42E8

RGB 255 66 232

HSL 307.3, 1%, 0.63%

LAB 62.49, 85.17, -44.6

 

CMYK 0 / 67 / 2 / 0

HEX #FF54FB

RGB 255 84 251

HSL 301.4, 1%, 0.66%

LAB 65.41, 82.32, -50.54

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 94 / 17 / 15

HEX #DA0CB4

RGB 218 12 180

HSL 311.07, 0.9%, 0.45%

LAB 50.05, 81.3, -34.85

 

CMYK 0 / 100 / 20 / 21

HEX #C900A1

RGB 201 0 161

HSL 311.94, 1%, 0.39%

LAB 45.62, 76.78, -30.76

 

CMYK 0 / 100 / 23 / 28

HEX #B8008E

RGB 184 0 142

HSL 313.7, 1%, 0.36%

LAB 41.44, 71.26, -26.04

 

CMYK 0 / 100 / 26 / 35

HEX #A7007B

RGB 167 0 123

HSL 315.81, 1%, 0.33%

LAB 37.2, 65.65, -21.15

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 87 / 39 / 8

HEX #EB1E90

RGB 235 30 144

HSL 326.63, 0.84%, 0.52%

LAB 52.51, 78.62, -9.46

 

CMYK 0 / 87 / 63 / 8

HEX #EB1E58

RGB 235 30 88

HSL 343.02, 0.84%, 0.52%

LAB 51.03, 74.46, 22.33

 

CMYK 0 / 87 / 86 / 8

HEX #EB1E21

RGB 235 30 33

HSL 359.12, 0.84%, 0.52%

LAB 50.33, 72.45, 52.63

 

CMYK 0 / 87 / 87 / 8

HEX #EB1E1E

RGB 235 30 30

HSL 0, 0.84%, 0.52%

LAB 50.32, 72.4, 53.98

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 8 / 87 / 0 / 8

HEX #D81EEB

RGB 216 30 235

HSL 294.44, 0.84%, 0.52%

LAB 53.52, 86.48, -60.94

 

CMYK 31 / 87 / 0 / 8

HEX #A11EEB

RGB 161 30 235

HSL 278.34, 0.84%, 0.52%

LAB 44.95, 78.33, -75.24

 

CMYK 55 / 87 / 0 / 8

HEX #691EEB

RGB 105 30 235

HSL 261.95, 0.84%, 0.52%

LAB 37.72, 72.1, -87.4

 

CMYK 79 / 87 / 0 / 8

HEX #321EEB

RGB 50 30 235

HSL 245.85, 0.84%, 0.52%

LAB 33.15, 68.63, -95.12

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 77 / 14 / 15

HEX #D832BA

RGB 216 50 186

HSL 310.84, 0.68%, 0.52%

LAB 52.31, 74.92, -34.83

 

CMYK 0 / 65 / 11 / 23

HEX #C445AE

RGB 196 69 174

HSL 310.39, 0.52%, 0.52%

LAB 50.74, 62.07, -30.52

 

CMYK 0 / 49 / 9 / 31

HEX #B059A1

RGB 176 89 161

HSL 310.34, 0.36%, 0.52%

LAB 50.63, 45.15, -23.3

 

CMYK 0 / 30 / 5 / 39

HEX #9C6D94

RGB 156 109 148

HSL 310.21, 0.19%, 0.52%

LAB 52, 25.22, -13.78

 

CMYK 32 / 87 / 0 / 8

HEX #A01EEB

RGB 160 30 235

HSL 278.05, 0.84%, 0.52%

LAB 44.8, 78.19, -75.49

 

CMYK 9 / 87 / 0 / 8

HEX #D71EEB

RGB 215 30 235

HSL 294.15, 0.84%, 0.52%

LAB 53.36, 86.32, -61.21

 

CMYK 0 / 87 / 14 / 8

HEX #EB1EC9

RGB 235 30 201

HSL 309.95, 0.84%, 0.52%

LAB 54.87, 84.98, -39.25

 

CMYK 0 / 87 / 38 / 8

HEX #EB1E92

RGB 235 30 146

HSL 326.05, 0.84%, 0.52%

LAB 52.58, 78.81, -10.55

 

CMYK 0 / 87 / 61 / 8

HEX #EB1E5B

RGB 235 30 91

HSL 342.15, 0.84%, 0.52%

LAB 51.09, 74.63, 20.58

 

CMYK 0 / 91 / 16 / 34

HEX #A80F8D

RGB 168 15 141

HSL 310.59, 0.84%, 0.36%

LAB 38.88, 66.33, -29.66

 

CMYK 0 / 91 / 16 / 19

HEX #CE12AD

RGB 206 18 173

HSL 310.53, 0.84%, 0.44%

LAB 47.72, 77.54, -34.55

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 72 / 13 / 6

HEX #EF44D1

RGB 239 68 209

HSL 310.53, 0.84%, 0.6%

LAB 59.06, 77.87, -37.21

 

CMYK 0 / 56 / 10 / 5

HEX #F26ADA

RGB 242 106 218

HSL 310.59, 0.84%, 0.68%

LAB 65.16, 65.38, -32.74

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 55 / 87 / 8

HEX #EB691E

RGB 235 105 30

HSL 21.95, 0.84%, 0.52%

LAB 59.76, 46.72, 61.37

 

CMYK 87 / 0 / 20 / 8

HEX #1EEBBB

RGB 30 235 187

HSL 165.95, 0.84%, 0.52%

LAB 83.59, -57.04, 10.37

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 14 / 0 / 87 / 8

HEX #C9EB1E

RGB 201 235 30

HSL 69.95, 0.84%, 0.52%

LAB 87.93, -33.8, 82.61

 

CMYK 87 / 14 / 0 / 8

HEX #1EC9EB

RGB 30 201 235

HSL 189.95, 0.84%, 0.52%

LAB 74.85, -28.46, -28.19

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 55 / 87 / 8

HEX #EB691E

RGB 235 105 30

HSL 21.95, 0.84%, 0.52%

LAB 59.76, 46.72, 61.37

 

CMYK 87 / 0 / 73 / 8

HEX #1EEB40

RGB 30 235 64

HSL 129.95, 0.84%, 0.52%

LAB 81.87, -77.06, 65.91

 

CMYK 87 / 32 / 0 / 8

HEX #1EA0EB

RGB 30 160 235

HSL 201.95, 0.84%, 0.52%

LAB 62.86, -6.81, -46.87

 

CMYK 0 / 87 / 15 / 8

HEX #EB1EC7

RGB 235 30 199

HSL 310.54, 0.84%, 0.52%

LAB 54.78, 84.72, -38.25

 

CMYK 0 / 29 / 87 / 8

HEX #EBA71E

RGB 235 167 30

HSL 40.1, 0.84%, 0.52%

LAB 73.15, 14.77, 71.93

 

CMYK 87 / 0 / 73 / 8

HEX #1EEB40

RGB 30 235 64

HSL 129.95, 0.84%, 0.52%

LAB 81.87, -77.06, 65.91

 

CMYK 87 / 58 / 0 / 8

HEX #1E62EB

RGB 30 98 235

HSL 220.1, 0.84%, 0.52%

LAB 45.65, 31.17, -74.52

 

Description

Color code: HEX #EB1EC7 | qconv.com Color code: HEX #EB1EC7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 30 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 30 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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