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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB19C4 it is the complementary color #14E63B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB19C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB19C4 shade: #F019BF, #FF2BD2, #FF3DE5, #FF4FF8 and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB19C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB19C4 shade: #EB19C4, #DA07B1, #C9009E, #B8008B and #A70078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB19C4 shade: #EB19C4, #EB198B, #EB1953, #EB191A and #EB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB19C4 shade: #EB19C4, #D919EB, #A119EB, #6819EB and #3019EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB19C4 shade matches the following richer shades: #EB19C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB19C4 shade: #EB19C4, #D72DB7, #C342AB, #AE569E and #9A6A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB19C4 shade: #A219EB, #DA19EB, #EB19C5, #EB198D and #EB1955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB19C4 shade: #A30E88, #C912A7, #EB19C4, #EE3FCE and #F265D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB19C4 shade: #EB19C4, #EB6A19 and #19EBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB19C4 shade: #EB19C4, #C5EB19 and #19C5EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB19C4 shade: #EB19C4, #EB6A19, #19EB40 and #199BEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB19C4 shade: #EB19C4, #EBA919, #19EB40 and #195CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

Complementary color

CMYK 91 / 0 / 74 / 10

HEX #14E63B

RGB 20 230 59

HSL 131.14, 0.84%, 0.49%

LAB 80.21, -76.66, 65.9

 

CMYK 0 / 90 / 20 / 6

HEX #F019BF

RGB 240 25 191

HSL 313.67, 0.88%, 0.52%

LAB 55.05, 85.4, -33.14

 

CMYK 0 / 83 / 18 / 0

HEX #FF2BD2

RGB 255 43 210

HSL 312.74, 1%, 0.58%

LAB 59.56, 87.74, -36.79

 

CMYK 0 / 76 / 10 / 0

HEX #FF3DE5

RGB 255 61 229

HSL 308.04, 1%, 0.62%

LAB 61.87, 86.11, -43.89

 

CMYK 0 / 69 / 3 / 0

HEX #FF4FF8

RGB 255 79 248

HSL 302.39, 1%, 0.65%

LAB 64.67, 83.54, -50.05

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 97 / 19 / 15

HEX #DA07B1

RGB 218 7 177

HSL 311.66, 0.94%, 0.44%

LAB 49.78, 81.32, -33.52

 

CMYK 0 / 100 / 21 / 21

HEX #C9009E

RGB 201 0 158

HSL 312.84, 1%, 0.39%

LAB 45.48, 76.42, -29.19

 

CMYK 0 / 100 / 24 / 28

HEX #B8008B

RGB 184 0 139

HSL 314.67, 1%, 0.36%

LAB 41.3, 70.9, -24.43

 

CMYK 0 / 100 / 28 / 35

HEX #A70078

RGB 167 0 120

HSL 316.89, 1%, 0.33%

LAB 37.06, 65.3, -19.48

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 89 / 41 / 8

HEX #EB198B

RGB 235 25 139

HSL 327.43, 0.84%, 0.51%

LAB 52.09, 78.92, -7.1

 

CMYK 0 / 89 / 65 / 8

HEX #EB1953

RGB 235 25 83

HSL 343.43, 0.84%, 0.51%

LAB 50.67, 74.98, 24.88

 

CMYK 0 / 89 / 89 / 8

HEX #EB191A

RGB 235 25 26

HSL 359.71, 0.84%, 0.51%

LAB 50.02, 73.13, 55.49

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 8 / 89 / 0 / 8

HEX #D919EB

RGB 217 25 235

HSL 294.86, 0.84%, 0.51%

LAB 53.43, 87.39, -61.07

 

CMYK 31 / 89 / 0 / 8

HEX #A119EB

RGB 161 25 235

HSL 278.86, 0.84%, 0.51%

LAB 44.62, 79.3, -75.78

 

CMYK 56 / 89 / 0 / 8

HEX #6819EB

RGB 104 25 235

HSL 262.57, 0.84%, 0.51%

LAB 37.18, 73.29, -88.29

 

CMYK 80 / 89 / 0 / 8

HEX #3019EB

RGB 48 25 235

HSL 246.57, 0.84%, 0.51%

LAB 32.53, 70.1, -96.15

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 79 / 15 / 16

HEX #D72DB7

RGB 215 45 183

HSL 311.29, 0.68%, 0.51%

LAB 51.55, 75.61, -34.3

 

CMYK 0 / 66 / 12 / 24

HEX #C342AB

RGB 195 66 171

HSL 311.16, 0.52%, 0.51%

LAB 50.02, 62.54, -29.89

 

CMYK 0 / 51 / 9 / 32

HEX #AE569E

RGB 174 86 158

HSL 310.91, 0.35%, 0.51%

LAB 49.64, 45.55, -23.07

 

CMYK 0 / 31 / 6 / 40

HEX #9A6A91

RGB 154 106 145

HSL 311.25, 0.19%, 0.51%

LAB 50.95, 25.66, -13.63

 

CMYK 31 / 89 / 0 / 8

HEX #A219EB

RGB 162 25 235

HSL 279.14, 0.84%, 0.51%

LAB 44.77, 79.43, -75.54

 

CMYK 7 / 89 / 0 / 8

HEX #DA19EB

RGB 218 25 235

HSL 295.14, 0.84%, 0.51%

LAB 53.6, 87.54, -60.8

 

CMYK 0 / 89 / 16 / 8

HEX #EB19C5

RGB 235 25 197

HSL 310.86, 0.84%, 0.51%

LAB 54.44, 85.18, -37.63

 

CMYK 0 / 89 / 40 / 8

HEX #EB198D

RGB 235 25 141

HSL 326.86, 0.84%, 0.51%

LAB 52.15, 79.1, -8.2

 

CMYK 0 / 89 / 64 / 8

HEX #EB1955

RGB 235 25 85

HSL 342.86, 0.84%, 0.51%

LAB 50.7, 75.08, 23.72

 

CMYK 0 / 91 / 17 / 36

HEX #A30E88

RGB 163 14 136

HSL 310.87, 0.84%, 0.35%

LAB 37.62, 64.79, -28.63

 

CMYK 0 / 91 / 17 / 21

HEX #C912A7

RGB 201 18 167

HSL 311.15, 0.84%, 0.43%

LAB 46.5, 75.81, -32.97

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 74 / 13 / 7

HEX #EE3FCE

RGB 238 63 206

HSL 310.97, 0.84%, 0.59%

LAB 58.22, 78.77, -36.83

 

CMYK 0 / 58 / 11 / 5

HEX #F265D8

RGB 242 101 216

HSL 311.06, 0.84%, 0.67%

LAB 64.28, 67.24, -32.99

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 55 / 89 / 8

HEX #EB6A19

RGB 235 106 25

HSL 23.14, 0.84%, 0.51%

LAB 59.93, 46.15, 63.09

 

CMYK 89 / 0 / 19 / 8

HEX #19EBBE

RGB 25 235 190

HSL 167.14, 0.84%, 0.51%

LAB 83.62, -56.58, 8.83

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 16 / 0 / 89 / 8

HEX #C5EB19

RGB 197 235 25

HSL 70.86, 0.84%, 0.51%

LAB 87.66, -35.49, 83.09

 

CMYK 89 / 16 / 0 / 8

HEX #19C5EB

RGB 25 197 235

HSL 190.86, 0.84%, 0.51%

LAB 73.63, -26.74, -30.07

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 55 / 89 / 8

HEX #EB6A19

RGB 235 106 25

HSL 23.14, 0.84%, 0.51%

LAB 59.93, 46.15, 63.09

 

CMYK 89 / 0 / 73 / 8

HEX #19EB40

RGB 25 235 64

HSL 131.14, 0.84%, 0.51%

LAB 81.83, -77.4, 65.86

 

CMYK 89 / 34 / 0 / 8

HEX #199BEB

RGB 25 155 235

HSL 202.86, 0.84%, 0.51%

LAB 61.35, -4.24, -49.26

 

CMYK 0 / 89 / 17 / 8

HEX #EB19C4

RGB 235 25 196

HSL 311.14, 0.84%, 0.51%

LAB 54.39, 85.06, -37.13

 

CMYK 0 / 28 / 89 / 8

HEX #EBA919

RGB 235 169 25

HSL 41.14, 0.84%, 0.51%

LAB 73.62, 13.62, 73.42

 

CMYK 89 / 0 / 73 / 8

HEX #19EB40

RGB 25 235 64

HSL 131.14, 0.84%, 0.51%

LAB 81.83, -77.4, 65.86

 

CMYK 89 / 61 / 0 / 8

HEX #195CEB

RGB 25 92 235

HSL 220.86, 0.84%, 0.51%

LAB 44.03, 34.74, -77.16

 

Description

Color code: HEX #EB19C4 | qconv.com Color code: HEX #EB19C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 25 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 25 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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