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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB14F0 it is the complementary color #14EB0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB14F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB14F0 shade: #F014EB, #FF26FE, #FF38FF, #FF4AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB14F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB14F0 shade: #EB14F0, #DA02DD, #C900CA, #B800B7 and #A700A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB14F0 shade: #EB14F0, #F014B9, #F0147E, #F01443 and #F01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB14F0 shade: #EB14F0, #AF14F0, #7414F0, #3914F0 and #1414F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB14F0 shade matches the following richer shades: #EB14F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB14F0 shade: #EB14F0, #D728DB, #C43CC7, #B150B3 and #9D649F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB14F0 shade: #7314F0, #AE14F0, #E814F0, #F014BC and #F01482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB14F0 shade: #A30AA6, #C90DCD, #EB14F0, #EE3AF2 and #F161F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB14F0 shade: #EB14F0, #F03814 and #14F090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB14F0 shade: #EB14F0, #F0E814 and #14F0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB14F0 shade: #EB14F0, #F03814, #1BF014 and #14CBF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB14F0 shade: #EB14F0, #F07A14, #1BF014 and #1489F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

Complementary color

CMYK 91 / 0 / 94 / 8

HEX #14EB0F

RGB 20 235 15

HSL 118.64, 0.88%, 0.49%

LAB 81.62, -80.03, 76.97

 

CMYK 0 / 92 / 2 / 6

HEX #F014EB

RGB 240 20 235

HSL 301.36, 0.88%, 0.51%

LAB 57.1, 91.7, -54.99

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FE

RGB 255 38 254

HSL 300.28, 1%, 0.57%

LAB 61.48, 94.52, -58.43

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 1 / 99 / 0 / 13

HEX #DA02DD

RGB 218 2 221

HSL 299.18, 0.98%, 0.44%

LAB 52.03, 87.57, -55.4

 

CMYK 0 / 100 / 0 / 21

HEX #C900CA

RGB 201 0 202

HSL 299.7, 1%, 0.4%

LAB 47.86, 82.28, -51.34

 

CMYK 0 / 100 / 1 / 28

HEX #B800B7

RGB 184 0 183

HSL 300.33, 1%, 0.36%

LAB 43.67, 76.75, -47.12

 

CMYK 0 / 100 / 2 / 35

HEX #A700A4

RGB 167 0 164

HSL 301.08, 1%, 0.33%

LAB 39.4, 71.12, -42.81

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 0 / 92 / 23 / 6

HEX #F014B9

RGB 240 20 185

HSL 315, 0.88%, 0.51%

LAB 54.58, 85.29, -30.39

 

CMYK 0 / 92 / 48 / 6

HEX #F0147E

RGB 240 20 126

HSL 331.09, 0.88%, 0.51%

LAB 52.43, 79.57, 1.35

 

CMYK 0 / 92 / 72 / 6

HEX #F01443

RGB 240 20 67

HSL 347.18, 0.88%, 0.51%

LAB 51.19, 76.13, 35.34

 

CMYK 0 / 92 / 92 / 6

HEX #F01414

RGB 240 20 20

HSL 0, 0.88%, 0.51%

LAB 50.78, 74.98, 58.82

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 27 / 92 / 0 / 6

HEX #AF14F0

RGB 175 20 240

HSL 282.27, 0.88%, 0.51%

LAB 46.85, 82.83, -74.87

 

CMYK 52 / 92 / 0 / 6

HEX #7414F0

RGB 116 20 240

HSL 266.18, 0.88%, 0.51%

LAB 38.73, 76.47, -88.51

 

CMYK 76 / 92 / 0 / 6

HEX #3914F0

RGB 57 20 240

HSL 250.09, 0.88%, 0.51%

LAB 33.27, 72.98, -97.74

 

CMYK 92 / 92 / 0 / 6

HEX #1414F0

RGB 20 20 240

HSL 240, 0.88%, 0.51%

LAB 31.67, 72.13, -100.45

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 2 / 82 / 0 / 14

HEX #D728DB

RGB 215 40 219

HSL 298.66, 0.71%, 0.51%

LAB 53.04, 81.96, -52.67

 

CMYK 2 / 70 / 0 / 22

HEX #C43CC7

RGB 196 60 199

HSL 298.71, 0.55%, 0.51%

LAB 50.79, 69.42, -44.97

 

CMYK 1 / 55 / 0 / 30

HEX #B150B3

RGB 177 80 179

HSL 298.79, 0.39%, 0.51%

LAB 49.9, 53.06, -34.96

 

CMYK 1 / 37 / 0 / 38

HEX #9D649F

RGB 157 100 159

HSL 297.97, 0.24%, 0.51%

LAB 50.44, 32.8, -22.62

 

CMYK 52 / 92 / 0 / 6

HEX #7314F0

RGB 115 20 240

HSL 265.91, 0.88%, 0.51%

LAB 38.61, 76.39, -88.71

 

CMYK 28 / 92 / 0 / 6

HEX #AE14F0

RGB 174 20 240

HSL 282, 0.88%, 0.51%

LAB 46.7, 82.7, -75.13

 

CMYK 3 / 92 / 0 / 6

HEX #E814F0

RGB 232 20 240

HSL 297.82, 0.88%, 0.51%

LAB 56.04, 91.12, -59.57

 

CMYK 0 / 92 / 22 / 6

HEX #F014BC

RGB 240 20 188

HSL 314.18, 0.88%, 0.51%

LAB 54.72, 85.64, -31.93

 

CMYK 0 / 92 / 46 / 6

HEX #F01482

RGB 240 20 130

HSL 330, 0.88%, 0.51%

LAB 52.55, 79.89, -0.89

 

CMYK 2 / 94 / 0 / 35

HEX #A30AA6

RGB 163 10 166

HSL 298.85, 0.89%, 0.35%

LAB 39.17, 69.65, -44.43

 

CMYK 2 / 94 / 0 / 20

HEX #C90DCD

RGB 201 13 205

HSL 298.75, 0.88%, 0.43%

LAB 48.4, 81.64, -52.2

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 2 / 76 / 0 / 5

HEX #EE3AF2

RGB 238 58 242

HSL 298.7, 0.88%, 0.59%

LAB 59.54, 85.43, -55.03

 

CMYK 1 / 60 / 0 / 4

HEX #F161F4

RGB 241 97 244

HSL 298.78, 0.87%, 0.67%

LAB 64.79, 73.12, -47.79

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 0 / 77 / 92 / 6

HEX #F03814

RGB 240 56 20

HSL 9.82, 0.88%, 0.51%

LAB 53.39, 67.55, 60.48

 

CMYK 92 / 0 / 40 / 6

HEX #14F090

RGB 20 240 144

HSL 153.82, 0.88%, 0.51%

LAB 84.22, -68.59, 33.34

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 0 / 3 / 92 / 6

HEX #F0E814

RGB 240 232 20

HSL 57.82, 0.88%, 0.51%

LAB 89.99, -16.54, 86.95

 

CMYK 92 / 0 / 3 / 6

HEX #14F0E8

RGB 20 240 232

HSL 177.82, 0.88%, 0.51%

LAB 86.15, -47.71, -9.53

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 0 / 77 / 92 / 6

HEX #F03814

RGB 240 56 20

HSL 9.82, 0.88%, 0.51%

LAB 53.39, 67.55, 60.48

 

CMYK 89 / 0 / 92 / 6

HEX #1BF014

RGB 27 240 20

HSL 118.09, 0.88%, 0.51%

LAB 83.23, -80.85, 77.74

 

CMYK 92 / 15 / 0 / 6

HEX #14CBF0

RGB 20 203 240

HSL 190.09, 0.88%, 0.51%

LAB 75.55, -28.29, -29.83

 

CMYK 2 / 92 / 0 / 6

HEX #EB14F0

RGB 235 20 240

HSL 298.64, 0.88%, 0.51%

LAB 56.54, 91.6, -58.73

 

CMYK 0 / 49 / 92 / 6

HEX #F07A14

RGB 240 122 20

HSL 27.82, 0.88%, 0.51%

LAB 63.75, 40.15, 67.51

 

CMYK 89 / 0 / 92 / 6

HEX #1BF014

RGB 27 240 20

HSL 118.09, 0.88%, 0.51%

LAB 83.23, -80.85, 77.74

 

CMYK 92 / 43 / 0 / 6

HEX #1489F0

RGB 20 137 240

HSL 208.09, 0.88%, 0.51%

LAB 56.42, 8.05, -59.89

 

Description

Color code: HEX #EB14F0 | qconv.com Color code: HEX #EB14F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 20 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 20 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 92 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 92% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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