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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB1356 it is the complementary color #14ECA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB1356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB1356 shade: #F01351, #FF2564, #FF3777, #FF498A and #FF5B9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB1356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB1356 shade: #EB1356, #DA0143, #C90030, #B8001D and #A7000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB1356 shade: #EB1356, #EB131B and #EB1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB1356 shade: #EB1356, #EB1390, #EB13CB, #D213EB and #9713EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB1356 shade matches the following richer shades: #EB1356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB1356 shade: #EB1356, #D7275E, #C23C66, #AD516D and #996575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB1356 shade: #EB13CB, #EB1391, #EB1357, #EB131D and #EB4213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB1356 shade: #9F0C3A, #C51048, #EB1356, #EE3971 and #F25F8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB1356 shade: #EB1356, #EBD213 and #13AEEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB1356 shade: #EB1356, #57EB13 and #1357EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB1356 shade: #EB1356, #EBD213, #13EBA7 and #132CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB1356 shade: #EB1356, #C4EB13, #13EBA7 and #3A13EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

Complementary color

CMYK 92 / 0 / 28 / 7

HEX #14ECA9

RGB 20 236 169

HSL 161.39, 0.85%, 0.5%

LAB 83.44, -62.1, 19.53

 

CMYK 0 / 92 / 66 / 6

HEX #F01351

RGB 240 19 81

HSL 343.17, 0.88%, 0.51%

LAB 51.36, 76.85, 27.19

 

CMYK 0 / 85 / 61 / 0

HEX #FF2564

RGB 255 37 100

HSL 342.66, 1%, 0.57%

LAB 55.59, 78.82, 21.85

 

CMYK 0 / 78 / 53 / 0

HEX #FF3777

RGB 255 55 119

HSL 340.8, 1%, 0.61%

LAB 57.39, 76.04, 13

 

CMYK 0 / 71 / 46 / 0

HEX #FF498A

RGB 255 73 138

HSL 338.57, 1%, 0.64%

LAB 59.76, 72.19, 5.16

 

CMYK 0 / 64 / 38 / 0

HEX #FF5B9D

RGB 255 91 157

HSL 335.85, 1%, 0.68%

LAB 62.66, 67.44, -1.68

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 100 / 69 / 15

HEX #DA0143

RGB 218 1 67

HSL 341.75, 0.99%, 0.43%

LAB 46.09, 72.58, 28.12

 

CMYK 0 / 100 / 76 / 21

HEX #C90030

RGB 201 0 48

HSL 345.67, 1%, 0.39%

LAB 42.2, 67.86, 34.21

 

CMYK 0 / 100 / 84 / 28

HEX #B8001D

RGB 184 0 29

HSL 350.54, 1%, 0.36%

LAB 38.34, 63.12, 40.11

 

CMYK 0 / 100 / 94 / 35

HEX #A7000A

RGB 167 0 10

HSL 356.41, 1%, 0.33%

LAB 34.47, 58.47, 44.66

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 92 / 89 / 8

HEX #EB131B

RGB 235 19 27

HSL 357.78, 0.85%, 0.5%

LAB 49.75, 73.94, 54.87

 

CMYK 0 / 92 / 92 / 8

HEX #EB1313

RGB 235 19 19

HSL 0, 0.85%, 0.5%

LAB 49.71, 73.83, 58

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 92 / 39 / 8

HEX #EB1390

RGB 235 19 144

HSL 325.28, 0.85%, 0.5%

LAB 52, 80.12, -10.23

 

CMYK 0 / 92 / 14 / 8

HEX #EB13CB

RGB 235 19 203

HSL 308.89, 0.85%, 0.5%

LAB 54.49, 86.65, -41

 

CMYK 11 / 92 / 0 / 8

HEX #D213EB

RGB 210 19 235

HSL 293.06, 0.85%, 0.5%

LAB 52.02, 87.05, -63.4

 

CMYK 36 / 92 / 0 / 8

HEX #9713EB

RGB 151 19 235

HSL 276.67, 0.85%, 0.5%

LAB 42.83, 79.09, -78.77

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 82 / 56 / 16

HEX #D7275E

RGB 215 39 94

HSL 341.25, 0.69%, 0.5%

LAB 47.89, 67.94, 13.75

 

CMYK 0 / 69 / 47 / 24

HEX #C23C66

RGB 194 60 102

HSL 341.19, 0.53%, 0.5%

LAB 46.53, 56.16, 6.36

 

CMYK 0 / 53 / 37 / 32

HEX #AD516D

RGB 173 81 109

HSL 341.74, 0.36%, 0.5%

LAB 46.81, 40.57, 2.04

 

CMYK 0 / 34 / 24 / 40

HEX #996575

RGB 153 101 117

HSL 341.54, 0.2%, 0.5%

LAB 48.72, 23.33, -0.33

 

CMYK 0 / 92 / 14 / 8

HEX #EB13CB

RGB 235 19 203

HSL 308.89, 0.85%, 0.5%

LAB 54.49, 86.65, -41

 

CMYK 0 / 92 / 38 / 8

HEX #EB1391

RGB 235 19 145

HSL 325, 0.85%, 0.5%

LAB 52.03, 80.22, -10.78

 

CMYK 0 / 92 / 63 / 8

HEX #EB1357

RGB 235 19 87

HSL 341.11, 0.85%, 0.5%

LAB 50.47, 75.97, 22.2

 

CMYK 0 / 92 / 88 / 8

HEX #EB131D

RGB 235 19 29

HSL 357.22, 0.85%, 0.5%

LAB 49.76, 73.97, 54

 

CMYK 0 / 72 / 92 / 8

HEX #EB4213

RGB 235 66 19

HSL 13.06, 0.85%, 0.5%

LAB 53.61, 62.83, 60.48

 

CMYK 0 / 92 / 64 / 38

HEX #9F0C3A

RGB 159 12 58

HSL 341.22, 0.86%, 0.34%

LAB 33.86, 56.46, 15.63

 

CMYK 0 / 92 / 63 / 23

HEX #C51048

RGB 197 16 72

HSL 341.44, 0.85%, 0.42%

LAB 42.32, 66.31, 19.31

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 76 / 53 / 7

HEX #EE3971

RGB 238 57 113

HSL 341.44, 0.84%, 0.58%

LAB 54.34, 70.58, 11.85

 

CMYK 0 / 61 / 42 / 5

HEX #F25F8C

RGB 242 95 140

HSL 341.63, 0.85%, 0.66%

LAB 60.74, 60.19, 5.12

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 11 / 92 / 8

HEX #EBD213

RGB 235 210 19

HSL 53.06, 0.85%, 0.5%

LAB 83.86, -7.75, 82.23

 

CMYK 92 / 26 / 0 / 8

HEX #13AEEB

RGB 19 174 235

HSL 196.94, 0.85%, 0.5%

LAB 66.83, -15.09, -40.63

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 63 / 0 / 92 / 8

HEX #57EB13

RGB 87 235 19

HSL 101.11, 0.85%, 0.5%

LAB 82.64, -71.09, 77.76

 

CMYK 92 / 63 / 0 / 8

HEX #1357EB

RGB 19 87 235

HSL 221.11, 0.85%, 0.5%

LAB 42.69, 37.68, -79.36

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 0 / 11 / 92 / 8

HEX #EBD213

RGB 235 210 19

HSL 53.06, 0.85%, 0.5%

LAB 83.86, -7.75, 82.23

 

CMYK 92 / 0 / 29 / 8

HEX #13EBA7

RGB 19 235 167

HSL 161.11, 0.85%, 0.5%

LAB 83.1, -62.22, 20.09

 

CMYK 92 / 81 / 0 / 8

HEX #132CEB

RGB 19 44 235

HSL 233.06, 0.85%, 0.5%

LAB 33.85, 62.14, -93.97

 

CMYK 0 / 92 / 63 / 8

HEX #EB1356

RGB 235 19 86

HSL 341.39, 0.85%, 0.5%

LAB 50.45, 75.91, 22.78

 

CMYK 17 / 0 / 92 / 8

HEX #C4EB13

RGB 196 235 19

HSL 70.83, 0.85%, 0.5%

LAB 87.58, -35.99, 83.81

 

CMYK 92 / 0 / 29 / 8

HEX #13EBA7

RGB 19 235 167

HSL 161.11, 0.85%, 0.5%

LAB 83.1, -62.22, 20.09

 

CMYK 75 / 92 / 0 / 8

HEX #3A13EB

RGB 58 19 235

HSL 250.83, 0.85%, 0.5%

LAB 32.62, 71.99, -95.98

 

Description

Color code: HEX #EB1356 | qconv.com Color code: HEX #EB1356 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 19 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 19 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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