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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB103C it is the complementary color #14EFC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB103C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB103C shade: #F01037, #FF224A, #FF345D, #FF4670 and #FF5883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB103C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB103C shade: #EB103C, #DA0029, #C90016, #B80003 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB103C shade: #EA103C and #EA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB103C shade: #EA103C, #EA1077, #EA10B1, #E810EA and #AD10EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB103C shade matches the following richer shades: #EA103C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB103C shade: #EA103C, #D52448, #C13954, #AD4D60 and #99616C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB103C shade: #EA10B3, #EA1079, #EA103F, #EA1B10 and #EA5510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB103C shade: #9D0B28, #C30E32, #EA103C, #F13259 and #F35978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB103C shade: #EB103C, #EAE610 and #1096EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB103C shade: #EB103C, #3FEA10 and #103FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB103C shade: #EB103C, #EAE610, #10EABB and #1014EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB103C shade: #EB103C, #ACEA10, #10EABB and #4E10EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

Complementary color

CMYK 92 / 0 / 18 / 6

HEX #14EFC3

RGB 20 239 195

HSL 167.95, 0.87%, 0.51%

LAB 84.91, -57.13, 8.05

 

CMYK 0 / 93 / 77 / 6

HEX #F01037

RGB 240 16 55

HSL 349.55, 0.88%, 0.5%

LAB 50.89, 76.15, 41.96

 

CMYK 0 / 87 / 71 / 0

HEX #FF224A

RGB 255 34 74

HSL 349.14, 1%, 0.57%

LAB 54.97, 78.08, 36.45

 

CMYK 0 / 80 / 64 / 0

HEX #FF345D

RGB 255 52 93

HSL 347.88, 1%, 0.6%

LAB 56.59, 75.19, 27.33

 

CMYK 0 / 73 / 56 / 0

HEX #FF4670

RGB 255 70 112

HSL 346.38, 1%, 0.64%

LAB 58.8, 71.16, 19.07

 

CMYK 0 / 65 / 49 / 0

HEX #FF5883

RGB 255 88 131

HSL 344.55, 1%, 0.67%

LAB 61.55, 66.18, 11.78

 

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

CMYK 0 / 100 / 81 / 15

HEX #DA0029

RGB 218 0 41

HSL 348.72, 1%, 0.43%

LAB 45.72, 71.77, 43.07

 

CMYK 0 / 100 / 89 / 21

HEX #C90016

RGB 201 0 22

HSL 353.43, 1%, 0.39%

LAB 41.96, 67.21, 48.15

 

CMYK 0 / 100 / 98 / 28

HEX #B80003

RGB 184 0 3

HSL 359.02, 1%, 0.36%

LAB 38.19, 62.73, 51.39

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 93 / 74 / 8

HEX #EA103C

RGB 234 16 60

HSL 347.89, 0.87%, 0.49%

LAB 49.72, 74.86, 37.45

 

CMYK 0 / 93 / 93 / 8

HEX #EA1010

RGB 234 16 16

HSL 0, 0.87%, 0.49%

LAB 49.38, 73.88, 58.72

 

CMYK 0 / 93 / 74 / 8

HEX #EA103C

RGB 234 16 60

HSL 347.89, 0.87%, 0.49%

LAB 49.72, 74.86, 37.45

 

CMYK 0 / 93 / 49 / 8

HEX #EA1077

RGB 234 16 119

HSL 331.65, 0.87%, 0.49%

LAB 50.91, 78.12, 3.25

 

CMYK 0 / 93 / 24 / 8

HEX #EA10B1

RGB 234 16 177

HSL 315.69, 0.87%, 0.49%

LAB 52.99, 83.63, -28.28

 

CMYK 1 / 93 / 0 / 8

HEX #E810EA

RGB 232 16 234

HSL 299.45, 0.87%, 0.49%

LAB 55.55, 90.64, -56.98

 

CMYK 26 / 93 / 0 / 8

HEX #AD10EA

RGB 173 16 234

HSL 283.21, 0.87%, 0.49%

LAB 45.9, 82, -73.05

 

CMYK 0 / 93 / 74 / 8

HEX #EA103C

RGB 234 16 60

HSL 347.89, 0.87%, 0.49%

LAB 49.72, 74.86, 37.45

 

CMYK 0 / 93 / 74 / 8

HEX #EA103C

RGB 234 16 60

HSL 347.89, 0.87%, 0.49%

LAB 49.72, 74.86, 37.45

 

CMYK 0 / 83 / 66 / 16

HEX #D52448

RGB 213 36 72

HSL 347.8, 0.71%, 0.49%

LAB 46.81, 66.8, 25.75

 

CMYK 0 / 70 / 56 / 24

HEX #C13954

RGB 193 57 84

HSL 348.09, 0.54%, 0.49%

LAB 45.5, 55.5, 15.97

 

CMYK 0 / 55 / 45 / 32

HEX #AD4D60

RGB 173 77 96

HSL 348.13, 0.38%, 0.49%

LAB 45.68, 41.11, 8.35

 

CMYK 0 / 37 / 29 / 40

HEX #99616C

RGB 153 97 108

HSL 348.21, 0.22%, 0.49%

LAB 47.5, 24.27, 3.3

 

CMYK 0 / 93 / 24 / 8

HEX #EA10B3

RGB 234 16 179

HSL 315.14, 0.87%, 0.49%

LAB 53.08, 83.85, -29.32

 

CMYK 0 / 93 / 48 / 8

HEX #EA1079

RGB 234 16 121

HSL 331.1, 0.87%, 0.49%

LAB 50.97, 78.27, 2.11

 

CMYK 0 / 93 / 73 / 8

HEX #EA103F

RGB 234 16 63

HSL 347.06, 0.87%, 0.49%

LAB 49.76, 74.96, 35.73

 

CMYK 0 / 88 / 93 / 8

HEX #EA1B10

RGB 234 27 16

HSL 3.03, 0.87%, 0.49%

LAB 49.87, 72.44, 59.01

 

CMYK 0 / 64 / 93 / 8

HEX #EA5510

RGB 234 85 16

HSL 18.99, 0.87%, 0.49%

LAB 56.11, 55.14, 62.85

 

CMYK 0 / 93 / 75 / 38

HEX #9D0B28

RGB 157 11 40

HSL 348.08, 0.87%, 0.33%

LAB 33.05, 55.17, 26.19

 

CMYK 0 / 93 / 74 / 24

HEX #C30E32

RGB 195 14 50

HSL 348.07, 0.87%, 0.41%

LAB 41.45, 65.03, 31.81

 

CMYK 0 / 93 / 74 / 8

HEX #EA103C

RGB 234 16 60

HSL 347.89, 0.87%, 0.49%

LAB 49.72, 74.86, 37.45

 

CMYK 0 / 79 / 63 / 5

HEX #F13259

RGB 241 50 89

HSL 347.75, 0.87%, 0.57%

LAB 53.71, 71.76, 25.45

 

CMYK 0 / 63 / 51 / 5

HEX #F35978

RGB 243 89 120

HSL 347.92, 0.87%, 0.65%

LAB 59.49, 61.2, 15.01

 

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

CMYK 0 / 2 / 93 / 8

HEX #EAE610

RGB 234 230 16

HSL 58.9, 0.87%, 0.49%

LAB 88.98, -18.12, 86.43

 

CMYK 93 / 36 / 0 / 8

HEX #1096EA

RGB 16 150 234

HSL 203.12, 0.87%, 0.49%

LAB 59.77, -2.12, -51.22

 

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

CMYK 73 / 0 / 93 / 8

HEX #3FEA10

RGB 63 234 16

HSL 107.06, 0.87%, 0.49%

LAB 81.81, -75.32, 77.22

 

CMYK 93 / 73 / 0 / 8

HEX #103FEA

RGB 16 63 234

HSL 227.06, 0.87%, 0.49%

LAB 37.13, 51.85, -87.97

 

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

CMYK 0 / 2 / 93 / 8

HEX #EAE610

RGB 234 230 16

HSL 58.9, 0.87%, 0.49%

LAB 88.98, -18.12, 86.43

 

CMYK 93 / 0 / 20 / 8

HEX #10EABB

RGB 16 234 187

HSL 167.06, 0.87%, 0.49%

LAB 83.2, -57.3, 9.8

 

CMYK 93 / 91 / 0 / 8

HEX #1014EA

RGB 16 20 234

HSL 238.9, 0.87%, 0.49%

LAB 30.76, 70.52, -98.56

 

CMYK 0 / 93 / 74 / 8

HEX #EB103C

RGB 235 16 60

HSL 347.95, 0.87%, 0.49%

LAB 49.93, 75.1, 37.73

 

CMYK 26 / 0 / 93 / 8

HEX #ACEA10

RGB 172 234 16

HSL 77.06, 0.87%, 0.49%

LAB 85.83, -44.87, 82.15

 

CMYK 93 / 0 / 20 / 8

HEX #10EABB

RGB 16 234 187

HSL 167.06, 0.87%, 0.49%

LAB 83.2, -57.3, 9.8

 

CMYK 67 / 93 / 0 / 8

HEX #4E10EA

RGB 78 16 234

HSL 257.06, 0.87%, 0.49%

LAB 33.84, 73.26, -93.34

 

Description

Color code: HEX #EB103C | qconv.com Color code: HEX #EB103C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 16 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 16 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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