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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB0FA8 it is the complementary color #14F057. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB0FA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB0FA8 shade: #F00FA3, #FF21B6, #FF33C9, #FF45DC and #FF57EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB0FA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB0FA8 shade: #EB0FA8, #DA0095, #C90082, #B8006F and #A7005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB0FA8 shade: #EB0FA8, #EB0F6D, #EB0F31 and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB0FA8 shade: #EB0FA8, #EB0FE3, #B70FEB, #7C0FEB and #410FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB0FA8 shade matches the following richer shades: #EB0FA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB0FA8 shade: #EB0FA8, #D723A0, #C23798, #AE4C90 and #9A6088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB0FA8 shade: #B80FEB, #EB0FE4, #EB0FA9, #EB0F6E and #EB0F34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB0FA8 shade: #9D0A70, #C40D8C, #EB0FA8, #F231B7 and #F458C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB0FA8 shade: #EB0FA8, #EB7D0F and #0FEBD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB0FA8 shade: #EB0FA8, #A9EB0F and #0FA9EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB0FA8 shade: #EB0FA8, #EB7D0F, #0FEB51 and #0F7DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB0FA8 shade: #EB0FA8, #EBBF0F, #0FEB51 and #0F3BEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

Complementary color

CMYK 92 / 0 / 64 / 6

HEX #14F057

RGB 20 240 87

HSL 138.27, 0.88%, 0.51%

LAB 83.52, -76.97, 58.94

 

CMYK 0 / 94 / 32 / 6

HEX #F00FA3

RGB 240 15 163

HSL 320.53, 0.88%, 0.5%

LAB 53.5, 83.4, -19.16

 

CMYK 0 / 87 / 29 / 0

HEX #FF21B6

RGB 255 33 182

HSL 319.73, 1%, 0.56%

LAB 57.78, 86.24, -23.49

 

CMYK 0 / 80 / 21 / 0

HEX #FF33C9

RGB 255 51 201

HSL 315.88, 1%, 0.6%

LAB 59.75, 84.96, -31.38

 

CMYK 0 / 73 / 14 / 0

HEX #FF45DC

RGB 255 69 220

HSL 311.29, 1%, 0.64%

LAB 62.24, 82.64, -38.26

 

CMYK 0 / 66 / 6 / 0

HEX #FF57EF

RGB 255 87 239

HSL 305.71, 1%, 0.67%

LAB 65.21, 79.43, -44.22

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 100 / 32 / 15

HEX #DA0095

RGB 218 0 149

HSL 318.99, 1%, 0.43%

LAB 48.35, 78.72, -19.07

 

CMYK 0 / 100 / 35 / 21

HEX #C90082

RGB 201 0 130

HSL 321.19, 1%, 0.39%

LAB 44.27, 73.35, -14.05

 

CMYK 0 / 100 / 40 / 28

HEX #B8006F

RGB 184 0 111

HSL 323.8, 1%, 0.36%

LAB 40.14, 67.93, -8.82

 

CMYK 0 / 100 / 45 / 35

HEX #A7005C

RGB 167 0 92

HSL 326.95, 1%, 0.33%

LAB 35.96, 62.46, -3.33

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 94 / 54 / 8

HEX #EB0F6D

RGB 235 15 109

HSL 334.36, 0.88%, 0.49%

LAB 50.81, 77.73, 9.23

 

CMYK 0 / 94 / 79 / 8

HEX #EB0F31

RGB 235 15 49

HSL 350.73, 0.88%, 0.49%

LAB 49.77, 74.85, 43.84

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 94 / 3 / 8

HEX #EB0FE3

RGB 235 15 227

HSL 302.18, 0.88%, 0.49%

LAB 55.63, 90.22, -52.87

 

CMYK 22 / 94 / 0 / 8

HEX #B70FEB

RGB 183 15 235

HSL 285.82, 0.88%, 0.49%

LAB 47.5, 83.61, -70.93

 

CMYK 47 / 94 / 0 / 8

HEX #7C0FEB

RGB 124 15 235

HSL 269.73, 0.88%, 0.49%

LAB 38.94, 76.91, -85.3

 

CMYK 72 / 94 / 0 / 8

HEX #410FEB

RGB 65 15 235

HSL 253.64, 0.88%, 0.49%

LAB 32.84, 73.1, -95.6

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 84 / 26 / 16

HEX #D723A0

RGB 215 35 160

HSL 318.33, 0.72%, 0.49%

LAB 49.72, 75, -23.59

 

CMYK 0 / 72 / 22 / 24

HEX #C23798

RGB 194 55 152

HSL 318.13, 0.56%, 0.49%

LAB 47.58, 63.63, -22.43

 

CMYK 0 / 56 / 17 / 32

HEX #AE4C90

RGB 174 76 144

HSL 318.37, 0.39%, 0.49%

LAB 47.21, 48.21, -18.48

 

CMYK 0 / 38 / 12 / 40

HEX #9A6088

RGB 154 96 136

HSL 318.62, 0.23%, 0.49%

LAB 48.28, 29.72, -12.33

 

CMYK 22 / 94 / 0 / 8

HEX #B80FEB

RGB 184 15 235

HSL 286.09, 0.88%, 0.49%

LAB 47.66, 83.75, -70.67

 

CMYK 0 / 94 / 3 / 8

HEX #EB0FE4

RGB 235 15 228

HSL 301.91, 0.88%, 0.49%

LAB 55.69, 90.36, -53.34

 

CMYK 0 / 94 / 28 / 8

HEX #EB0FA9

RGB 235 15 169

HSL 318, 0.88%, 0.49%

LAB 52.81, 83.03, -23.86

 

CMYK 0 / 94 / 53 / 8

HEX #EB0F6E

RGB 235 15 110

HSL 334.09, 0.88%, 0.49%

LAB 50.84, 77.79, 8.65

 

CMYK 0 / 94 / 78 / 8

HEX #EB0F34

RGB 235 15 52

HSL 349.91, 0.88%, 0.49%

LAB 49.8, 74.94, 42.19

 

CMYK 0 / 94 / 29 / 38

HEX #9D0A70

RGB 157 10 112

HSL 318.37, 0.88%, 0.33%

LAB 35.11, 61.05, -17.61

 

CMYK 0 / 93 / 29 / 23

HEX #C40D8C

RGB 196 13 140

HSL 318.36, 0.88%, 0.41%

LAB 44.11, 72.16, -20.5

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 80 / 24 / 5

HEX #F231B7

RGB 242 49 183

HSL 318.34, 0.88%, 0.57%

LAB 56.58, 80.48, -26.11

 

CMYK 0 / 64 / 19 / 4

HEX #F458C5

RGB 244 88 197

HSL 318.08, 0.88%, 0.65%

LAB 61.86, 70.35, -25.97

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 47 / 94 / 8

HEX #EB7D0F

RGB 235 125 15

HSL 30, 0.88%, 0.49%

LAB 63.64, 36.58, 68.16

 

CMYK 94 / 0 / 9 / 8

HEX #0FEBD5

RGB 15 235 213

HSL 174, 0.88%, 0.49%

LAB 84.13, -51.03, -2.53

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 28 / 0 / 94 / 8

HEX #A9EB0F

RGB 169 235 15

HSL 78, 0.88%, 0.49%

LAB 85.95, -46.43, 82.28

 

CMYK 94 / 28 / 0 / 8

HEX #0FA9EB

RGB 15 169 235

HSL 198, 0.88%, 0.49%

LAB 65.34, -12.52, -42.97

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 47 / 94 / 8

HEX #EB7D0F

RGB 235 125 15

HSL 30, 0.88%, 0.49%

LAB 63.64, 36.58, 68.16

 

CMYK 94 / 0 / 66 / 8

HEX #0FEB51

RGB 15 235 81

HSL 138, 0.88%, 0.49%

LAB 81.9, -76.37, 59.57

 

CMYK 94 / 47 / 0 / 8

HEX #0F7DEB

RGB 15 125 235

HSL 210, 0.88%, 0.49%

LAB 52.69, 13.33, -63.09

 

CMYK 0 / 94 / 29 / 8

HEX #EB0FA8

RGB 235 15 168

HSL 318.27, 0.88%, 0.49%

LAB 52.76, 82.92, -23.33

 

CMYK 0 / 19 / 94 / 8

HEX #EBBF0F

RGB 235 191 15

HSL 48, 0.88%, 0.49%

LAB 79.02, 1.93, 79.13

 

CMYK 94 / 0 / 66 / 8

HEX #0FEB51

RGB 15 235 81

HSL 138, 0.88%, 0.49%

LAB 81.9, -76.37, 59.57

 

CMYK 94 / 75 / 0 / 8

HEX #0F3BEB

RGB 15 59 235

HSL 228, 0.88%, 0.49%

LAB 36.42, 54.42, -89.71

 

Description

Color code: HEX #EB0FA8 | qconv.com Color code: HEX #EB0FA8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 15 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 15 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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