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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB0F7B it is the complementary color #14F084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB0F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB0F7B shade: #F00F76, #FF2189, #FF339C, #FF45AF and #FF57C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB0F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB0F7B shade: #EB0F7B, #DA0068, #C90055, #B80042 and #A7002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB0F7B shade: #EB0F7B, #EB0F40 and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB0F7B shade: #EB0F7B, #EB0FB6, #E40FEB, #A90FEB and #6E0FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB0F7B shade matches the following richer shades: #EB0F7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB0F7B shade: #EB0F7B, #D7237B, #C2377C, #AE4C7C and #9A607C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB0F7B shade: #E40FEB, #EB0FB8, #EB0F7D, #EB0F42 and #EB160F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB0F7B shade: #9D0A52, #C40D67, #EB0F7B, #F23190 and #F458A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB0F7B shade: #EB0F7B, #EBA90F and #0FD5EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB0F7B shade: #EB0F7B, #7DEB0F and #0F7DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB0F7B shade: #EB0F7B, #EBA90F, #0FEB7D and #0F51EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB0F7B shade: #EB0F7B, #EBEB0F, #0FEB7D and #0F0FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

Complementary color

CMYK 92 / 0 / 45 / 6

HEX #14F084

RGB 20 240 132

HSL 150.55, 0.88%, 0.51%

LAB 84.04, -70.73, 39.05

 

CMYK 0 / 94 / 51 / 6

HEX #F00F76

RGB 240 15 118

HSL 332.53, 0.88%, 0.5%

LAB 52.03, 79.48, 5.62

 

CMYK 0 / 87 / 46 / 0

HEX #FF2189

RGB 255 33 137

HSL 331.89, 1%, 0.56%

LAB 56.24, 82.03, 0.65

 

CMYK 0 / 80 / 39 / 0

HEX #FF339C

RGB 255 51 156

HSL 329.12, 1%, 0.6%

LAB 58.06, 80.1, -7.89

 

CMYK 0 / 73 / 31 / 0

HEX #FF45AF

RGB 255 69 175

HSL 325.81, 1%, 0.64%

LAB 60.44, 77.11, -15.38

 

CMYK 0 / 66 / 24 / 0

HEX #FF57C2

RGB 255 87 194

HSL 321.79, 1%, 0.67%

LAB 63.32, 73.21, -21.89

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 100 / 52 / 15

HEX #DA0068

RGB 218 0 104

HSL 331.38, 1%, 0.43%

LAB 46.85, 74.79, 6.2

 

CMYK 0 / 100 / 58 / 21

HEX #C90055

RGB 201 0 85

HSL 334.63, 1%, 0.39%

LAB 42.87, 69.67, 11.99

 

CMYK 0 / 100 / 64 / 28

HEX #B80042

RGB 184 0 66

HSL 338.48, 1%, 0.36%

LAB 38.87, 64.56, 18.06

 

CMYK 0 / 100 / 72 / 35

HEX #A7002F

RGB 167 0 47

HSL 343.11, 1%, 0.33%

LAB 34.84, 59.48, 24.39

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 94 / 73 / 8

HEX #EB0F40

RGB 235 15 64

HSL 346.64, 0.88%, 0.49%

LAB 49.95, 75.34, 35.4

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 94 / 23 / 8

HEX #EB0FB6

RGB 235 15 182

HSL 314.45, 0.88%, 0.49%

LAB 53.36, 84.48, -30.61

 

CMYK 3 / 94 / 0 / 8

HEX #E40FEB

RGB 228 15 235

HSL 298.09, 0.88%, 0.49%

LAB 54.9, 90.23, -58.62

 

CMYK 28 / 94 / 0 / 8

HEX #A90FEB

RGB 169 15 235

HSL 282, 0.88%, 0.49%

LAB 45.32, 81.79, -74.58

 

CMYK 53 / 94 / 0 / 8

HEX #6E0FEB

RGB 110 15 235

HSL 265.91, 0.88%, 0.49%

LAB 37.22, 75.73, -88.21

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 84 / 43 / 16

HEX #D7237B

RGB 215 35 123

HSL 330.67, 0.72%, 0.49%

LAB 48.36, 71.15, -3.36

 

CMYK 0 / 72 / 36 / 24

HEX #C2377C

RGB 194 55 124

HSL 330.22, 0.56%, 0.49%

LAB 46.52, 60.22, -7.12

 

CMYK 0 / 56 / 29 / 32

HEX #AE4C7C

RGB 174 76 124

HSL 330.61, 0.39%, 0.49%

LAB 46.48, 45.32, -7.54

 

CMYK 0 / 38 / 19 / 40

HEX #9A607C

RGB 154 96 124

HSL 331.03, 0.23%, 0.49%

LAB 47.87, 27.68, -5.76

 

CMYK 3 / 94 / 0 / 8

HEX #E40FEB

RGB 228 15 235

HSL 298.09, 0.88%, 0.49%

LAB 54.9, 90.23, -58.62

 

CMYK 0 / 94 / 22 / 8

HEX #EB0FB8

RGB 235 15 184

HSL 313.91, 0.88%, 0.49%

LAB 53.45, 84.71, -31.64

 

CMYK 0 / 94 / 47 / 8

HEX #EB0F7D

RGB 235 15 125

HSL 330, 0.88%, 0.49%

LAB 51.25, 78.91, 0.11

 

CMYK 0 / 94 / 72 / 8

HEX #EB0F42

RGB 235 15 66

HSL 346.09, 0.88%, 0.49%

LAB 49.97, 75.42, 34.25

 

CMYK 0 / 91 / 94 / 8

HEX #EB160F

RGB 235 22 15

HSL 1.91, 0.88%, 0.49%

LAB 49.82, 73.41, 59.4

 

CMYK 0 / 94 / 48 / 38

HEX #9D0A52

RGB 157 10 82

HSL 330.61, 0.88%, 0.33%

LAB 33.97, 57.99, -0.01

 

CMYK 0 / 93 / 47 / 23

HEX #C40D67

RGB 196 13 103

HSL 330.49, 0.88%, 0.41%

LAB 42.77, 68.57, 0.37

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 80 / 40 / 5

HEX #F23190

RGB 242 49 144

HSL 330.47, 0.88%, 0.57%

LAB 55.16, 76.36, -5.37

 

CMYK 0 / 64 / 32 / 4

HEX #F458A5

RGB 244 88 165

HSL 330.38, 0.88%, 0.65%

LAB 60.72, 66.35, -9.36

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 28 / 94 / 8

HEX #EBA90F

RGB 235 169 15

HSL 42, 0.88%, 0.49%

LAB 73.59, 13.47, 75.17

 

CMYK 94 / 9 / 0 / 8

HEX #0FD5EB

RGB 15 213 235

HSL 186, 0.88%, 0.49%

LAB 78.28, -34.87, -22.97

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 47 / 0 / 94 / 8

HEX #7DEB0F

RGB 125 235 15

HSL 90, 0.88%, 0.49%

LAB 83.87, -61.31, 79.74

 

CMYK 94 / 47 / 0 / 8

HEX #0F7DEB

RGB 15 125 235

HSL 210, 0.88%, 0.49%

LAB 52.69, 13.33, -63.09

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 28 / 94 / 8

HEX #EBA90F

RGB 235 169 15

HSL 42, 0.88%, 0.49%

LAB 73.59, 13.47, 75.17

 

CMYK 94 / 0 / 47 / 8

HEX #0FEB7D

RGB 15 235 125

HSL 150, 0.88%, 0.49%

LAB 82.38, -70.48, 40.34

 

CMYK 94 / 66 / 0 / 8

HEX #0F51EB

RGB 15 81 235

HSL 222, 0.88%, 0.49%

LAB 41.19, 41.33, -81.83

 

CMYK 0 / 94 / 48 / 8

HEX #EB0F7B

RGB 235 15 123

HSL 330.55, 0.88%, 0.49%

LAB 51.19, 78.75, 1.24

 

CMYK 0 / 0 / 94 / 8

HEX #EBEB0F

RGB 235 235 15

HSL 60, 0.88%, 0.49%

LAB 90.37, -20.14, 87.62

 

CMYK 94 / 0 / 47 / 8

HEX #0FEB7D

RGB 15 235 125

HSL 150, 0.88%, 0.49%

LAB 82.38, -70.48, 40.34

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

Description

Color code: HEX #EB0F7B | qconv.com Color code: HEX #EB0F7B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 15 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 15 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 48 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 48% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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