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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB0ACB it is the complementary color #14F534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB0ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB0ACB shade: #F00AC6, #FF1CD9, #FF2EEC, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB0ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB0ACB shade: #EB0ACB, #DA00B8, #C900A5, #B80092 and #A7007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB0ACB shade: #EB0ACB, #EB0A8E, #EB0A52, #EB0A15 and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB0ACB shade: #EB0ACB, #CE0AEB, #920AEB, #550AEB and #180AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB0ACB shade matches the following richer shades: #EB0ACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB0ACB shade: #EB0ACB, #D71EBD, #C331AF, #B045A0 and #9C5992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB0ACB shade: #910AEB, #CD0AEB, #EB0ACD, #EB0A91 and #EB0A55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB0ACB shade: #9C0687, #C308A9, #EB0ACB, #F628D9 and #F850E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB0ACB shade: #EB0ACB, #EB550A and #0AEBAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB0ACB shade: #EB0ACB, #CDEB0A and #0ACDEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB0ACB shade: #EB0ACB, #EB550A, #0AEB28 and #0AA0EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB0ACB shade: #EB0ACB, #EB980A, #0AEB28 and #0A5CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

Complementary color

CMYK 92 / 0 / 79 / 4

HEX #14F534

RGB 20 245 52

HSL 128.53, 0.92%, 0.52%

LAB 84.84, -81.27, 72.54

 

CMYK 0 / 96 / 18 / 6

HEX #F00AC6

RGB 240 10 198

HSL 310.96, 0.92%, 0.49%

LAB 54.89, 87.69, -37.44

 

CMYK 0 / 89 / 15 / 0

HEX #FF1CD9

RGB 255 28 217

HSL 310.04, 1%, 0.55%

LAB 59.07, 91.01, -41.55

 

CMYK 0 / 82 / 7 / 0

HEX #FF2EEC

RGB 255 46 236

HSL 305.45, 1%, 0.59%

LAB 61.02, 90.55, -49.16

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 100 / 16 / 15

HEX #DA00B8

RGB 218 0 184

HSL 309.36, 1%, 0.43%

LAB 49.94, 82.72, -37.37

 

CMYK 0 / 100 / 18 / 21

HEX #C900A5

RGB 201 0 165

HSL 310.75, 1%, 0.39%

LAB 45.82, 77.27, -32.85

 

CMYK 0 / 100 / 21 / 28

HEX #B80092

RGB 184 0 146

HSL 312.39, 1%, 0.36%

LAB 41.64, 71.74, -28.18

 

CMYK 0 / 100 / 24 / 35

HEX #A7007F

RGB 167 0 127

HSL 314.37, 1%, 0.33%

LAB 37.39, 66.12, -23.36

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 96 / 40 / 8

HEX #EB0A8E

RGB 235 10 142

HSL 324.8, 0.92%, 0.48%

LAB 51.65, 80.76, -9.56

 

CMYK 0 / 96 / 65 / 8

HEX #EB0A52

RGB 235 10 82

HSL 340.8, 0.92%, 0.48%

LAB 50.08, 76.56, 24.74

 

CMYK 0 / 96 / 91 / 8

HEX #EB0A15

RGB 235 10 21

HSL 357.07, 0.92%, 0.48%

LAB 49.42, 74.72, 57.08

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 12 / 96 / 0 / 8

HEX #CE0AEB

RGB 206 10 235

HSL 292.27, 0.92%, 0.48%

LAB 51.08, 87.29, -64.96

 

CMYK 38 / 96 / 0 / 8

HEX #920AEB

RGB 146 10 235

HSL 276.27, 0.92%, 0.48%

LAB 41.73, 79.68, -80.6

 

CMYK 64 / 96 / 0 / 8

HEX #550AEB

RGB 85 10 235

HSL 260, 0.92%, 0.48%

LAB 34.29, 74.83, -93.15

 

CMYK 90 / 96 / 0 / 8

HEX #180AEB

RGB 24 10 235

HSL 243.73, 0.92%, 0.48%

LAB 30.42, 72.96, -99.69

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 86 / 12 / 16

HEX #D71EBD

RGB 215 30 189

HSL 308.43, 0.76%, 0.48%

LAB 50.75, 79.59, -39.05

 

CMYK 0 / 75 / 10 / 24

HEX #C331AF

RGB 195 49 175

HSL 308.22, 0.6%, 0.48%

LAB 48.13, 69.03, -35.22

 

CMYK 0 / 61 / 9 / 31

HEX #B045A0

RGB 176 69 160

HSL 308.97, 0.44%, 0.48%

LAB 47.01, 54.56, -28.32

 

CMYK 0 / 43 / 6 / 39

HEX #9C5992

RGB 156 89 146

HSL 308.96, 0.27%, 0.48%

LAB 47.35, 36.11, -19.68

 

CMYK 38 / 96 / 0 / 8

HEX #910AEB

RGB 145 10 235

HSL 276, 0.92%, 0.48%

LAB 41.59, 79.57, -80.84

 

CMYK 13 / 96 / 0 / 8

HEX #CD0AEB

RGB 205 10 235

HSL 292, 0.92%, 0.48%

LAB 50.91, 87.15, -65.24

 

CMYK 0 / 96 / 13 / 8

HEX #EB0ACD

RGB 235 10 205

HSL 308, 0.92%, 0.48%

LAB 54.33, 87.67, -42.41

 

CMYK 0 / 96 / 38 / 8

HEX #EB0A91

RGB 235 10 145

HSL 324, 0.92%, 0.48%

LAB 51.75, 81.04, -11.2

 

CMYK 0 / 96 / 64 / 8

HEX #EB0A55

RGB 235 10 85

HSL 340, 0.92%, 0.48%

LAB 50.14, 76.71, 22.98

 

CMYK 0 / 96 / 13 / 39

HEX #9C0687

RGB 156 6 135

HSL 308.4, 0.93%, 0.32%

LAB 35.88, 64.29, -30.84

 

CMYK 0 / 96 / 13 / 24

HEX #C308A9

RGB 195 8 169

HSL 308.34, 0.92%, 0.4%

LAB 45.14, 75.98, -36.38

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 84 / 12 / 4

HEX #F628D9

RGB 246 40 217

HSL 308.45, 0.92%, 0.56%

LAB 58.15, 87.45, -43.09

 

CMYK 0 / 68 / 10 / 3

HEX #F850E0

RGB 248 80 224

HSL 308.57, 0.92%, 0.64%

LAB 62.57, 78.07, -40.07

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 64 / 96 / 8

HEX #EB550A

RGB 235 85 10

HSL 20, 0.92%, 0.48%

LAB 56.27, 55.43, 64.36

 

CMYK 96 / 0 / 26 / 8

HEX #0AEBAF

RGB 10 235 175

HSL 164, 0.92%, 0.48%

LAB 83.22, -60.72, 16.1

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 13 / 0 / 96 / 8

HEX #CDEB0A

RGB 205 235 10

HSL 68, 0.92%, 0.48%

LAB 88.17, -32.5, 85.42

 

CMYK 96 / 13 / 0 / 8

HEX #0ACDEB

RGB 10 205 235

HSL 188, 0.92%, 0.48%

LAB 75.9, -31.2, -26.6

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 64 / 96 / 8

HEX #EB550A

RGB 235 85 10

HSL 20, 0.92%, 0.48%

LAB 56.27, 55.43, 64.36

 

CMYK 96 / 0 / 83 / 8

HEX #0AEB28

RGB 10 235 40

HSL 128, 0.92%, 0.48%

LAB 81.64, -79.61, 72.65

 

CMYK 96 / 32 / 0 / 8

HEX #0AA0EB

RGB 10 160 235

HSL 200, 0.92%, 0.48%

LAB 62.68, -7.67, -47.16

 

CMYK 0 / 96 / 14 / 8

HEX #EB0ACB

RGB 235 10 203

HSL 308.53, 0.92%, 0.48%

LAB 54.23, 87.42, -41.42

 

CMYK 0 / 35 / 96 / 8

HEX #EB980A

RGB 235 152 10

HSL 37.87, 0.92%, 0.48%

LAB 69.57, 22.43, 73

 

CMYK 96 / 0 / 83 / 8

HEX #0AEB28

RGB 10 235 40

HSL 128, 0.92%, 0.48%

LAB 81.64, -79.61, 72.65

 

CMYK 96 / 61 / 0 / 8

HEX #0A5CEB

RGB 10 92 235

HSL 218.13, 0.92%, 0.48%

LAB 43.82, 34.22, -77.51

 

Description

Color code: HEX #EB0ACB | qconv.com Color code: HEX #EB0ACB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 10 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 10 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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