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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB080F it is the complementary color #14F7F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB080F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB080F shade: #F0080A, #FF1A1D, #FF2C30, #FF3E43 and #FF5056

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB080F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB080F shade: #EB080F, #DA0000, #C90000, #B80000 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB080F shade: #EC0910 and #EC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB080F shade: #EC0910, #EC094D, #EC098A, #EC09C8 and #D309EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB080F shade matches the following richer shades: #EC0910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB080F shade: #EC0910, #D81C22, #C53035, #B14447 and #9D585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB080F shade: #EC098A, #EC094D, #EC0910, #EC3E09 and #EC7A09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB080F shade: #9D060A, #C4070D, #EC0910, #F7272D and #F94F54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB080F shade: #EB080F, #C6EC09 and #096BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB080F shade: #EB080F, #10EC09 and #0910EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB080F shade: #EB080F, #C6EC09, #09ECE5 and #2F09EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB080F shade: #EB080F, #82EC09, #09ECE5 and #7309EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

Complementary color

CMYK 92 / 0 / 3 / 3

HEX #14F7F0

RGB 20 247 240

HSL 178.15, 0.93%, 0.52%

LAB 88.43, -48.45, -10.34

 

CMYK 0 / 97 / 96 / 6

HEX #F0080A

RGB 240 8 10

HSL 359.48, 0.94%, 0.49%

LAB 50.36, 75.99, 61.65

 

CMYK 0 / 90 / 89 / 0

HEX #FF1A1D

RGB 255 26 29

HSL 359.21, 1%, 0.55%

LAB 54.12, 78.09, 59.04

 

CMYK 0 / 83 / 81 / 0

HEX #FF2C30

RGB 255 44 48

HSL 358.86, 1%, 0.59%

LAB 55.35, 75.3, 51.22

 

CMYK 0 / 76 / 74 / 0

HEX #FF3E43

RGB 255 62 67

HSL 358.45, 1%, 0.62%

LAB 57.18, 71.27, 42.98

 

CMYK 0 / 69 / 66 / 0

HEX #FF5056

RGB 255 80 86

HSL 357.94, 1%, 0.66%

LAB 59.59, 66.15, 35.16

 

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

CMYK 0 / 100 / 100 / 15

HEX #DA0000

RGB 218 0 0

HSL 0, 1%, 0.43%

LAB 45.5, 71.17, 59.72

 

CMYK 0 / 100 / 100 / 21

HEX #C90000

RGB 201 0 0

HSL 0, 1%, 0.39%

LAB 41.87, 66.96, 56.19

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 96 / 96 / 7

HEX #EC0909

RGB 236 9 9

HSL 0, 0.93%, 0.48%

LAB 49.55, 74.93, 61.05

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 96 / 67 / 7

HEX #EC094D

RGB 236 9 77

HSL 342.03, 0.93%, 0.48%

LAB 50.17, 76.63, 27.93

 

CMYK 0 / 96 / 42 / 7

HEX #EC098A

RGB 236 9 138

HSL 325.9, 0.93%, 0.48%

LAB 51.68, 80.69, -7.08

 

CMYK 0 / 96 / 15 / 7

HEX #EC09C8

RGB 236 9 200

HSL 309.52, 0.93%, 0.48%

LAB 54.24, 87.28, -39.67

 

CMYK 11 / 96 / 0 / 7

HEX #D309EC

RGB 211 9 236

HSL 293.39, 0.93%, 0.48%

LAB 51.95, 88.26, -64.08

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 87 / 84 / 15

HEX #D81C22

RGB 216 28 34

HSL 358.09, 0.77%, 0.48%

LAB 46.37, 67.85, 47.24

 

CMYK 0 / 76 / 73 / 23

HEX #C53035

RGB 197 48 53

HSL 357.99, 0.61%, 0.48%

LAB 44.58, 58.07, 33.72

 

CMYK 0 / 62 / 60 / 31

HEX #B14447

RGB 177 68 71

HSL 358.35, 0.44%, 0.48%

LAB 44.14, 44.64, 21.61

 

CMYK 0 / 44 / 43 / 38

HEX #9D585A

RGB 157 88 90

HSL 358.26, 0.28%, 0.48%

LAB 45.48, 28.59, 11.37

 

CMYK 0 / 96 / 42 / 7

HEX #EC098A

RGB 236 9 138

HSL 325.9, 0.93%, 0.48%

LAB 51.68, 80.69, -7.08

 

CMYK 0 / 96 / 67 / 7

HEX #EC094D

RGB 236 9 77

HSL 342.03, 0.93%, 0.48%

LAB 50.17, 76.63, 27.93

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 74 / 96 / 7

HEX #EC3E09

RGB 236 62 9

HSL 14.01, 0.93%, 0.48%

LAB 53.27, 64.38, 62.95

 

CMYK 0 / 48 / 96 / 7

HEX #EC7A09

RGB 236 122 9

HSL 29.87, 0.93%, 0.48%

LAB 63.15, 38.45, 68.9

 

CMYK 0 / 96 / 94 / 38

HEX #9D060A

RGB 157 6 10

HSL 358.41, 0.93%, 0.32%

LAB 32.53, 55.05, 42.33

 

CMYK 0 / 96 / 93 / 23

HEX #C4070D

RGB 196 7 13

HSL 358.1, 0.93%, 0.4%

LAB 41.08, 65.14, 50.76

 

CMYK 0 / 96 / 93 / 7

HEX #EC0910

RGB 236 9 16

HSL 358.15, 0.93%, 0.48%

LAB 49.58, 74.99, 59.05

 

CMYK 0 / 84 / 82 / 3

HEX #F7272D

RGB 247 39 45

HSL 358.27, 0.93%, 0.56%

LAB 53.4, 74.17, 50.35

 

CMYK 0 / 68 / 66 / 2

HEX #F94F54

RGB 249 79 84

HSL 358.24, 0.93%, 0.64%

LAB 58.39, 64.57, 34.58

 

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

CMYK 16 / 0 / 96 / 7

HEX #C6EC09

RGB 198 236 9

HSL 70.04, 0.93%, 0.48%

LAB 87.98, -35.77, 85.15

 

CMYK 96 / 55 / 0 / 7

HEX #096BEC

RGB 9 107 236

HSL 214.1, 0.93%, 0.48%

LAB 47.79, 24.95, -71.6

 

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

CMYK 93 / 0 / 96 / 7

HEX #10EC09

RGB 16 236 9

HSL 118.15, 0.93%, 0.48%

LAB 81.9, -80.59, 77.76

 

CMYK 96 / 93 / 0 / 7

HEX #0910EC

RGB 9 16 236

HSL 238.15, 0.93%, 0.48%

LAB 30.6, 71.93, -99.96

 

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

CMYK 16 / 0 / 96 / 7

HEX #C6EC09

RGB 198 236 9

HSL 70.04, 0.93%, 0.48%

LAB 87.98, -35.77, 85.15

 

CMYK 96 / 0 / 3 / 7

HEX #09ECE5

RGB 9 236 229

HSL 178.15, 0.93%, 0.48%

LAB 84.85, -47.16, -9.9

 

CMYK 80 / 96 / 0 / 7

HEX #2F09EC

RGB 47 9 236

HSL 250.04, 0.93%, 0.48%

LAB 31.48, 73.78, -98.48

 

CMYK 0 / 97 / 94 / 8

HEX #EB080F

RGB 235 8 15

HSL 358.15, 0.93%, 0.48%

LAB 49.34, 74.81, 59.13

 

CMYK 45 / 0 / 96 / 7

HEX #82EC09

RGB 130 236 9

HSL 88.02, 0.93%, 0.48%

LAB 84.36, -60.24, 80.77

 

CMYK 96 / 0 / 3 / 7

HEX #09ECE5

RGB 9 236 229

HSL 178.15, 0.93%, 0.48%

LAB 84.85, -47.16, -9.9

 

CMYK 51 / 96 / 0 / 7

HEX #7309EC

RGB 115 9 236

HSL 268.02, 0.93%, 0.48%

LAB 37.66, 77.15, -88.03

 

Description

Color code: HEX #EB080F | qconv.com Color code: HEX #EB080F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 8 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 8 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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