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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB04E2 it is the complementary color #14FB1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB04E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB04E2 shade: #F004DD, #FF16F0, #FF28FF, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB04E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB04E2 shade: #EB04E2, #DA00CF, #C900BC, #B800A9 and #A70096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB04E2 shade: #EC04E3, #EC04A4, #EC0466, #EC0427 and #EC0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB04E2 shade: #EC04E3, #B604EC, #7804EC, #3904EC and #0404EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB04E2 shade matches the following richer shades: #EC04E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB04E2 shade: #EC04E3, #D917D1, #C52ABF, #B23EAD and #9F519C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB04E2 shade: #7804EC, #B604EC, #EC04E4, #EC04A6 and #EC0468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB04E2 shade: #9B0295, #C303BC, #EC04E3, #FC1DF3 and #FC46F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB04E2 shade: #EB04E2, #EC3A04 and #04EC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB04E2 shade: #EB04E2, #E4EC04 and #04E4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB04E2 shade: #EB04E2, #EC3A04, #04EC0B and #04B6EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB04E2 shade: #EB04E2, #EC8004, #04EC0B and #0470EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

Complementary color

CMYK 92 / 0 / 88 / 2

HEX #14FB1D

RGB 20 251 29

HSL 122.34, 0.97%, 0.53%

LAB 86.62, -83.91, 79.26

 

CMYK 0 / 98 / 8 / 6

HEX #F004DD

RGB 240 4 221

HSL 304.83, 0.97%, 0.48%

LAB 55.92, 91, -48.96

 

CMYK 0 / 91 / 6 / 0

HEX #FF16F0

RGB 255 22 240

HSL 303.86, 1%, 0.54%

LAB 60, 94.68, -53.01

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

CMYK 0 / 100 / 5 / 15

HEX #DA00CF

RGB 218 0 207

HSL 303.03, 1%, 0.43%

LAB 51.16, 85.74, -48.77

 

CMYK 0 / 100 / 6 / 21

HEX #C900BC

RGB 201 0 188

HSL 303.88, 1%, 0.39%

LAB 47.04, 80.29, -44.5

 

CMYK 0 / 100 / 8 / 28

HEX #B800A9

RGB 184 0 169

HSL 304.89, 1%, 0.36%

LAB 42.85, 74.75, -40.14

 

CMYK 0 / 100 / 10 / 35

HEX #A70096

RGB 167 0 150

HSL 306.11, 1%, 0.33%

LAB 38.58, 69.11, -35.65

 

CMYK 0 / 98 / 4 / 7

HEX #EC04E3

RGB 236 4 227

HSL 302.33, 0.97%, 0.47%

LAB 55.55, 91.15, -52.99

 

CMYK 0 / 98 / 31 / 7

HEX #EC04A4

RGB 236 4 164

HSL 318.62, 0.97%, 0.47%

LAB 52.51, 83.52, -21.35

 

CMYK 0 / 98 / 57 / 7

HEX #EC0466

RGB 236 4 102

HSL 334.66, 0.97%, 0.47%

LAB 50.55, 78.36, 13.16

 

CMYK 0 / 98 / 83 / 7

HEX #EC0427

RGB 236 4 39

HSL 350.95, 0.97%, 0.47%

LAB 49.58, 75.73, 49.1

 

CMYK 0 / 98 / 98 / 7

HEX #EC0404

RGB 236 4 4

HSL 0, 0.97%, 0.47%

LAB 49.41, 75.27, 62.31

 

CMYK 0 / 98 / 4 / 7

HEX #EC04E3

RGB 236 4 227

HSL 302.33, 0.97%, 0.47%

LAB 55.55, 91.15, -52.99

 

CMYK 23 / 98 / 0 / 7

HEX #B604EC

RGB 182 4 236

HSL 286.03, 0.97%, 0.47%

LAB 47.09, 84.64, -72.18

 

CMYK 49 / 98 / 0 / 7

HEX #7804EC

RGB 120 4 236

HSL 270, 0.97%, 0.47%

LAB 38.09, 78.13, -87.3

 

CMYK 76 / 98 / 0 / 7

HEX #3904EC

RGB 57 4 236

HSL 253.71, 0.97%, 0.47%

LAB 31.84, 74.81, -97.86

 

CMYK 98 / 98 / 0 / 7

HEX #0404EC

RGB 4 4 236

HSL 240, 0.97%, 0.47%

LAB 29.83, 74.04, -101.25

 

CMYK 0 / 98 / 4 / 7

HEX #EC04E3

RGB 236 4 227

HSL 302.33, 0.97%, 0.47%

LAB 55.55, 91.15, -52.99

 

CMYK 0 / 98 / 4 / 7

HEX #EC04E3

RGB 236 4 227

HSL 302.33, 0.97%, 0.47%

LAB 55.55, 91.15, -52.99

 

CMYK 0 / 89 / 4 / 15

HEX #D917D1

RGB 217 23 209

HSL 302.47, 0.81%, 0.47%

LAB 51.8, 83.79, -48.91

 

CMYK 0 / 79 / 3 / 23

HEX #C52ABF

RGB 197 42 191

HSL 302.32, 0.65%, 0.47%

LAB 48.62, 73.8, -43.78

 

CMYK 0 / 65 / 3 / 30

HEX #B23EAD

RGB 178 62 173

HSL 302.59, 0.48%, 0.47%

LAB 46.88, 60.17, -36.19

 

CMYK 0 / 49 / 2 / 38

HEX #9F519C

RGB 159 81 156

HSL 302.31, 0.33%, 0.47%

LAB 46.52, 43.18, -26.89

 

CMYK 49 / 98 / 0 / 7

HEX #7804EC

RGB 120 4 236

HSL 270, 0.97%, 0.47%

LAB 38.09, 78.13, -87.3

 

CMYK 23 / 98 / 0 / 7

HEX #B604EC

RGB 182 4 236

HSL 286.03, 0.97%, 0.47%

LAB 47.09, 84.64, -72.18

 

CMYK 0 / 98 / 3 / 7

HEX #EC04E4

RGB 236 4 228

HSL 302.07, 0.97%, 0.47%

LAB 55.61, 91.29, -53.47

 

CMYK 0 / 98 / 30 / 7

HEX #EC04A6

RGB 236 4 166

HSL 318.1, 0.97%, 0.47%

LAB 52.59, 83.73, -22.4

 

CMYK 0 / 98 / 56 / 7

HEX #EC0468

RGB 236 4 104

HSL 334.14, 0.97%, 0.47%

LAB 50.59, 78.49, 12

 

CMYK 0 / 99 / 4 / 39

HEX #9B0295

RGB 155 2 149

HSL 302.35, 0.97%, 0.31%

LAB 36.33, 66.6, -38.76

 

CMYK 0 / 98 / 4 / 24

HEX #C303BC

RGB 195 3 188

HSL 302.19, 0.97%, 0.39%

LAB 46.04, 79.02, -46.16

 

CMYK 0 / 98 / 4 / 7

HEX #EC04E3

RGB 236 4 227

HSL 302.33, 0.97%, 0.47%

LAB 55.55, 91.15, -52.99

 

CMYK 0 / 88 / 4 / 1

HEX #FC1DF3

RGB 252 29 243

HSL 302.42, 0.97%, 0.55%

LAB 59.93, 93.78, -54.83

 

CMYK 0 / 72 / 3 / 1

HEX #FC46F5

RGB 252 70 245

HSL 302.31, 0.97%, 0.63%

LAB 63.07, 85.27, -50.95

 

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

CMYK 0 / 75 / 98 / 7

HEX #EC3A04

RGB 236 58 4

HSL 13.97, 0.97%, 0.47%

LAB 52.8, 65.62, 63.84

 

CMYK 98 / 0 / 36 / 7

HEX #04EC97

RGB 4 236 151

HSL 158.02, 0.97%, 0.47%

LAB 83.05, -66.4, 28.23

 

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

CMYK 3 / 0 / 98 / 7

HEX #E4EC04

RGB 228 236 4

HSL 62.07, 0.97%, 0.47%

LAB 90.09, -23.62, 88.07

 

CMYK 98 / 3 / 0 / 7

HEX #04E4EC

RGB 4 228 236

HSL 182.07, 0.97%, 0.47%

LAB 82.68, -41.72, -16.84

 

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

CMYK 0 / 75 / 98 / 7

HEX #EC3A04

RGB 236 58 4

HSL 13.97, 0.97%, 0.47%

LAB 52.8, 65.62, 63.84

 

CMYK 98 / 0 / 95 / 7

HEX #04EC0B

RGB 4 236 11

HSL 121.81, 0.97%, 0.47%

LAB 81.86, -80.98, 77.54

 

CMYK 98 / 23 / 0 / 7

HEX #04B6EC

RGB 4 182 236

HSL 193.97, 0.97%, 0.47%

LAB 69.14, -19.44, -37.58

 

CMYK 0 / 98 / 4 / 8

HEX #EB04E2

RGB 235 4 226

HSL 302.34, 0.97%, 0.47%

LAB 55.32, 90.85, -52.8

 

CMYK 0 / 46 / 98 / 7

HEX #EC8004

RGB 236 128 4

HSL 32.07, 0.97%, 0.47%

LAB 64.39, 35.35, 70.45

 

CMYK 98 / 0 / 95 / 7

HEX #04EC0B

RGB 4 236 11

HSL 121.81, 0.97%, 0.47%

LAB 81.86, -80.98, 77.54

 

CMYK 98 / 53 / 0 / 7

HEX #0470EC

RGB 4 112 236

HSL 212.07, 0.97%, 0.47%

LAB 49.09, 21.62, -69.48

 

Description

Color code: HEX #EB04E2 | qconv.com Color code: HEX #EB04E2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 4 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 4 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 4 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 4% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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