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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB02FF it is the complementary color #14FD00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB02FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB02FF shade: #F002FA, #FF14FF, #FF26FF, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB02FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB02FF shade: #EB02FF, #DA00EC, #C900D9, #B800C6 and #A700B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB02FF shade: #EB00FF, #FF00CE, #FF008A, #FF0045 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB02FF shade: #EB00FF, #A600FF, #6100FF, #1D00FF and #0000FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB02FF shade matches the following richer shades: #EB00FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB02FF shade: #EB00FF, #D915EA, #C829D6, #B73EC1 and #A553AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB02FF shade: #6200FF, #A600FF, #EA00FF, #FF00D0 and #FF008C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB02FF shade: #9F00AC, #C500D6, #EB00FF, #EE29FF and #F153FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB02FF shade: #EB02FF, #FF1E00 and #00FF84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB02FF shade: #EB02FF, #FFEA00 and #00FFEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB02FF shade: #EB02FF, #FF1E00, #15FF00 and #00E1FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB02FF shade: #EB02FF, #FF6A00, #15FF00 and #0095FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

Complementary color

CMYK 92 / 0 / 100 / 1

HEX #14FD00

RGB 20 253 0

HSL 115.26, 1%, 0.5%

LAB 87.19, -85.01, 82.77

 

CMYK 4 / 99 / 0 / 2

HEX #F002FA

RGB 240 2 250

HSL 297.58, 0.98%, 0.49%

LAB 57.53, 95.15, -62.68

 

CMYK 0 / 92 / 0 / 0

HEX #FF14FF

RGB 255 20 255

HSL 300, 1%, 0.54%

LAB 60.76, 96.94, -60.13

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FF

RGB 255 38 255

HSL 300, 1%, 0.57%

LAB 61.54, 94.66, -58.89

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

CMYK 8 / 100 / 0 / 7

HEX #DA00EC

RGB 218 0 236

HSL 295.42, 1%, 0.46%

LAB 52.91, 89.93, -62.47

 

CMYK 7 / 100 / 0 / 15

HEX #C900D9

RGB 201 0 217

HSL 295.58, 1%, 0.43%

LAB 48.79, 84.52, -58.47

 

CMYK 7 / 100 / 0 / 22

HEX #B800C6

RGB 184 0 198

HSL 295.76, 1%, 0.39%

LAB 44.61, 79.01, -54.39

 

CMYK 7 / 100 / 0 / 30

HEX #A700B3

RGB 167 0 179

HSL 295.98, 1%, 0.35%

LAB 40.36, 73.41, -50.23

 

CMYK 8 / 100 / 0 / 0

HEX #EB00FF

RGB 235 0 255

HSL 295.29, 1%, 0.5%

LAB 56.96, 95.27, -66.42

 

CMYK 0 / 100 / 19 / 0

HEX #FF00CE

RGB 255 0 206

HSL 311.53, 1%, 0.5%

LAB 57.77, 91.97, -37.33

 

CMYK 0 / 100 / 46 / 0

HEX #FF008A

RGB 255 0 138

HSL 327.53, 1%, 0.5%

LAB 55.17, 85.3, -1.51

 

CMYK 0 / 100 / 73 / 0

HEX #FF0045

RGB 255 0 69

HSL 343.76, 1%, 0.5%

LAB 53.7, 81.37, 37.87

 

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

 

CMYK 8 / 100 / 0 / 0

HEX #EB00FF

RGB 235 0 255

HSL 295.29, 1%, 0.5%

LAB 56.96, 95.27, -66.42

 

CMYK 35 / 100 / 0 / 0

HEX #A600FF

RGB 166 0 255

HSL 279.06, 1%, 0.5%

LAB 46.08, 86.57, -84.6

 

CMYK 62 / 100 / 0 / 0

HEX #6100FF

RGB 97 0 255

HSL 262.82, 1%, 0.5%

LAB 37.41, 81.27, -99.21

 

CMYK 89 / 100 / 0 / 0

HEX #1D00FF

RGB 29 0 255

HSL 246.82, 1%, 0.5%

LAB 32.88, 79.38, -106.89

 

CMYK 100 / 100 / 0 / 0

HEX #0000FF

RGB 0 0 255

HSL 240, 1%, 0.5%

LAB 32.3, 79.2, -107.86

 

CMYK 8 / 100 / 0 / 0

HEX #EB00FF

RGB 235 0 255

HSL 295.29, 1%, 0.5%

LAB 56.96, 95.27, -66.42

 

CMYK 8 / 100 / 0 / 0

HEX #EB00FF

RGB 235 0 255

HSL 295.29, 1%, 0.5%

LAB 56.96, 95.27, -66.42

 

CMYK 7 / 91 / 0 / 8

HEX #D915EA

RGB 217 21 234

HSL 295.21, 0.84%, 0.5%

LAB 53.2, 87.74, -60.89

 

CMYK 7 / 81 / 0 / 16

HEX #C829D6

RGB 200 41 214

HSL 295.14, 0.68%, 0.5%

LAB 50.36, 78.23, -54.25

 

CMYK 5 / 68 / 0 / 24

HEX #B73EC1

RGB 183 62 193

HSL 295.42, 0.51%, 0.5%

LAB 48.71, 64.78, -44.93

 

CMYK 4 / 52 / 0 / 33

HEX #A553AC

RGB 165 83 172

HSL 295.28, 0.35%, 0.5%

LAB 48.47, 46.94, -33.24

 

CMYK 62 / 100 / 0 / 0

HEX #6200FF

RGB 98 0 255

HSL 263.06, 1%, 0.5%

LAB 37.51, 81.32, -99.04

 

CMYK 35 / 100 / 0 / 0

HEX #A600FF

RGB 166 0 255

HSL 279.06, 1%, 0.5%

LAB 46.08, 86.57, -84.6

 

CMYK 8 / 100 / 0 / 0

HEX #EA00FF

RGB 234 0 255

HSL 295.06, 1%, 0.5%

LAB 56.79, 95.12, -66.7

 

CMYK 0 / 100 / 18 / 0

HEX #FF00D0

RGB 255 0 208

HSL 311.06, 1%, 0.5%

LAB 57.86, 92.21, -38.32

 

CMYK 0 / 100 / 45 / 0

HEX #FF008C

RGB 255 0 140

HSL 327.06, 1%, 0.5%

LAB 55.23, 85.46, -2.62

 

CMYK 8 / 100 / 0 / 33

HEX #9F00AC

RGB 159 0 172

HSL 295.47, 1%, 0.34%

LAB 38.46, 71.05, -49.2

 

CMYK 8 / 100 / 0 / 16

HEX #C500D6

RGB 197 0 214

HSL 295.23, 1%, 0.42%

LAB 47.91, 83.46, -58.2

 

CMYK 8 / 100 / 0 / 0

HEX #EB00FF

RGB 235 0 255

HSL 295.29, 1%, 0.5%

LAB 56.96, 95.27, -66.42

 

CMYK 7 / 84 / 0 / 0

HEX #EE29FF

RGB 238 41 255

HSL 295.23, 1%, 0.58%

LAB 58.96, 91.28, -63.18

 

CMYK 5 / 67 / 0 / 0

HEX #F153FF

RGB 241 83 255

HSL 295.12, 1%, 0.66%

LAB 63.43, 80.3, -56.01

 

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

CMYK 0 / 88 / 100 / 0

HEX #FF1E00

RGB 255 30 0

HSL 7.06, 1%, 0.5%

LAB 54.23, 77.24, 67.58

 

CMYK 100 / 0 / 48 / 0

HEX #00FF84

RGB 0 255 132

HSL 151.06, 1%, 0.5%

LAB 88.54, -76.13, 44.75

 

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

CMYK 0 / 8 / 100 / 0

HEX #FFEA00

RGB 255 234 0

HSL 55.06, 1%, 0.5%

LAB 91.73, -11.41, 90.56

 

CMYK 100 / 0 / 8 / 0

HEX #00FFEA

RGB 0 255 234

HSL 175.06, 1%, 0.5%

LAB 90.53, -53.93, -4.11

 

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

CMYK 0 / 88 / 100 / 0

HEX #FF1E00

RGB 255 30 0

HSL 7.06, 1%, 0.5%

LAB 54.23, 77.24, 67.58

 

CMYK 92 / 0 / 100 / 0

HEX #15FF00

RGB 21 255 0

HSL 115.06, 1%, 0.5%

LAB 87.81, -85.48, 83.28

 

CMYK 100 / 12 / 0 / 0

HEX #00E1FF

RGB 0 225 255

HSL 187.06, 1%, 0.5%

LAB 82.42, -34.58, -27.3

 

CMYK 8 / 99 / 0 / 0

HEX #EB02FF

RGB 235 2 255

HSL 295.26, 1%, 0.5%

LAB 57, 95.14, -66.35

 

CMYK 0 / 58 / 100 / 0

HEX #FF6A00

RGB 255 106 0

HSL 24.94, 1%, 0.5%

LAB 62.98, 53.23, 71.7

 

CMYK 92 / 0 / 100 / 0

HEX #15FF00

RGB 21 255 0

HSL 115.06, 1%, 0.5%

LAB 87.81, -85.48, 83.28

 

CMYK 100 / 42 / 0 / 0

HEX #0095FF

RGB 0 149 255

HSL 204.94, 1%, 0.5%

LAB 60.53, 5.95, -61.57

 

Description

Color code: HEX #EB02FF | qconv.com Color code: HEX #EB02FF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 2 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 2 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 99 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 99% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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