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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAF5A1 it is the complementary color #150A5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAF5A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAF5A1 shade: #EFF59C, #FFFFAF, #FFFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAF5A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAF5A1 shade: #EAF5A1, #D9E38E, #C8D17B, #B7BF68 and #A6AD55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAF5A1 shade: #EAF5A3, #F5EAA3, #F5D4A3, #F5BDA3 and #F5A7A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAF5A1 shade: #EAF5A3, #D4F5A3, #BEF5A3, #A8F5A3 and #A3F5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAF5A1 shade matches the following richer shades: #EAF5A3 and #F1FE9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAF5A1 shade: #EAF5A3, #E4EDAB, #DEE5B3, #D8DDBB and #D2D4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAF5A1 shade: #F5D3A3, #F5E9A3, #ECF5A3, #D6F5A3 and #C0F5A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAF5A1 shade: #DAED58, #E2F17D, #EAF5A3, #F3F9C8 and #FBFDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAF5A1 shade: #EAF5A1, #A3F5BD and #DEA3F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAF5A1 shade: #EAF5A1, #A3ECF5 and #F5A3EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAF5A1 shade: #EAF5A1, #A3F5BD, #ACA3F5 and #F5A3DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAF5A1 shade: #EAF5A1, #A3F5D6, #ACA3F5 and #F5A3C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

Complementary color

CMYK 78 / 89 / 0 / 63

HEX #150A5E

RGB 21 10 94

HSL 247.86, 0.81%, 0.2%

LAB 10.44, 33.48, -46.67

 

CMYK 2 / 0 / 36 / 4

HEX #EFF59C

RGB 239 245 156

HSL 64.04, 0.82%, 0.79%

LAB 94.34, -15.1, 42.2

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 4 / 0 / 37 / 11

HEX #D9E38E

RGB 217 227 142

HSL 67.06, 0.6%, 0.72%

LAB 87.8, -16.19, 40.4

 

CMYK 4 / 0 / 41 / 18

HEX #C8D17B

RGB 200 209 123

HSL 66.28, 0.48%, 0.65%

LAB 81.46, -15.94, 41.55

 

CMYK 4 / 0 / 46 / 25

HEX #B7BF68

RGB 183 191 104

HSL 65.52, 0.4%, 0.58%

LAB 75.03, -15.64, 42.73

 

CMYK 4 / 0 / 51 / 32

HEX #A6AD55

RGB 166 173 85

HSL 64.77, 0.35%, 0.51%

LAB 68.5, -15.26, 43.9

 

CMYK 4 / 0 / 33 / 4

HEX #EAF5A3

RGB 234 245 163

HSL 68.05, 0.8%, 0.8%

LAB 94.07, -16.15, 38.33

 

CMYK 0 / 4 / 33 / 4

HEX #F5EAA3

RGB 245 234 163

HSL 51.95, 0.8%, 0.8%

LAB 92.09, -6.57, 35.87

 

CMYK 0 / 13 / 33 / 4

HEX #F5D4A3

RGB 245 212 163

HSL 35.85, 0.8%, 0.8%

LAB 86.58, 4.64, 28.52

 

CMYK 0 / 23 / 33 / 4

HEX #F5BDA3

RGB 245 189 163

HSL 19.02, 0.8%, 0.8%

LAB 80.99, 16.65, 20.9

 

CMYK 0 / 32 / 33 / 4

HEX #F5A7A3

RGB 245 167 163

HSL 2.93, 0.8%, 0.8%

LAB 75.88, 28.27, 13.78

 

CMYK 4 / 0 / 33 / 4

HEX #EAF5A3

RGB 234 245 163

HSL 68.05, 0.8%, 0.8%

LAB 94.07, -16.15, 38.33

 

CMYK 13 / 0 / 33 / 4

HEX #D4F5A3

RGB 212 245 163

HSL 84.15, 0.8%, 0.8%

LAB 92.55, -24.2, 36.04

 

CMYK 22 / 0 / 33 / 4

HEX #BEF5A3

RGB 190 245 163

HSL 100.24, 0.8%, 0.8%

LAB 91.19, -31.91, 33.99

 

CMYK 31 / 0 / 33 / 4

HEX #A8F5A3

RGB 168 245 163

HSL 116.34, 0.8%, 0.8%

LAB 89.99, -39.14, 32.17

 

CMYK 33 / 0 / 27 / 4

HEX #A3F5B4

RGB 163 245 180

HSL 132.44, 0.8%, 0.8%

LAB 90.04, -37.91, 23.57

 

CMYK 4 / 0 / 33 / 4

HEX #EAF5A3

RGB 234 245 163

HSL 68.05, 0.8%, 0.8%

LAB 94.07, -16.15, 38.33

 

CMYK 5 / 0 / 39 / 0

HEX #F1FE9A

RGB 241 254 154

HSL 67.8, 0.98%, 0.8%

LAB 96.79, -18.93, 46.34

 

CMYK 4 / 0 / 33 / 4

HEX #EAF5A3

RGB 234 245 163

HSL 68.05, 0.8%, 0.8%

LAB 94.07, -16.15, 38.33

 

CMYK 4 / 0 / 28 / 7

HEX #E4EDAB

RGB 228 237 171

HSL 68.18, 0.65%, 0.8%

LAB 91.69, -13.43, 31.06

 

CMYK 3 / 0 / 22 / 10

HEX #DEE5B3

RGB 222 229 179

HSL 68.4, 0.49%, 0.8%

LAB 89.31, -10.53, 23.65

 

CMYK 2 / 0 / 15 / 13

HEX #D8DDBB

RGB 216 221 187

HSL 68.82, 0.33%, 0.8%

LAB 86.95, -7.45, 16.14

 

CMYK 1 / 0 / 8 / 17

HEX #D2D4C4

RGB 210 212 196

HSL 67.5, 0.16%, 0.8%

LAB 84.37, -3.5, 7.67

 

CMYK 0 / 14 / 33 / 4

HEX #F5D3A3

RGB 245 211 163

HSL 35.12, 0.8%, 0.8%

LAB 86.33, 5.16, 28.19

 

CMYK 0 / 5 / 33 / 4

HEX #F5E9A3

RGB 245 233 163

HSL 51.22, 0.8%, 0.8%

LAB 91.83, -6.06, 35.54

 

CMYK 4 / 0 / 33 / 4

HEX #ECF5A3

RGB 236 245 163

HSL 66.59, 0.8%, 0.8%

LAB 94.22, -15.41, 38.55

 

CMYK 13 / 0 / 33 / 4

HEX #D6F5A3

RGB 214 245 163

HSL 82.68, 0.8%, 0.8%

LAB 92.68, -23.48, 36.24

 

CMYK 22 / 0 / 33 / 4

HEX #C0F5A3

RGB 192 245 163

HSL 98.78, 0.8%, 0.8%

LAB 91.3, -31.23, 34.17

 

CMYK 8 / 0 / 63 / 7

HEX #DAED58

RGB 218 237 88

HSL 67.65, 0.81%, 0.64%

LAB 89.94, -25.46, 67.61

 

CMYK 6 / 0 / 48 / 5

HEX #E2F17D

RGB 226 241 125

HSL 67.76, 0.81%, 0.72%

LAB 91.94, -21.31, 53.9

 

CMYK 4 / 0 / 33 / 4

HEX #EAF5A3

RGB 234 245 163

HSL 68.05, 0.8%, 0.8%

LAB 94.07, -16.15, 38.33

 

CMYK 2 / 0 / 20 / 2

HEX #F3F9C8

RGB 243 249 200

HSL 67.35, 0.8%, 0.88%

LAB 96.4, -9.93, 22.91

 

CMYK 1 / 0 / 6 / 1

HEX #FBFDED

RGB 251 253 237

HSL 67.5, 0.8%, 0.96%

LAB 98.78, -3.39, 7.41

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 33 / 0 / 23 / 4

HEX #A3F5BD

RGB 163 245 189

HSL 139.02, 0.8%, 0.8%

LAB 90.21, -36.31, 19.19

 

CMYK 9 / 33 / 0 / 4

HEX #DEA3F5

RGB 222 163 245

HSL 283.17, 0.8%, 0.8%

LAB 75.02, 35.86, -32.53

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 33 / 4 / 0 / 4

HEX #A3ECF5

RGB 163 236 245

HSL 186.59, 0.8%, 0.8%

LAB 89.1, -20.35, -11.57

 

CMYK 0 / 33 / 4 / 4

HEX #F5A3EC

RGB 245 163 236

HSL 306.59, 0.8%, 0.8%

LAB 77.08, 41.32, -24.29

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 33 / 0 / 23 / 4

HEX #A3F5BD

RGB 163 245 189

HSL 139.02, 0.8%, 0.8%

LAB 90.21, -36.31, 19.19

 

CMYK 30 / 33 / 0 / 4

HEX #ACA3F5

RGB 172 163 245

HSL 246.59, 0.8%, 0.8%

LAB 70.56, 21.12, -39.79

 

CMYK 0 / 33 / 11 / 4

HEX #F5A3DB

RGB 245 163 219

HSL 319.02, 0.8%, 0.8%

LAB 76.51, 38.44, -15.91

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 33 / 0 / 13 / 4

HEX #A3F5D6

RGB 163 245 214

HSL 157.32, 0.8%, 0.8%

LAB 90.76, -31.49, 7.03

 

CMYK 30 / 33 / 0 / 4

HEX #ACA3F5

RGB 172 163 245

HSL 246.59, 0.8%, 0.8%

LAB 70.56, 21.12, -39.79

 

CMYK 0 / 33 / 21 / 4

HEX #F5A3C2

RGB 245 163 194

HSL 337.32, 0.8%, 0.8%

LAB 75.76, 34.56, -3.36

 

Description

Color code: HEX #EAF5A1 | qconv.com Color code: HEX #EAF5A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 245 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 245 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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