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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAF237 it is the complementary color #150DC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAF237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAF237 shade: #EFF232, #FFFF45, #FFFF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAF237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAF237 shade: #EAF237, #D9E024, #C8CE11, #B7BC00 and #A6AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAF237 shade: #EAF236, #F2C736, #F29536, #F26236 and #F23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAF237 shade: #EAF236, #B7F236, #84F236, #52F236 and #36F24D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAF237 shade matches the following richer shades: #EAF236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAF237 shade: #EAF236, #DAE147, #CACF58, #BBBE6A and #ABAD7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAF237 shade: #F29436, #F2C636, #ECF236, #BAF236 and #87F236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAF237 shade: #C0C80D, #E6EF0F, #EAF236, #EEF55C and #F2F783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAF237 shade: #EAF237, #36F262 and #AD36F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAF237 shade: #EAF237, #36ECF2 and #F236EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAF237 shade: #EAF237, #36F262, #3C36F2 and #F236C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAF237 shade: #EAF237, #36F29A, #3C36F2 and #F2368E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

Complementary color

CMYK 90 / 94 / 0 / 22

HEX #150DC8

RGB 21 13 200

HSL 242.57, 0.88%, 0.42%

LAB 25.62, 63.38, -87.49

 

CMYK 1 / 0 / 79 / 5

HEX #EFF232

RGB 239 242 50

HSL 60.94, 0.88%, 0.57%

LAB 92.61, -21.13, 83.33

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

CMYK 3 / 0 / 84 / 12

HEX #D9E024

RGB 217 224 36

HSL 62.23, 0.75%, 0.51%

LAB 86.1, -21.95, 80.41

 

CMYK 3 / 0 / 92 / 19

HEX #C8CE11

RGB 200 206 17

HSL 61.9, 0.85%, 0.44%

LAB 79.88, -20.72, 78.17

 

CMYK 3 / 0 / 100 / 26

HEX #B7BC00

RGB 183 188 0

HSL 61.6, 1%, 0.37%

LAB 73.57, -19.31, 74.66

 

CMYK 2 / 0 / 100 / 33

HEX #A6AA00

RGB 166 170 0

HSL 61.41, 1%, 0.33%

LAB 67.17, -17.68, 69.34

 

CMYK 3 / 0 / 78 / 5

HEX #EAF236

RGB 234 242 54

HSL 62.55, 0.88%, 0.58%

LAB 92.25, -23.04, 81.81

 

CMYK 0 / 18 / 78 / 5

HEX #F2C736

RGB 242 199 54

HSL 46.28, 0.88%, 0.58%

LAB 81.83, 1.69, 72.71

 

CMYK 0 / 38 / 78 / 5

HEX #F29536

RGB 242 149 54

HSL 30.32, 0.88%, 0.58%

LAB 69.92, 27.91, 61.66

 

CMYK 0 / 60 / 78 / 5

HEX #F26236

RGB 242 98 54

HSL 14.04, 0.88%, 0.58%

LAB 59.78, 53.15, 51.79

 

CMYK 0 / 78 / 78 / 5

HEX #F23636

RGB 242 54 54

HSL 0, 0.88%, 0.58%

LAB 53.79, 69.44, 45.7

 

CMYK 3 / 0 / 78 / 5

HEX #EAF236

RGB 234 242 54

HSL 62.55, 0.88%, 0.58%

LAB 92.25, -23.04, 81.81

 

CMYK 24 / 0 / 78 / 5

HEX #B7F236

RGB 183 242 54

HSL 78.83, 0.88%, 0.58%

LAB 88.85, -43.12, 77.47

 

CMYK 45 / 0 / 78 / 5

HEX #84F236

RGB 132 242 54

HSL 95.11, 0.88%, 0.58%

LAB 86.34, -60.5, 74.24

 

CMYK 66 / 0 / 78 / 5

HEX #52F236

RGB 82 242 54

HSL 111.06, 0.88%, 0.58%

LAB 84.77, -72.95, 72.2

 

CMYK 78 / 0 / 68 / 5

HEX #36F24D

RGB 54 242 77

HSL 127.34, 0.88%, 0.58%

LAB 84.39, -75.67, 63.92

 

CMYK 3 / 0 / 78 / 5

HEX #EAF236

RGB 234 242 54

HSL 62.55, 0.88%, 0.58%

LAB 92.25, -23.04, 81.81

 

CMYK 3 / 0 / 78 / 5

HEX #EAF236

RGB 234 242 54

HSL 62.55, 0.88%, 0.58%

LAB 92.25, -23.04, 81.81

 

CMYK 3 / 0 / 68 / 12

HEX #DAE147

RGB 218 225 71

HSL 62.73, 0.72%, 0.58%

LAB 86.61, -20.69, 70.68

 

CMYK 2 / 0 / 57 / 19

HEX #CACF58

RGB 202 207 88

HSL 62.52, 0.55%, 0.58%

LAB 80.68, -17.34, 57.22

 

CMYK 2 / 0 / 44 / 25

HEX #BBBE6A

RGB 187 190 106

HSL 62.14, 0.39%, 0.58%

LAB 75.1, -13.31, 41.88

 

CMYK 1 / 0 / 29 / 32

HEX #ABAD7B

RGB 171 173 123

HSL 62.4, 0.23%, 0.58%

LAB 69.45, -8.88, 25.53

 

CMYK 0 / 39 / 78 / 5

HEX #F29436

RGB 242 148 54

HSL 30, 0.88%, 0.58%

LAB 69.7, 28.43, 61.45

 

CMYK 0 / 18 / 78 / 5

HEX #F2C636

RGB 242 198 54

HSL 45.96, 0.88%, 0.58%

LAB 81.58, 2.21, 72.49

 

CMYK 2 / 0 / 78 / 5

HEX #ECF236

RGB 236 242 54

HSL 61.91, 0.88%, 0.58%

LAB 92.4, -22.23, 82

 

CMYK 23 / 0 / 78 / 5

HEX #BAF236

RGB 186 242 54

HSL 77.87, 0.88%, 0.58%

LAB 89.02, -42, 77.69

 

CMYK 44 / 0 / 78 / 5

HEX #87F236

RGB 135 242 54

HSL 94.15, 0.88%, 0.58%

LAB 86.47, -59.59, 74.4

 

CMYK 4 / 0 / 94 / 22

HEX #C0C80D

RGB 192 200 13

HSL 62.57, 0.88%, 0.42%

LAB 77.61, -21.23, 76.64

 

CMYK 4 / 0 / 94 / 6

HEX #E6EF0F

RGB 230 239 15

HSL 62.41, 0.88%, 0.5%

LAB 91.05, -24.12, 87.96

 

CMYK 3 / 0 / 78 / 5

HEX #EAF236

RGB 234 242 54

HSL 62.55, 0.88%, 0.58%

LAB 92.25, -23.04, 81.81

 

CMYK 3 / 0 / 62 / 4

HEX #EEF55C

RGB 238 245 92

HSL 62.75, 0.88%, 0.66%

LAB 93.56, -21.05, 70.3

 

CMYK 2 / 0 / 47 / 3

HEX #F2F783

RGB 242 247 131

HSL 62.59, 0.88%, 0.74%

LAB 94.75, -17.46, 54.77

 

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

CMYK 78 / 0 / 60 / 5

HEX #36F262

RGB 54 242 98

HSL 134.04, 0.88%, 0.58%

LAB 84.57, -73.49, 55.57

 

CMYK 29 / 78 / 0 / 5

HEX #AD36F2

RGB 173 54 242

HSL 277.98, 0.88%, 0.58%

LAB 49.42, 74.98, -71.83

 

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

CMYK 78 / 2 / 0 / 5

HEX #36ECF2

RGB 54 236 242

HSL 181.91, 0.88%, 0.58%

LAB 85.6, -41.01, -15.58

 

CMYK 0 / 78 / 2 / 5

HEX #F236EC

RGB 242 54 236

HSL 301.91, 0.88%, 0.58%

LAB 59.5, 86.31, -51.7

 

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

CMYK 78 / 0 / 60 / 5

HEX #36F262

RGB 54 242 98

HSL 134.04, 0.88%, 0.58%

LAB 84.57, -73.49, 55.57

 

CMYK 75 / 78 / 0 / 5

HEX #3C36F2

RGB 60 54 242

HSL 241.91, 0.88%, 0.58%

LAB 37.86, 61.27, -91.24

 

CMYK 0 / 78 / 18 / 5

HEX #F236C6

RGB 242 54 198

HSL 314.04, 0.88%, 0.58%

LAB 57.65, 81.08, -33.1

 

CMYK 3 / 0 / 77 / 5

HEX #EAF237

RGB 234 242 55

HSL 62.57, 0.88%, 0.58%

LAB 92.25, -23.01, 81.54

 

CMYK 78 / 0 / 36 / 5

HEX #36F29A

RGB 54 242 154

HSL 151.91, 0.88%, 0.58%

LAB 85.31, -64.81, 29.82

 

CMYK 75 / 78 / 0 / 5

HEX #3C36F2

RGB 60 54 242

HSL 241.91, 0.88%, 0.58%

LAB 37.86, 61.27, -91.24

 

CMYK 0 / 78 / 41 / 5

HEX #F2368E

RGB 242 54 142

HSL 331.91, 0.88%, 0.58%

LAB 55.55, 74.89, -3.61

 

Description

Color code: HEX #EAF237 | qconv.com Color code: HEX #EAF237 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 242 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 242 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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