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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EADDF44C it is the complementary color #15220B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EADDF44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EADDF44C shade: #EFDDEF4C, #FFEFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EADDF44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EADDF44C shade: #EADDF44C, #D9CBE14C, #C8B9CE4C, #B7A7BB4C and #A695A84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EADDF44C shade: #EADCF4, #F0DCF4, #F4DCF1, #F4DCEB and #F4DCE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EADDF44C shade: #EADCF4, #E3DCF4, #DDDCF4 and #DCDCF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EADDF44C shade matches the following richer shades: #EADCF4, #EAD9F7, #EBD5FB and #EBD1FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EADDF44C shade: #EADCF4, #E9E0F0, #E9E4EC, #E8E7E9 and #E8EBE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EADDF44C shade: #DDDCF4, #E3DCF4, #E9DCF4, #EFDCF4 and #F4DCF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EADDF44C shade: #C39EE0, #D6BDEA, #EADCF4, #FDFBFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EADDF44C shade: #EADDF4, #F4DCE2 and #DCF4E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EADDF44C shade: #EADDF4, #F4E9DC and #DCF4E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EADDF44C shade: #EADDF4, #F4DCE2, #E7F4DC and #DCF4EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EADDF44C shade: #EADDF4, #F4DEDC, #E7F4DC and #DCF3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 3 / 0 / 1

HEX #EADDF44C

RGBA 234 221 244 0.3

HSLA 273.91, 0.51%, 0.91%, 0.3

LABA 89.74, 8.56, -9.6, 0.3

 

Complementary color

CMYK 11 / 0 / 20 / 26

HEX #15220B4C

RGBA 21 34 11 0.3

HSLA 93.91, 0.51%, 0.09%, 0.3

LABA 11.47, -11.01, 12.29, 0.3

 

CMYK 0 / 2 / 0 / 2

HEX #EFDDEF4C

RGBA 239 221 239 0.3

HSLA 300, 0.36%, 0.9%, 0.3

LABA 90, 9.29, -6.55, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FFEFFF4C

RGBA 255 239 255 0.3

HSLA 300, 1%, 0.97%, 0.3

LABA 96.09, 8.15, -5.76, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 1 / 3 / 0 / 1

HEX #EADDF44C

RGBA 234 221 244 0.3

HSLA 273.91, 0.51%, 0.91%, 0.3

LABA 89.74, 8.56, -9.6, 0.3

 

CMYK 1 / 3 / 0 / 4

HEX #D9CBE14C

RGBA 217 203 225 0.3

HSLA 278.18, 0.27%, 0.84%, 0.3

LABA 83.39, 8.84, -9.13, 0.3

 

CMYK 1 / 3 / 0 / 6

HEX #C8B9CE4C

RGBA 200 185 206 0.3

HSLA 282.86, 0.18%, 0.77%, 0.3

LABA 76.94, 9.14, -8.64, 0.3

 

CMYK 1 / 3 / 0 / 8

HEX #B7A7BB4C

RGBA 183 167 187 0.3

HSLA 288, 0.13%, 0.69%, 0.3

LABA 70.38, 9.46, -8.15, 0.3

 

CMYK 0 / 3 / 0 / 10

HEX #A695A84C

RGBA 166 149 168 0.3

HSLA 293.68, 0.1%, 0.62%, 0.3

LABA 63.7, 9.82, -7.65, 0.3

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 2 / 10 / 0 / 4

HEX #F0DCF4

RGB 240 220 244

HSL 290, 0.52%, 0.91%

LAB 89.97, 11.06, -9.2

 

CMYK 0 / 10 / 1 / 4

HEX #F4DCF1

RGB 244 220 241

HSL 307.5, 0.52%, 0.91%

LAB 90.22, 11.84, -7.23

 

CMYK 0 / 10 / 4 / 4

HEX #F4DCEB

RGB 244 220 235

HSL 322.5, 0.52%, 0.91%

LAB 90.05, 10.79, -4.32

 

CMYK 0 / 10 / 6 / 4

HEX #F4DCE5

RGB 244 220 229

HSL 337.5, 0.52%, 0.91%

LAB 89.89, 9.75, -1.4

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 7 / 10 / 0 / 4

HEX #E3DCF4

RGB 227 220 244

HSL 257.5, 0.52%, 0.91%

LAB 88.95, 6.8, -10.84

 

CMYK 9 / 10 / 0 / 4

HEX #DDDCF4

RGB 221 220 244

HSL 242.5, 0.52%, 0.91%

LAB 88.49, 4.86, -11.57

 

CMYK 10 / 10 / 0 / 4

HEX #DCDCF4

RGB 220 220 244

HSL 240, 0.52%, 0.91%

LAB 88.42, 4.53, -11.68

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 5 / 12 / 0 / 3

HEX #EAD9F7

RGB 234 217 247

HSL 274, 0.65%, 0.91%

LAB 88.84, 11.22, -12.51

 

CMYK 6 / 15 / 0 / 2

HEX #EBD5FB

RGB 235 213 251

HSL 274.74, 0.83%, 0.91%

LAB 88.07, 14.41, -15.76

 

CMYK 8 / 18 / 0 / 0

HEX #EBD1FF

RGB 235 209 255

HSL 273.91, 1%, 0.91%

LAB 87.23, 17.3, -19.14

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 3 / 7 / 0 / 6

HEX #E9E0F0

RGB 233 224 240

HSL 273.75, 0.35%, 0.91%

LAB 90.29, 5.92, -6.7

 

CMYK 1 / 3 / 0 / 7

HEX #E9E4EC

RGB 233 228 236

HSL 277.5, 0.17%, 0.91%

LAB 91.17, 3.12, -3.29

 

CMYK 0 / 1 / 0 / 9

HEX #E8E7E9

RGB 232 231 233

HSL 270, 0.04%, 0.91%

LAB 91.77, 0.7, -0.86

 

CMYK 1 / 0 / 3 / 8

HEX #E8EBE5

RGB 232 235 229

HSL 90, 0.13%, 0.91%

LAB 92.68, -2.06, 2.54

 

CMYK 9 / 10 / 0 / 4

HEX #DDDCF4

RGB 221 220 244

HSL 242.5, 0.52%, 0.91%

LAB 88.49, 4.86, -11.57

 

CMYK 7 / 10 / 0 / 4

HEX #E3DCF4

RGB 227 220 244

HSL 257.5, 0.52%, 0.91%

LAB 88.95, 6.8, -10.84

 

CMYK 5 / 10 / 0 / 4

HEX #E9DCF4

RGB 233 220 244

HSL 272.5, 0.52%, 0.91%

LAB 89.41, 8.75, -10.09

 

CMYK 2 / 10 / 0 / 4

HEX #EFDCF4

RGB 239 220 244

HSL 287.5, 0.52%, 0.91%

LAB 89.89, 10.73, -9.33

 

CMYK 0 / 10 / 1 / 4

HEX #F4DCF2

RGB 244 220 242

HSL 305, 0.52%, 0.91%

LAB 90.24, 12.02, -7.71

 

CMYK 13 / 29 / 0 / 12

HEX #C39EE0

RGB 195 158 224

HSL 273.64, 0.52%, 0.75%

LAB 70.48, 25.92, -28.29

 

CMYK 9 / 19 / 0 / 8

HEX #D6BDEA

RGB 214 189 234

HSL 273.33, 0.52%, 0.83%

LAB 79.97, 17.1, -19.1

 

CMYK 4 / 10 / 0 / 4

HEX #EADCF4

RGB 234 220 244

HSL 275, 0.52%, 0.91%

LAB 89.49, 9.08, -9.97

 

CMYK 0 / 1 / 0 / 0

HEX #FDFBFE

RGB 253 251 254

HSL 280, 0.6%, 0.99%

LAB 98.84, 1.19, -1.21

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 9 / 0 / 4

HEX #EADDF4

RGB 234 221 244

HSL 273.91, 0.51%, 0.91%

LAB 89.74, 8.56, -9.6

 

CMYK 0 / 10 / 7 / 4

HEX #F4DCE2

RGB 244 220 226

HSL 345, 0.52%, 0.91%

LAB 89.82, 9.25, 0.07

 

CMYK 10 / 0 / 8 / 4

HEX #DCF4E0

RGB 220 244 224

HSL 130, 0.52%, 0.91%

LAB 94.01, -11.49, 6.97

 

CMYK 4 / 9 / 0 / 4

HEX #EADDF4

RGB 234 221 244

HSL 273.91, 0.51%, 0.91%

LAB 89.74, 8.56, -9.6

 

CMYK 0 / 5 / 10 / 4

HEX #F4E9DC

RGB 244 233 220

HSL 32.5, 0.52%, 0.91%

LAB 92.87, 1.55, 7.63

 

CMYK 10 / 0 / 5 / 4

HEX #DCF4E9

RGB 220 244 233

HSL 152.5, 0.52%, 0.91%

LAB 94.23, -9.87, 2.62

 

CMYK 4 / 9 / 0 / 4

HEX #EADDF4

RGB 234 221 244

HSL 273.91, 0.51%, 0.91%

LAB 89.74, 8.56, -9.6

 

CMYK 0 / 10 / 7 / 4

HEX #F4DCE2

RGB 244 220 226

HSL 345, 0.52%, 0.91%

LAB 89.82, 9.25, 0.07

 

CMYK 5 / 0 / 10 / 4

HEX #E7F4DC

RGB 231 244 220

HSL 92.5, 0.52%, 0.91%

LAB 94.68, -8.49, 10.09

 

CMYK 10 / 0 / 2 / 4

HEX #DCF4EE

RGB 220 244 238

HSL 165, 0.52%, 0.91%

LAB 94.35, -8.94, 0.21

 

CMYK 4 / 9 / 0 / 4

HEX #EADDF4

RGB 234 221 244

HSL 273.91, 0.51%, 0.91%

LAB 89.74, 8.56, -9.6

 

CMYK 0 / 9 / 10 / 4

HEX #F4DEDC

RGB 244 222 220

HSL 5, 0.52%, 0.91%

LAB 90.16, 7.22, 3.71

 

CMYK 5 / 0 / 10 / 4

HEX #E7F4DC

RGB 231 244 220

HSL 92.5, 0.52%, 0.91%

LAB 94.68, -8.49, 10.09

 

CMYK 10 / 0 / 0 / 4

HEX #DCF3F4

RGB 220 243 244

HSL 182.5, 0.52%, 0.91%

LAB 94.25, -7.3, -3.05

 

Description

Color code: HEX #EADDF44C | qconv.com Color code: HEX #EADDF44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 221 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 221 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 3 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 3% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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