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Color name
HEX #EADDBA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EADDBA it is the complementary color #152245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EADDBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EADDBA shade: #EFDDB5, #FFEFC8, #FFFFDB, #FFFFEE and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EADDBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EADDBA shade: #EADDBA, #D9CBA7, #C8B994, #B7A781 and #A6956E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EADDBA shade: #E9DCB9, #E9CFB9, #E9C2B9 and #E9B9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EADDBA shade: #E9DCB9, #E9E9B9, #DCE9B9, #CFE9B9 and #C2E9B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EADDBA shade matches the following richer shades: #E9DCB9, #F1E0B1 and #F8E3AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EADDBA shade: #E9DCB9, #E2D9C0, #DBD5C8, #D3D2CF and #CCCFD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EADDBA shade: #E9C2B9, #E9CFB9, #E9DCB9, #E9E9B9 and #DDE9B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EADDBA shade: #D6BD7A, #E0CD99, #E9DCB9, #F3ECD8 and #FDFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EADDBA shade: #EADDBA, #BDE9B9 and #C8B9E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EADDBA shade: #EADDBA, #B9E9DC and #DCB9E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EADDBA shade: #EADDBA, #BDE9B9, #B9C7E9 and #E5B9E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EADDBA shade: #EADDBA, #B9E9C3, #B9C7E9 and #E9B9DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

Complementary color

CMYK 70 / 51 / 0 / 73

HEX #152245

RGB 21 34 69

HSL 223.75, 0.53%, 0.18%

LAB 14.02, 7.61, -23.76

 

CMYK 0 / 8 / 24 / 6

HEX #EFDDB5

RGB 239 221 181

HSL 41.38, 0.64%, 0.82%

LAB 88.64, 0.06, 21.9

 

CMYK 0 / 6 / 22 / 0

HEX #FFEFC8

RGB 255 239 200

HSL 42.55, 1%, 0.89%

LAB 94.81, -0.6, 20.84

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

CMYK 0 / 6 / 23 / 15

HEX #D9CBA7

RGB 217 203 167

HSL 43.2, 0.4%, 0.75%

LAB 81.98, -0.8, 19.74

 

CMYK 0 / 8 / 26 / 22

HEX #C8B994

RGB 200 185 148

HSL 42.69, 0.32%, 0.68%

LAB 75.52, -0.48, 20.74

 

CMYK 0 / 9 / 30 / 28

HEX #B7A781

RGB 183 167 129

HSL 42.22, 0.27%, 0.61%

LAB 68.96, -0.11, 21.79

 

CMYK 0 / 10 / 34 / 35

HEX #A6956E

RGB 166 149 110

HSL 41.79, 0.24%, 0.54%

LAB 62.28, 0.32, 22.93

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 11 / 21 / 9

HEX #E9CFB9

RGB 233 207 185

HSL 27.5, 0.52%, 0.82%

LAB 84.72, 5.66, 14.25

 

CMYK 0 / 17 / 21 / 9

HEX #E9C2B9

RGB 233 194 185

HSL 11.25, 0.52%, 0.82%

LAB 81.52, 12.49, 9.71

 

CMYK 0 / 21 / 21 / 9

HEX #E9B9B9

RGB 233 185 185

HSL 0, 0.52%, 0.82%

LAB 79.34, 17.27, 6.59

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 0 / 21 / 9

HEX #E9E9B9

RGB 233 233 185

HSL 60, 0.52%, 0.82%

LAB 91.28, -7.68, 23.4

 

CMYK 6 / 0 / 21 / 9

HEX #DCE9B9

RGB 220 233 185

HSL 76.25, 0.52%, 0.82%

LAB 90.32, -12.38, 21.93

 

CMYK 11 / 0 / 21 / 9

HEX #CFE9B9

RGB 207 233 185

HSL 92.5, 0.52%, 0.82%

LAB 89.41, -16.98, 20.53

 

CMYK 17 / 0 / 21 / 9

HEX #C2E9B9

RGB 194 233 185

HSL 108.75, 0.52%, 0.82%

LAB 88.57, -21.46, 19.22

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 7 / 27 / 5

HEX #F1E0B1

RGB 241 224 177

HSL 44.06, 0.7%, 0.82%

LAB 89.48, -1.27, 25.16

 

CMYK 0 / 8 / 31 / 3

HEX #F8E3AA

RGB 248 227 170

HSL 43.85, 0.85%, 0.82%

LAB 90.69, -1.05, 30.5

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 4 / 15 / 11

HEX #E2D9C0

RGB 226 217 192

HSL 44.12, 0.37%, 0.82%

LAB 86.8, -1.03, 13.42

 

CMYK 0 / 3 / 9 / 14

HEX #DBD5C8

RGB 219 213 200

HSL 41.05, 0.21%, 0.82%

LAB 85.41, -0.17, 7.14

 

CMYK 0 / 0 / 2 / 17

HEX #D3D2CF

RGB 211 210 207

HSL 45, 0.04%, 0.82%

LAB 84.2, -0.19, 1.59

 

CMYK 5 / 3 / 0 / 16

HEX #CCCFD6

RGB 204 207 214

HSL 222, 0.11%, 0.82%

LAB 83.08, 0.29, -3.83

 

CMYK 0 / 17 / 21 / 9

HEX #E9C2B9

RGB 233 194 185

HSL 11.25, 0.52%, 0.82%

LAB 81.52, 12.49, 9.71

 

CMYK 0 / 11 / 21 / 9

HEX #E9CFB9

RGB 233 207 185

HSL 27.5, 0.52%, 0.82%

LAB 84.72, 5.66, 14.25

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 0 / 21 / 9

HEX #E9E9B9

RGB 233 233 185

HSL 60, 0.52%, 0.82%

LAB 91.28, -7.68, 23.4

 

CMYK 5 / 0 / 21 / 9

HEX #DDE9B9

RGB 221 233 185

HSL 75, 0.52%, 0.82%

LAB 90.39, -12.02, 22.04

 

CMYK 0 / 12 / 43 / 16

HEX #D6BD7A

RGB 214 189 122

HSL 43.7, 0.53%, 0.66%

LAB 77.34, -0.2, 37.07

 

CMYK 0 / 8 / 32 / 12

HEX #E0CD99

RGB 224 205 153

HSL 43.94, 0.53%, 0.74%

LAB 82.81, -1.03, 28.34

 

CMYK 0 / 6 / 21 / 9

HEX #E9DCB9

RGB 233 220 185

HSL 43.75, 0.52%, 0.82%

LAB 87.97, -1.08, 18.82

 

CMYK 0 / 3 / 11 / 5

HEX #F3ECD8

RGB 243 236 216

HSL 44.44, 0.53%, 0.9%

LAB 93.45, -0.97, 10.53

 

CMYK 0 / 1 / 2 / 1

HEX #FDFBF8

RGB 253 251 248

HSL 36, 0.56%, 0.98%

LAB 98.69, 0.15, 1.66

 

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

CMYK 19 / 0 / 21 / 9

HEX #BDE9B9

RGB 189 233 185

HSL 115, 0.52%, 0.82%

LAB 88.26, -23.14, 18.74

 

CMYK 14 / 21 / 0 / 9

HEX #C8B9E9

RGB 200 185 233

HSL 258.75, 0.52%, 0.82%

LAB 77.79, 14.58, -21.97

 

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

CMYK 21 / 0 / 6 / 9

HEX #B9E9DC

RGB 185 233 220

HSL 163.75, 0.52%, 0.82%

LAB 88.81, -17.98, 1.24

 

CMYK 6 / 21 / 0 / 9

HEX #DCB9E9

RGB 220 185 233

HSL 283.75, 0.52%, 0.82%

LAB 79.5, 21, -19.22

 

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

CMYK 19 / 0 / 21 / 9

HEX #BDE9B9

RGB 189 233 185

HSL 115, 0.52%, 0.82%

LAB 88.26, -23.14, 18.74

 

CMYK 21 / 15 / 0 / 9

HEX #B9C7E9

RGB 185 199 233

HSL 222.5, 0.52%, 0.82%

LAB 80.2, 2.33, -18.43

 

CMYK 2 / 21 / 0 / 9

HEX #E5B9E9

RGB 229 185 233

HSL 295, 0.52%, 0.82%

LAB 80.31, 23.94, -17.91

 

CMYK 0 / 6 / 21 / 8

HEX #EADDBA

RGB 234 221 186

HSL 43.75, 0.53%, 0.82%

LAB 88.33, -1.08, 18.8

 

CMYK 21 / 0 / 16 / 9

HEX #B9E9C3

RGB 185 233 195

HSL 132.5, 0.52%, 0.82%

LAB 88.22, -22.73, 13.46

 

CMYK 21 / 15 / 0 / 9

HEX #B9C7E9

RGB 185 199 233

HSL 222.5, 0.52%, 0.82%

LAB 80.2, 2.33, -18.43

 

CMYK 0 / 21 / 4 / 9

HEX #E9B9DF

RGB 233 185 223

HSL 312.5, 0.52%, 0.82%

LAB 80.38, 23.45, -12.4

 

Description

Color code: HEX #EADDBA | qconv.com Color code: HEX #EADDBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 221 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 221 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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