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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EADB7B it is the complementary color #152484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EADB7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EADB7B shade: #EFDB76, #FFED89, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EADB7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EADB7B shade: #EADB7B, #D9C968, #C8B755, #B7A542 and #A6932F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EADB7B shade: #EADB7B, #EABD7B, #EA9F7B, #EA817B and #EA7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EADB7B shade: #EADB7B, #DBEA7B, #BDEA7B, #9FEA7B and #81EA7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EADB7B shade matches the following richer shades: #EADB7B and #F7E46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EADB7B shade: #EADB7B, #DED287, #D2C993, #C5C0A0 and #B9B7AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EADB7B shade: #EA9E7B, #EABC7B, #EADA7B, #DDEA7B and #C0EA7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EADB7B shade: #DFC833, #E5D257, #EADB7B, #F0E59E and #F5EFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EADB7B shade: #EADB7B, #7BEA80 and #AD7BEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EADB7B shade: #EADB7B, #7BEADA and #DA7BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EADB7B shade: #EADB7B, #7BEA80, #7B8BEA and #EA7BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EADB7B shade: #EADB7B, #7BEAA2, #7B8BEA and #EA7BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

Complementary color

CMYK 84 / 73 / 0 / 48

HEX #152484

RGB 21 36 132

HSL 231.89, 0.73%, 0.3%

LAB 20.39, 31.8, -54.9

 

CMYK 0 / 8 / 51 / 6

HEX #EFDB76

RGB 239 219 118

HSL 50.08, 0.79%, 0.7%

LAB 87.15, -5.93, 51.69

 

CMYK 0 / 7 / 46 / 0

HEX #FFED89

RGB 255 237 137

HSL 50.85, 1%, 0.77%

LAB 93.29, -6.92, 50.39

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 0 / 7 / 52 / 15

HEX #D9C968

RGB 217 201 104

HSL 51.5, 0.6%, 0.63%

LAB 80.47, -6.89, 49.94

 

CMYK 0 / 9 / 58 / 22

HEX #C8B755

RGB 200 183 85

HSL 51.13, 0.51%, 0.56%

LAB 74.06, -6.18, 51.09

 

CMYK 0 / 10 / 64 / 28

HEX #B7A542

RGB 183 165 66

HSL 50.77, 0.47%, 0.49%

LAB 67.55, -5.33, 52.12

 

CMYK 0 / 11 / 72 / 35

HEX #A6932F

RGB 166 147 47

HSL 50.42, 0.56%, 0.42%

LAB 60.94, -4.29, 52.86

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 0 / 19 / 47 / 8

HEX #EABD7B

RGB 234 189 123

HSL 35.68, 0.73%, 0.7%

LAB 79.22, 7.98, 39.34

 

CMYK 0 / 32 / 47 / 8

HEX #EA9F7B

RGB 234 159 123

HSL 19.46, 0.73%, 0.7%

LAB 72.04, 23.89, 30.07

 

CMYK 0 / 45 / 47 / 8

HEX #EA817B

RGB 234 129 123

HSL 3.24, 0.73%, 0.7%

LAB 65.45, 39.63, 21.27

 

CMYK 0 / 47 / 47 / 8

HEX #EA7B7B

RGB 234 123 123

HSL 0, 0.73%, 0.7%

LAB 64.23, 42.68, 19.61

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 6 / 0 / 47 / 8

HEX #DBEA7B

RGB 219 234 123

HSL 68.11, 0.73%, 0.7%

LAB 89.55, -20.83, 51.84

 

CMYK 19 / 0 / 47 / 8

HEX #BDEA7B

RGB 189 234 123

HSL 84.32, 0.73%, 0.7%

LAB 87.53, -32.18, 48.92

 

CMYK 32 / 0 / 47 / 8

HEX #9FEA7B

RGB 159 234 123

HSL 100.54, 0.73%, 0.7%

LAB 85.83, -42.7, 46.44

 

CMYK 45 / 0 / 47 / 8

HEX #81EA7B

RGB 129 234 123

HSL 116.76, 0.73%, 0.7%

LAB 84.45, -52, 44.43

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 0 / 8 / 55 / 3

HEX #F7E46E

RGB 247 228 110

HSL 51.68, 0.9%, 0.7%

LAB 90.04, -7.87, 58.96

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 0 / 5 / 39 / 13

HEX #DED287

RGB 222 210 135

HSL 51.72, 0.57%, 0.7%

LAB 83.64, -6.49, 38.65

 

CMYK 0 / 4 / 30 / 18

HEX #D2C993

RGB 210 201 147

HSL 51.43, 0.41%, 0.7%

LAB 80.51, -5.12, 28.17

 

CMYK 0 / 3 / 19 / 23

HEX #C5C0A0

RGB 197 192 160

HSL 51.89, 0.24%, 0.7%

LAB 77.35, -3.57, 16.78

 

CMYK 0 / 1 / 7 / 27

HEX #B9B7AC

RGB 185 183 172

HSL 50.77, 0.08%, 0.7%

LAB 74.29, -1.27, 5.83

 

CMYK 0 / 32 / 47 / 8

HEX #EA9E7B

RGB 234 158 123

HSL 18.92, 0.73%, 0.7%

LAB 71.81, 24.42, 29.77

 

CMYK 0 / 20 / 47 / 8

HEX #EABC7B

RGB 234 188 123

HSL 35.14, 0.73%, 0.7%

LAB 78.98, 8.51, 39.03

 

CMYK 0 / 7 / 47 / 8

HEX #EADA7B

RGB 234 218 123

HSL 51.35, 0.73%, 0.7%

LAB 86.54, -6.99, 48.45

 

CMYK 6 / 0 / 47 / 8

HEX #DDEA7B

RGB 221 234 123

HSL 67.03, 0.73%, 0.7%

LAB 89.7, -20.06, 52.05

 

CMYK 18 / 0 / 47 / 8

HEX #C0EA7B

RGB 192 234 123

HSL 82.7, 0.73%, 0.7%

LAB 87.72, -31.07, 49.19

 

CMYK 0 / 10 / 77 / 13

HEX #DFC833

RGB 223 200 51

HSL 51.98, 0.73%, 0.54%

LAB 80.31, -7.03, 71.64

 

CMYK 0 / 8 / 62 / 10

HEX #E5D257

RGB 229 210 87

HSL 51.97, 0.73%, 0.62%

LAB 83.67, -7.78, 61.57

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 0 / 5 / 34 / 6

HEX #F0E59E

RGB 240 229 158

HSL 51.95, 0.73%, 0.78%

LAB 90.34, -6.54, 36.01

 

CMYK 0 / 2 / 21 / 4

HEX #F5EFC2

RGB 245 239 194

HSL 52.94, 0.72%, 0.86%

LAB 93.9, -5.07, 22.54

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 47 / 0 / 45 / 8

HEX #7BEA80

RGB 123 234 128

HSL 122.7, 0.73%, 0.7%

LAB 84.29, -52.98, 41.75

 

CMYK 26 / 47 / 0 / 8

HEX #AD7BEA

RGB 173 123 234

HSL 267.03, 0.73%, 0.7%

LAB 60.77, 41.16, -49.13

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 47 / 0 / 7 / 8

HEX #7BEADA

RGB 123 234 218

HSL 171.35, 0.73%, 0.7%

LAB 86.07, -35.65, -2.08

 

CMYK 7 / 47 / 0 / 8

HEX #DA7BEA

RGB 218 123 234

HSL 291.35, 0.73%, 0.7%

LAB 65.76, 53.49, -40.94

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 47 / 0 / 45 / 8

HEX #7BEA80

RGB 123 234 128

HSL 122.7, 0.73%, 0.7%

LAB 84.29, -52.98, 41.75

 

CMYK 47 / 41 / 0 / 8

HEX #7B8BEA

RGB 123 139 234

HSL 231.35, 0.73%, 0.7%

LAB 60.44, 19.26, -49.92

 

CMYK 0 / 47 / 2 / 8

HEX #EA7BE5

RGB 234 123 229

HSL 302.7, 0.73%, 0.7%

LAB 67.51, 57.08, -35.29

 

CMYK 0 / 6 / 47 / 8

HEX #EADB7B

RGB 234 219 123

HSL 51.89, 0.73%, 0.7%

LAB 86.79, -7.5, 48.76

 

CMYK 47 / 0 / 31 / 8

HEX #7BEAA2

RGB 123 234 162

HSL 141.08, 0.73%, 0.7%

LAB 84.83, -47.47, 25.38

 

CMYK 47 / 41 / 0 / 8

HEX #7B8BEA

RGB 123 139 234

HSL 231.35, 0.73%, 0.7%

LAB 60.44, 19.26, -49.92

 

CMYK 0 / 47 / 17 / 8

HEX #EA7BC3

RGB 234 123 195

HSL 321.08, 0.73%, 0.7%

LAB 66.21, 51.58, -18.32

 

Description

Color code: HEX #EADB7B | qconv.com Color code: HEX #EADB7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 219 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 219 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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