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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD496 it is the complementary color #152B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAD496 shade: #EFD491, #FFE6A4, #FFF8B7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAD496 shade: #EAD496, #D9C283, #C8B070, #B79E5D and #A68C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAD496 shade: #EAD495, #EABD95, #EAA695 and #EA9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAD496 shade: #EAD495, #E9EA95, #D2EA95, #BBEA95 and #A4EA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAD496 shade matches the following richer shades: #EAD495, #F4D98A and #FFDD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAD496 shade: #EAD495, #E0CF9F, #D5CAA9, #CBC5B3 and #C1C0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAD496 shade: #EAA695, #EABC95, #EAD395, #EAEA95 and #D3EA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAD496 shade: #DCB850, #E3C672, #EAD495, #F1E2B7 and #F8F0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAD496 shade: #EAD496, #9AEA95 and #B195EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAD496 shade: #EAD496, #95EAD3 and #D395EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAD496 shade: #EAD496, #9AEA95, #95ABEA and #E495EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAD496 shade: #EAD496, #95EAA8, #95ABEA and #EA95D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

Complementary color

CMYK 80 / 59 / 0 / 59

HEX #152B69

RGB 21 43 105

HSL 224.29, 0.67%, 0.25%

LAB 19.67, 16.06, -38.79

 

CMYK 0 / 11 / 39 / 6

HEX #EFD491

RGB 239 212 145

HSL 42.77, 0.75%, 0.75%

LAB 85.75, 0.25, 36.58

 

CMYK 0 / 10 / 36 / 0

HEX #FFE6A4

RGB 255 230 164

HSL 43.52, 1%, 0.82%

LAB 91.92, -0.62, 35.3

 

CMYK 0 / 3 / 28 / 0

HEX #FFF8B7

RGB 255 248 183

HSL 54.17, 1%, 0.86%

LAB 96.74, -7.37, 32.14

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

CMYK 0 / 11 / 40 / 15

HEX #D9C283

RGB 217 194 131

HSL 43.95, 0.53%, 0.68%

LAB 79.03, -0.65, 34.65

 

CMYK 0 / 12 / 44 / 22

HEX #C8B070

RGB 200 176 112

HSL 43.64, 0.44%, 0.61%

LAB 72.56, -0.08, 35.89

 

CMYK 0 / 14 / 49 / 28

HEX #B79E5D

RGB 183 158 93

HSL 43.33, 0.38%, 0.54%

LAB 65.99, 0.59, 37.17

 

CMYK 0 / 16 / 55 / 35

HEX #A68C4A

RGB 166 140 74

HSL 43.04, 0.38%, 0.47%

LAB 59.3, 1.4, 38.5

 

CMYK 0 / 9 / 36 / 8

HEX #EAD495

RGB 234 212 149

HSL 44.47, 0.67%, 0.75%

LAB 85.38, -1.25, 33.97

 

CMYK 0 / 19 / 36 / 8

HEX #EABD95

RGB 234 189 149

HSL 28.24, 0.67%, 0.75%

LAB 79.65, 10.74, 26.33

 

CMYK 0 / 29 / 36 / 8

HEX #EAA695

RGB 234 166 149

HSL 12, 0.67%, 0.75%

LAB 74.15, 22.96, 18.82

 

CMYK 0 / 36 / 36 / 8

HEX #EA9595

RGB 234 149 149

HSL 0, 0.67%, 0.75%

LAB 70.29, 31.98, 13.43

 

CMYK 0 / 9 / 36 / 8

HEX #EAD495

RGB 234 212 149

HSL 44.47, 0.67%, 0.75%

LAB 85.38, -1.25, 33.97

 

CMYK 0 / 0 / 36 / 8

HEX #E9EA95

RGB 233 234 149

HSL 60.71, 0.67%, 0.75%

LAB 90.93, -12.74, 41.19

 

CMYK 10 / 0 / 36 / 8

HEX #D2EA95

RGB 210 234 149

HSL 76.94, 0.67%, 0.75%

LAB 89.26, -21.42, 38.7

 

CMYK 20 / 0 / 36 / 8

HEX #BBEA95

RGB 187 234 149

HSL 93.18, 0.67%, 0.75%

LAB 87.77, -29.75, 36.47

 

CMYK 30 / 0 / 36 / 8

HEX #A4EA95

RGB 164 234 149

HSL 109.41, 0.67%, 0.75%

LAB 86.46, -37.58, 34.51

 

CMYK 0 / 9 / 36 / 8

HEX #EAD495

RGB 234 212 149

HSL 44.47, 0.67%, 0.75%

LAB 85.38, -1.25, 33.97

 

CMYK 0 / 11 / 43 / 4

HEX #F4D98A

RGB 244 217 138

HSL 44.72, 0.83%, 0.75%

LAB 87.34, -1.07, 42.25

 

CMYK 0 / 13 / 50 / 0

HEX #FFDD80

RGB 255 221 128

HSL 43.94, 1%, 0.75%

LAB 89.17, 0.33, 49.67

 

CMYK 0 / 9 / 36 / 8

HEX #EAD495

RGB 234 212 149

HSL 44.47, 0.67%, 0.75%

LAB 85.38, -1.25, 33.97

 

CMYK 0 / 8 / 29 / 12

HEX #E0CF9F

RGB 224 207 159

HSL 44.31, 0.51%, 0.75%

LAB 83.43, -1.31, 26.04

 

CMYK 0 / 5 / 21 / 16

HEX #D5CAA9

RGB 213 202 169

HSL 45, 0.34%, 0.75%

LAB 81.43, -1.48, 17.87

 

CMYK 0 / 3 / 12 / 20

HEX #CBC5B3

RGB 203 197 179

HSL 45, 0.19%, 0.75%

LAB 79.55, -1, 9.77

 

CMYK 0 / 1 / 2 / 24

HEX #C1C0BE

RGB 193 192 190

HSL 40, 0.02%, 0.75%

LAB 77.73, -0.01, 1.12

 

CMYK 0 / 29 / 36 / 8

HEX #EAA695

RGB 234 166 149

HSL 12, 0.67%, 0.75%

LAB 74.15, 22.96, 18.82

 

CMYK 0 / 20 / 36 / 8

HEX #EABC95

RGB 234 188 149

HSL 27.53, 0.67%, 0.75%

LAB 79.4, 11.27, 26

 

CMYK 0 / 10 / 36 / 8

HEX #EAD395

RGB 234 211 149

HSL 43.76, 0.67%, 0.75%

LAB 85.12, -0.74, 33.64

 

CMYK 0 / 0 / 36 / 8

HEX #EAEA95

RGB 234 234 149

HSL 60, 0.67%, 0.75%

LAB 91.01, -12.36, 41.31

 

CMYK 10 / 0 / 36 / 8

HEX #D3EA95

RGB 211 234 149

HSL 76.24, 0.67%, 0.75%

LAB 89.33, -21.05, 38.8

 

CMYK 0 / 16 / 64 / 14

HEX #DCB850

RGB 220 184 80

HSL 44.57, 0.67%, 0.59%

LAB 76.12, 1.41, 56.17

 

CMYK 0 / 13 / 50 / 11

HEX #E3C672

RGB 227 198 114

HSL 44.6, 0.67%, 0.67%

LAB 80.7, -0.39, 45.57

 

CMYK 0 / 9 / 36 / 8

HEX #EAD495

RGB 234 212 149

HSL 44.47, 0.67%, 0.75%

LAB 85.38, -1.25, 33.97

 

CMYK 0 / 6 / 24 / 5

HEX #F1E2B7

RGB 241 226 183

HSL 44.48, 0.67%, 0.83%

LAB 90.1, -1.48, 22.9

 

CMYK 0 / 3 / 13 / 3

HEX #F8F0D9

RGB 248 240 217

HSL 44.52, 0.69%, 0.91%

LAB 94.86, -1.09, 12.07

HEX #F8F0D9

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

CMYK 34 / 0 / 36 / 8

HEX #9AEA95

RGB 154 234 149

HSL 116.47, 0.67%, 0.75%

LAB 85.95, -40.78, 33.74

 

CMYK 24 / 36 / 0 / 8

HEX #B195EA

RGB 177 149 234

HSL 259.76, 0.67%, 0.75%

LAB 67.11, 27.75, -39.13

 

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

CMYK 36 / 0 / 10 / 8

HEX #95EAD3

RGB 149 234 211

HSL 163.76, 0.67%, 0.75%

LAB 86.97, -30.79, 3.04

 

CMYK 10 / 36 / 0 / 8

HEX #D395EA

RGB 211 149 234

HSL 283.76, 0.67%, 0.75%

LAB 70.37, 37.84, -33.81

 

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

CMYK 34 / 0 / 36 / 8

HEX #9AEA95

RGB 154 234 149

HSL 116.47, 0.67%, 0.75%

LAB 85.95, -40.78, 33.74

 

CMYK 36 / 27 / 0 / 8

HEX #95ABEA

RGB 149 171 234

HSL 224.47, 0.67%, 0.75%

LAB 70.49, 7.44, -34.04

 

CMYK 3 / 36 / 0 / 8

HEX #E495EA

RGB 228 149 234

HSL 295.76, 0.67%, 0.75%

LAB 72.18, 43.01, -30.87

 

CMYK 0 / 9 / 36 / 8

HEX #EAD496

RGB 234 212 150

HSL 44.29, 0.67%, 0.75%

LAB 85.39, -1.14, 33.48

 

CMYK 36 / 0 / 28 / 8

HEX #95EAA8

RGB 149 234 168

HSL 133.41, 0.67%, 0.75%

LAB 86.04, -39.21, 24.13

 

CMYK 36 / 27 / 0 / 8

HEX #95ABEA

RGB 149 171 234

HSL 224.47, 0.67%, 0.75%

LAB 70.49, 7.44, -34.04

 

CMYK 0 / 36 / 9 / 8

HEX #EA95D6

RGB 234 149 214

HSL 314.12, 0.67%, 0.75%

LAB 72.12, 41.35, -19.92

 

Description

Color code: HEX #EAD496 | qconv.com Color code: HEX #EAD496 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 212 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 212 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 36 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 36% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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