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Color name
HEX #EACF17

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EACF17 it is the complementary color #1530E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EACF17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EACF17 shade: #EFCF12, #FFE125, #FFF338, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EACF17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EACF17 shade: #EACF17, #D9BD04, #C8AB00, #B79900 and #A68700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EACF17 shade: #E9CE16, #E99516, #E95C16, #E92316 and #E91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EACF17 shade: #E9CE16, #CBE916, #92E916, #59E916 and #20E916

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EACF17 shade matches the following richer shades: #E9CE16 and #FEDE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EACF17 shade: #E9CE16, #D5BF2A, #C0B03F, #ABA054 and #979168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EACF17 shade: #E95C16, #E99516, #E9CD16, #CDE916 and #95E916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EACF17 shade: #9E8B0F, #C4AD12, #E9CE16, #EDD63B and #F0DE61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EACF17 shade: #EACF17, #16E924 and #7816E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EACF17 shade: #EACF17, #16E9CD and #CD16E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EACF17 shade: #EACF17, #16E924, #1632E9 and #E916DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EACF17 shade: #EACF17, #16E963, #1632E9 and #E9169C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

Complementary color

CMYK 91 / 79 / 0 / 9

HEX #1530E8

RGB 21 48 232

HSL 232.32, 0.83%, 0.5%

LAB 34.19, 59.35, -91.7

 

CMYK 0 / 13 / 92 / 6

HEX #EFCF12

RGB 239 207 18

HSL 51.31, 0.87%, 0.5%

LAB 83.45, -4.53, 82.21

 

CMYK 0 / 12 / 85 / 0

HEX #FFE125

RGB 255 225 37

HSL 51.74, 1%, 0.57%

LAB 89.51, -6.49, 84.28

 

CMYK 0 / 5 / 78 / 0

HEX #FFF338

RGB 255 243 56

HSL 56.38, 1%, 0.61%

LAB 94.16, -14.85, 83.58

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

CMYK 0 / 13 / 98 / 15

HEX #D9BD04

RGB 217 189 4

HSL 52.11, 0.96%, 0.43%

LAB 76.77, -4.96, 77.9

 

CMYK 0 / 15 / 100 / 22

HEX #C8AB00

RGB 200 171 0

HSL 51.3, 1%, 0.39%

LAB 70.46, -3.09, 73.09

 

CMYK 0 / 16 / 100 / 28

HEX #B79900

RGB 183 153 0

HSL 50.16, 1%, 0.36%

LAB 64.04, -1.12, 67.79

 

CMYK 0 / 19 / 100 / 35

HEX #A68700

RGB 166 135 0

HSL 48.8, 1%, 0.33%

LAB 57.5, 0.94, 62.39

 

CMYK 0 / 12 / 91 / 9

HEX #E9CE16

RGB 233 206 22

HSL 52.32, 0.83%, 0.5%

LAB 82.66, -6.54, 80.8

 

CMYK 0 / 36 / 91 / 9

HEX #E99516

RGB 233 149 22

HSL 36.11, 0.83%, 0.5%

LAB 68.66, 23.32, 70.21

 

CMYK 0 / 61 / 91 / 9

HEX #E95C16

RGB 233 92 22

HSL 19.91, 0.83%, 0.5%

LAB 57.11, 51.84, 61.8

 

CMYK 0 / 85 / 91 / 9

HEX #E92316

RGB 233 35 22

HSL 3.7, 0.83%, 0.5%

LAB 50.2, 70.82, 57.02

 

CMYK 0 / 91 / 91 / 9

HEX #E91616

RGB 233 22 22

HSL 0, 0.83%, 0.5%

LAB 49.44, 72.98, 56.51

 

CMYK 0 / 12 / 91 / 9

HEX #E9CE16

RGB 233 206 22

HSL 52.32, 0.83%, 0.5%

LAB 82.66, -6.54, 80.8

 

CMYK 13 / 0 / 91 / 9

HEX #CBE916

RGB 203 233 22

HSL 68.53, 0.83%, 0.5%

LAB 87.5, -32.23, 83.56

 

CMYK 37 / 0 / 91 / 9

HEX #92E916

RGB 146 233 22

HSL 84.74, 0.83%, 0.5%

LAB 84.2, -53.67, 79.52

 

CMYK 62 / 0 / 91 / 9

HEX #59E916

RGB 89 233 22

HSL 100.95, 0.83%, 0.5%

LAB 82.09, -69.94, 76.91

 

CMYK 86 / 0 / 91 / 9

HEX #20E916

RGB 32 233 22

HSL 117.16, 0.83%, 0.5%

LAB 81.09, -78.54, 75.68

 

CMYK 0 / 12 / 91 / 9

HEX #E9CE16

RGB 233 206 22

HSL 52.32, 0.83%, 0.5%

LAB 82.66, -6.54, 80.8

 

CMYK 0 / 13 / 100 / 0

HEX #FEDE01

RGB 254 222 1

HSL 52.41, 0.99%, 0.5%

LAB 88.6, -5.87, 88.2

 

CMYK 0 / 12 / 91 / 9

HEX #E9CE16

RGB 233 206 22

HSL 52.32, 0.83%, 0.5%

LAB 82.66, -6.54, 80.8

 

CMYK 0 / 10 / 80 / 16

HEX #D5BF2A

RGB 213 191 42

HSL 52.28, 0.67%, 0.5%

LAB 77.03, -7.02, 71.08

 

CMYK 0 / 8 / 67 / 25

HEX #C0B03F

RGB 192 176 63

HSL 52.56, 0.51%, 0.5%

LAB 71.29, -7.4, 57.59

 

CMYK 0 / 6 / 51 / 33

HEX #ABA054

RGB 171 160 84

HSL 52.41, 0.34%, 0.5%

LAB 65.31, -6.43, 40.7

 

CMYK 0 / 4 / 31 / 41

HEX #979168

RGB 151 145 104

HSL 52.34, 0.18%, 0.5%

LAB 59.73, -4.44, 22.61

 

CMYK 0 / 61 / 91 / 9

HEX #E95C16

RGB 233 92 22

HSL 19.91, 0.83%, 0.5%

LAB 57.11, 51.84, 61.8

 

CMYK 0 / 36 / 91 / 9

HEX #E99516

RGB 233 149 22

HSL 36.11, 0.83%, 0.5%

LAB 68.66, 23.32, 70.21

 

CMYK 0 / 12 / 91 / 9

HEX #E9CD16

RGB 233 205 22

HSL 52.04, 0.83%, 0.5%

LAB 82.4, -6.03, 80.61

 

CMYK 12 / 0 / 91 / 9

HEX #CDE916

RGB 205 233 22

HSL 67.96, 0.83%, 0.5%

LAB 87.64, -31.42, 83.73

 

CMYK 36 / 0 / 91 / 9

HEX #95E916

RGB 149 233 22

HSL 83.89, 0.83%, 0.5%

LAB 84.34, -52.65, 79.7

 

CMYK 0 / 12 / 91 / 38

HEX #9E8B0F

RGB 158 139 15

HSL 52.03, 0.83%, 0.34%

LAB 57.82, -4.72, 59.74

 

CMYK 0 / 12 / 91 / 23

HEX #C4AD12

RGB 196 173 18

HSL 52.25, 0.83%, 0.42%

LAB 70.64, -5.7, 70.73

 

CMYK 0 / 12 / 91 / 9

HEX #E9CE16

RGB 233 206 22

HSL 52.32, 0.83%, 0.5%

LAB 82.66, -6.54, 80.8

 

CMYK 0 / 10 / 75 / 7

HEX #EDD63B

RGB 237 214 59

HSL 52.25, 0.83%, 0.58%

LAB 85.21, -7.89, 74.02

 

CMYK 0 / 8 / 60 / 6

HEX #F0DE61

RGB 240 222 97

HSL 52.45, 0.83%, 0.66%

LAB 87.79, -8.64, 62.03

 

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

CMYK 91 / 0 / 85 / 9

HEX #16E924

RGB 22 233 36

HSL 123.98, 0.83%, 0.5%

LAB 81.06, -78.72, 73.06

 

CMYK 48 / 91 / 0 / 9

HEX #7816E9

RGB 120 22 233

HSL 267.87, 0.83%, 0.5%

LAB 38.64, 74.89, -84.68

 

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

CMYK 91 / 0 / 12 / 9

HEX #16E9CD

RGB 22 233 205

HSL 172.04, 0.83%, 0.5%

LAB 83.37, -52.09, 0.57

 

CMYK 12 / 91 / 0 / 9

HEX #CD16E9

RGB 205 22 233

HSL 292.04, 0.83%, 0.5%

LAB 51.19, 85.6, -63.66

 

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

CMYK 91 / 0 / 85 / 9

HEX #16E924

RGB 22 233 36

HSL 123.98, 0.83%, 0.5%

LAB 81.06, -78.72, 73.06

 

CMYK 91 / 79 / 0 / 9

HEX #1632E9

RGB 22 50 233

HSL 232.04, 0.83%, 0.5%

LAB 34.67, 58.7, -91.47

 

CMYK 0 / 91 / 6 / 9

HEX #E916DB

RGB 233 22 219

HSL 303.98, 0.83%, 0.5%

LAB 55.08, 88.08, -49.23

 

CMYK 0 / 12 / 90 / 8

HEX #EACF17

RGB 234 207 23

HSL 52.32, 0.83%, 0.5%

LAB 83.01, -6.6, 80.95

 

CMYK 91 / 0 / 58 / 9

HEX #16E963

RGB 22 233 99

HSL 141.9, 0.83%, 0.5%

LAB 81.48, -73.36, 51.45

 

CMYK 91 / 79 / 0 / 9

HEX #1632E9

RGB 22 50 233

HSL 232.04, 0.83%, 0.5%

LAB 34.67, 58.7, -91.47

 

CMYK 0 / 91 / 33 / 9

HEX #E9169C

RGB 233 22 156

HSL 321.9, 0.83%, 0.5%

LAB 52.17, 80.51, -17.17

 

Description

Color code: HEX #EACF17 | qconv.com Color code: HEX #EACF17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 207 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 207 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 90% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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