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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EACBF44C it is the complementary color #15340B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EACBF44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EACBF44C shade: #EFCBEF4C, #FFDDFF4C, #FFEFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EACBF44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EACBF44C shade: #EACBF44C, #D9B9E14C, #C8A7CE4C, #B795BB4C and #A683A84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EACBF44C shade: #EBCDF4, #F4CDF3, #F4CDE9, #F4CDDE and #F4CDD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EACBF44C shade: #EBCDF4, #E0CDF4, #D5CDF4 and #CDCDF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EACBF44C shade matches the following richer shades: #EBCDF4, #EDC8F9 and #F0C3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EACBF44C shade: #EBCDF4, #E8D1EF, #E6D6EA, #E3DBE5 and #E0E0E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EACBF44C shade: #D5CDF4, #E0CDF4, #EACDF4, #F4CDF4 and #F4CDE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EACBF44C shade: #CF88E6, #DDAAED, #EBCDF4, #F8EFFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EACBF44C shade: #EACBF4, #F4CDCE and #CDF4DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EACBF44C shade: #EACBF4, #F4EACD and #CDF4EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EACBF44C shade: #EACBF4, #F4CDCE, #D6F4CD and #CDF4F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EACBF44C shade: #EACBF4, #F4D6CD, #D6F4CD and #CDEAF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 5 / 0 / 1

HEX #EACBF44C

RGBA 234 203 244 0.3

HSLA 285.37, 0.65%, 0.88%, 0.3

LABA 85.37, 18.04, -16.13, 0.3

 

Complementary color

CMYK 18 / 0 / 24 / 24

HEX #15340B4C

RGBA 21 52 11 0.3

HSLA 105.37, 0.65%, 0.12%, 0.3

LABA 18.54, -20.79, 21.35, 0.3

 

CMYK 0 / 5 / 0 / 2

HEX #EFCBEF4C

RGBA 239 203 239 0.3

HSLA 300, 0.53%, 0.87%, 0.3

LABA 85.65, 18.76, -13.01, 0.3

 

CMYK 0 / 4 / 0 / 0

HEX #FFDDFF4C

RGBA 255 221 255 0.3

HSLA 300, 1%, 0.93%, 0.3

LABA 91.77, 17.47, -12.16, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FFEFFF4C

RGBA 255 239 255 0.3

HSLA 300, 1%, 0.97%, 0.3

LABA 96.09, 8.15, -5.76, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 1 / 5 / 0 / 1

HEX #EACBF44C

RGBA 234 203 244 0.3

HSLA 285.37, 0.65%, 0.88%, 0.3

LABA 85.37, 18.04, -16.13, 0.3

 

CMYK 1 / 5 / 0 / 4

HEX #D9B9E14C

RGBA 217 185 225 0.3

HSLA 288, 0.4%, 0.8%, 0.3

LABA 78.98, 18.48, -15.73, 0.3

 

CMYK 1 / 6 / 0 / 6

HEX #C8A7CE4C

RGBA 200 167 206 0.3

HSLA 290.77, 0.28%, 0.73%, 0.3

LABA 72.48, 18.95, -15.32, 0.3

 

CMYK 1 / 6 / 0 / 8

HEX #B795BB4C

RGBA 183 149 187 0.3

HSLA 293.68, 0.22%, 0.66%, 0.3

LABA 65.87, 19.46, -14.91, 0.3

 

CMYK 0 / 7 / 0 / 10

HEX #A683A84C

RGBA 166 131 168 0.3

HSLA 296.76, 0.18%, 0.59%, 0.3

LABA 59.13, 20.01, -14.49, 0.3

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 0 / 16 / 0 / 4

HEX #F4CDF3

RGB 244 205 243

HSL 301.54, 0.64%, 0.88%

LAB 86.69, 20.08, -13.54

 

CMYK 0 / 16 / 5 / 4

HEX #F4CDE9

RGB 244 205 233

HSL 316.92, 0.64%, 0.88%

LAB 86.39, 18.3, -8.67

 

CMYK 0 / 16 / 9 / 4

HEX #F4CDDE

RGB 244 205 222

HSL 333.85, 0.64%, 0.88%

LAB 86.09, 16.43, -3.28

 

CMYK 0 / 16 / 14 / 4

HEX #F4CDD3

RGB 244 205 211

HSL 350.77, 0.64%, 0.88%

LAB 85.81, 14.64, 2.14

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 8 / 16 / 0 / 4

HEX #E0CDF4

RGB 224 205 244

HSL 269.23, 0.64%, 0.88%

LAB 85.02, 13.74, -16.74

 

CMYK 13 / 16 / 0 / 4

HEX #D5CDF4

RGB 213 205 244

HSL 252.31, 0.64%, 0.88%

LAB 84.14, 10.22, -18.15

 

CMYK 16 / 16 / 0 / 4

HEX #CDCDF4

RGB 205 205 244

HSL 240, 0.64%, 0.88%

LAB 83.53, 7.7, -19.13

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 5 / 20 / 0 / 2

HEX #EDC8F9

RGB 237 200 249

HSL 285.31, 0.8%, 0.88%

LAB 85.07, 21.56, -19.2

 

CMYK 6 / 23 / 0 / 0

HEX #F0C3FE

RGB 240 195 254

HSL 285.76, 0.97%, 0.88%

LAB 84.33, 26.13, -22.95

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 3 / 13 / 0 / 6

HEX #E8D1EF

RGB 232 209 239

HSL 286, 0.48%, 0.88%

LAB 86.5, 13.27, -11.81

 

CMYK 2 / 9 / 0 / 8

HEX #E6D6EA

RGB 230 214 234

HSL 288, 0.32%, 0.88%

LAB 87.42, 9.05, -7.82

 

CMYK 1 / 4 / 0 / 10

HEX #E3DBE5

RGB 227 219 229

HSL 288, 0.16%, 0.88%

LAB 88.28, 4.51, -3.93

 

CMYK 0 / 0 / 0 / 12

HEX #E0E0E0

RGB 224 224 224

HSL 0, 0%, 0.88%

LAB 89.18, 0, -0.01

 

CMYK 13 / 16 / 0 / 4

HEX #D5CDF4

RGB 213 205 244

HSL 252.31, 0.64%, 0.88%

LAB 84.14, 10.22, -18.15

 

CMYK 8 / 16 / 0 / 4

HEX #E0CDF4

RGB 224 205 244

HSL 269.23, 0.64%, 0.88%

LAB 85.02, 13.74, -16.74

 

CMYK 4 / 16 / 0 / 4

HEX #EACDF4

RGB 234 205 244

HSL 284.62, 0.64%, 0.88%

LAB 85.85, 16.98, -15.41

 

CMYK 0 / 16 / 0 / 4

HEX #F4CDF4

RGB 244 205 244

HSL 300, 0.64%, 0.88%

LAB 86.72, 20.26, -14.02

 

CMYK 0 / 16 / 5 / 4

HEX #F4CDE9

RGB 244 205 233

HSL 316.92, 0.64%, 0.88%

LAB 86.39, 18.3, -8.67

 

CMYK 10 / 41 / 0 / 10

HEX #CF88E6

RGB 207 136 230

HSL 285.32, 0.65%, 0.72%

LAB 66.97, 42.81, -36.94

 

CMYK 7 / 28 / 0 / 7

HEX #DDAAED

RGB 221 170 237

HSL 285.67, 0.65%, 0.8%

LAB 76.21, 30.2, -26.37

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 2 / 5 / 0 / 1

HEX #F8EFFC

RGB 248 239 252

HSL 281.54, 0.68%, 0.96%

LAB 95.46, 5.31, -5.18

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 17 / 0 / 4

HEX #EACBF4

RGB 234 203 244

HSL 285.37, 0.65%, 0.88%

LAB 85.37, 18.04, -16.13

 

CMYK 0 / 16 / 16 / 4

HEX #F4CDCE

RGB 244 205 206

HSL 358.46, 0.64%, 0.88%

LAB 85.68, 13.85, 4.62

 

CMYK 16 / 0 / 11 / 4

HEX #CDF4DA

RGB 205 244 218

HSL 140, 0.64%, 0.88%

LAB 92.9, -17.48, 8.35

 

CMYK 4 / 17 / 0 / 4

HEX #EACBF4

RGB 234 203 244

HSL 285.37, 0.65%, 0.88%

LAB 85.37, 18.04, -16.13

 

CMYK 0 / 4 / 16 / 4

HEX #F4EACD

RGB 244 234 205

HSL 44.62, 0.64%, 0.88%

LAB 92.79, -1.3, 15.3

 

CMYK 16 / 0 / 4 / 4

HEX #CDF4EA

RGB 205 244 234

HSL 164.62, 0.64%, 0.88%

LAB 93.29, -14.47, 0.61

 

CMYK 4 / 17 / 0 / 4

HEX #EACBF4

RGB 234 203 244

HSL 285.37, 0.65%, 0.88%

LAB 85.37, 18.04, -16.13

 

CMYK 0 / 16 / 16 / 4

HEX #F4CDCE

RGB 244 205 206

HSL 358.46, 0.64%, 0.88%

LAB 85.68, 13.85, 4.62

 

CMYK 12 / 0 / 16 / 4

HEX #D6F4CD

RGB 214 244 205

HSL 106.15, 0.64%, 0.88%

LAB 93.19, -16.76, 15.56

 

CMYK 16 / 0 / 1 / 4

HEX #CDF4F2

RGB 205 244 242

HSL 176.92, 0.64%, 0.88%

LAB 93.49, -12.89, -3.24

 

CMYK 4 / 17 / 0 / 4

HEX #EACBF4

RGB 234 203 244

HSL 285.37, 0.65%, 0.88%

LAB 85.37, 18.04, -16.13

 

CMYK 0 / 12 / 16 / 4

HEX #F4D6CD

RGB 244 214 205

HSL 13.85, 0.64%, 0.88%

LAB 87.84, 8.99, 8.26

 

CMYK 12 / 0 / 16 / 4

HEX #D6F4CD

RGB 214 244 205

HSL 106.15, 0.64%, 0.88%

LAB 93.19, -16.76, 15.56

 

CMYK 16 / 4 / 0 / 4

HEX #CDEAF4

RGB 205 234 244

HSL 195.38, 0.64%, 0.88%

LAB 90.94, -7.44, -8.04

 

Description

Color code: HEX #EACBF44C | qconv.com Color code: HEX #EACBF44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 203 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 203 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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