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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EACB7E it is the complementary color #153481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EACB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EACB7E shade: #EFCB79, #FFDD8C, #FFEF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EACB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EACB7E shade: #EACB7E, #D9B96B, #C8A758, #B79545 and #A68332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EACB7E shade: #EACB7F, #EAAF7F, #EA927F and #EA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EACB7E shade: #EACB7F, #EAE87F, #CFEA7F, #B2EA7F and #95EA7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EACB7E shade matches the following richer shades: #EACB7F and #F6D073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EACB7E shade: #EACB7F, #DEC68B, #D2C197, #C6BCA3 and #BAB7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EACB7E shade: #EA917F, #EAAD7F, #EACA7F, #EAE67F and #D1EA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EACB7E shade: #DEAF38, #E4BD5C, #EACB7F, #F0DAA3 and #F5E8C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EACB7E shade: #EACB7E, #8AEA7F and #9F7FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EACB7E shade: #EACB7E, #7FEACA and #CA7FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EACB7E shade: #EACB7E, #8AEA7F, #7F9FEA and #DF7FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EACB7E shade: #EACB7E, #7FEA95, #7F9FEA and #EA7FD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

Complementary color

CMYK 84 / 60 / 0 / 49

HEX #153481

RGB 21 52 129

HSL 222.78, 0.72%, 0.29%

LAB 24.32, 19.58, -46.56

 

CMYK 0 / 15 / 49 / 6

HEX #EFCB79

RGB 239 203 121

HSL 41.69, 0.79%, 0.71%

LAB 83.15, 2.51, 45.36

 

CMYK 0 / 13 / 45 / 0

HEX #FFDD8C

RGB 255 221 140

HSL 42.26, 1%, 0.77%

LAB 89.33, 1.42, 43.98

 

CMYK 0 / 6 / 38 / 0

HEX #FFEF9F

RGB 255 239 159

HSL 50, 1%, 0.81%

LAB 94.1, -5.71, 40.66

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

CMYK 0 / 15 / 51 / 15

HEX #D9B96B

RGB 217 185 107

HSL 42.55, 0.59%, 0.64%

LAB 76.38, 1.68, 43.55

 

CMYK 0 / 17 / 56 / 22

HEX #C8A758

RGB 200 167 88

HSL 42.32, 0.5%, 0.56%

LAB 69.91, 2.51, 44.83

 

CMYK 0 / 19 / 62 / 28

HEX #B79545

RGB 183 149 69

HSL 42.11, 0.45%, 0.49%

LAB 63.34, 3.5, 46.09

 

CMYK 0 / 21 / 70 / 35

HEX #A68332

RGB 166 131 50

HSL 41.9, 0.54%, 0.42%

LAB 56.65, 4.69, 47.21

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7F

RGB 234 203 127

HSL 42.62, 0.72%, 0.71%

LAB 82.77, 1.06, 41.8

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7F

RGB 234 175 127

HSL 26.92, 0.72%, 0.71%

LAB 75.88, 15.77, 32.96

 

CMYK 0 / 38 / 46 / 8

HEX #EA927F

RGB 234 146 127

HSL 10.65, 0.72%, 0.71%

LAB 69.17, 31.17, 24.07

 

CMYK 0 / 46 / 46 / 8

HEX #EA7F7F

RGB 234 127 127

HSL 0, 0.72%, 0.71%

LAB 65.12, 41.04, 18.57

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7F

RGB 234 203 127

HSL 42.62, 0.72%, 0.71%

LAB 82.77, 1.06, 41.8

 

CMYK 0 / 1 / 46 / 8

HEX #EAE87F

RGB 234 232 127

HSL 58.88, 0.72%, 0.71%

LAB 90.2, -13.62, 51

 

CMYK 12 / 0 / 46 / 8

HEX #CFEA7F

RGB 207 234 127

HSL 75.14, 0.72%, 0.71%

LAB 88.75, -25.04, 48.78

 

CMYK 24 / 0 / 46 / 8

HEX #B2EA7F

RGB 178 234 127

HSL 91.4, 0.72%, 0.71%

LAB 86.92, -35.7, 46.1

 

CMYK 36 / 0 / 46 / 8

HEX #95EA7F

RGB 149 234 127

HSL 107.66, 0.72%, 0.71%

LAB 85.39, -45.45, 43.86

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7F

RGB 234 203 127

HSL 42.62, 0.72%, 0.71%

LAB 82.77, 1.06, 41.8

 

CMYK 0 / 15 / 53 / 4

HEX #F6D073

RGB 246 208 115

HSL 42.6, 0.88%, 0.71%

LAB 84.97, 2.26, 50.65

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7F

RGB 234 203 127

HSL 42.62, 0.72%, 0.71%

LAB 82.77, 1.06, 41.8

 

CMYK 0 / 11 / 37 / 13

HEX #DEC68B

RGB 222 198 139

HSL 42.65, 0.56%, 0.71%

LAB 80.62, 0.15, 32.67

 

CMYK 0 / 8 / 28 / 18

HEX #D2C197

RGB 210 193 151

HSL 42.71, 0.4%, 0.71%

LAB 78.51, -0.43, 23.36

 

CMYK 0 / 5 / 18 / 22

HEX #C6BCA3

RGB 198 188 163

HSL 42.86, 0.23%, 0.71%

LAB 76.45, -0.63, 13.92

 

CMYK 0 / 2 / 6 / 27

HEX #BAB7AF

RGB 186 183 175

HSL 43.64, 0.07%, 0.71%

LAB 74.45, -0.38, 4.43

 

CMYK 0 / 38 / 46 / 8

HEX #EA917F

RGB 234 145 127

HSL 10.09, 0.72%, 0.71%

LAB 68.95, 31.7, 23.78

 

CMYK 0 / 26 / 46 / 8

HEX #EAAD7F

RGB 234 173 127

HSL 25.79, 0.72%, 0.71%

LAB 75.4, 16.83, 32.33

 

CMYK 0 / 14 / 46 / 8

HEX #EACA7F

RGB 234 202 127

HSL 42.06, 0.72%, 0.71%

LAB 82.52, 1.58, 41.48

 

CMYK 0 / 2 / 46 / 8

HEX #EAE67F

RGB 234 230 127

HSL 57.76, 0.72%, 0.71%

LAB 89.68, -12.63, 50.37

 

CMYK 11 / 0 / 46 / 8

HEX #D1EA7F

RGB 209 234 127

HSL 74.02, 0.72%, 0.71%

LAB 88.89, -24.28, 48.98

 

CMYK 0 / 21 / 75 / 13

HEX #DEAF38

RGB 222 175 56

HSL 43.01, 0.72%, 0.55%

LAB 73.85, 5.74, 63.85

 

CMYK 0 / 17 / 60 / 11

HEX #E4BD5C

RGB 228 189 92

HSL 42.79, 0.72%, 0.63%

LAB 78.26, 2.95, 53.3

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7F

RGB 234 203 127

HSL 42.62, 0.72%, 0.71%

LAB 82.77, 1.06, 41.8

 

CMYK 0 / 9 / 32 / 6

HEX #F0DAA3

RGB 240 218 163

HSL 42.86, 0.72%, 0.79%

LAB 87.64, -0.36, 29.87

 

CMYK 0 / 5 / 19 / 4

HEX #F5E8C6

RGB 245 232 198

HSL 43.4, 0.7%, 0.87%

LAB 92.22, -0.96, 18.14

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

CMYK 41 / 0 / 46 / 8

HEX #8AEA7F

RGB 138 234 127

HSL 113.83, 0.72%, 0.71%

LAB 84.88, -48.84, 43.12

 

CMYK 32 / 46 / 0 / 8

HEX #9F7FEA

RGB 159 127 234

HSL 257.94, 0.72%, 0.71%

LAB 60.33, 35.22, -49.92

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

CMYK 46 / 0 / 14 / 8

HEX #7FEACA

RGB 127 234 202

HSL 162.06, 0.72%, 0.71%

LAB 85.82, -38.4, 5.98

 

CMYK 14 / 46 / 0 / 8

HEX #CA7FEA

RGB 202 127 234

HSL 282.06, 0.72%, 0.71%

LAB 64.7, 46.96, -42.72

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

CMYK 41 / 0 / 46 / 8

HEX #8AEA7F

RGB 138 234 127

HSL 113.83, 0.72%, 0.71%

LAB 84.88, -48.84, 43.12

 

CMYK 46 / 32 / 0 / 8

HEX #7F9FEA

RGB 127 159 234

HSL 222.06, 0.72%, 0.71%

LAB 65.94, 8.57, -41.23

 

CMYK 5 / 46 / 0 / 8

HEX #DF7FEA

RGB 223 127 234

HSL 293.83, 0.72%, 0.71%

LAB 67.13, 52.88, -38.75

 

CMYK 0 / 13 / 46 / 8

HEX #EACB7E

RGB 234 203 126

HSL 42.78, 0.72%, 0.71%

LAB 82.76, 0.96, 42.28

 

CMYK 46 / 0 / 36 / 8

HEX #7FEA95

RGB 127 234 149

HSL 132.34, 0.72%, 0.71%

LAB 84.75, -48.67, 31.94

 

CMYK 46 / 32 / 0 / 8

HEX #7F9FEA

RGB 127 159 234

HSL 222.06, 0.72%, 0.71%

LAB 65.94, 8.57, -41.23

 

CMYK 0 / 46 / 9 / 8

HEX #EA7FD4

RGB 234 127 212

HSL 312.34, 0.72%, 0.71%

LAB 67.59, 52.27, -25.73

 

Description

Color code: HEX #EACB7E | qconv.com Color code: HEX #EACB7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 203 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 203 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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