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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC5A8 it is the complementary color #153A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC5A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC5A8 shade: #EFC5A3, #FFD7B6, #FFE9C9, #FFFBDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC5A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC5A8 shade: #EAC5A8, #D9B395, #C8A182, #B78F6F and #A67D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC5A8 shade: #EAC5A8, #EAB3A8 and #EAA8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC5A8 shade: #EAC5A8, #EAD7A8, #EAE8A8, #D9EAA8 and #C8EAA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC5A8 shade matches the following richer shades: #EAC5A8, #F2C4A0 and #FBC397

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC5A8 shade: #EAC5A8, #E1C6B1, #D8C7BA, #D0C8C2 and #C7C9CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC5A8 shade: #EAA8AF, #EAB3A8, #EAC5A8, #EAD6A8 and #EAE7A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC5A8 shade: #DA9966, #E2AF87, #EAC5A8, #F2DBC9 and #FAF1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC5A8 shade: #EAC5A8, #C0EAA8 and #AAA8EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC5A8 shade: #EAC5A8, #A8EAC5 and #C5A8EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC5A8 shade: #EAC5A8, #C0EAA8, #A8CDEA and #D2A8EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC5A8 shade: #EAC5A8, #ADEAA8, #A8CDEA and #E5A8EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

Complementary color

CMYK 76 / 33 / 0 / 66

HEX #153A57

RGB 21 58 87

HSL 206.36, 0.61%, 0.21%

LAB 23.25, -2.16, -21.28

 

CMYK 0 / 18 / 32 / 6

HEX #EFC5A3

RGB 239 197 163

HSL 26.84, 0.7%, 0.79%

LAB 82.34, 10.16, 22.66

 

CMYK 0 / 16 / 29 / 0

HEX #FFD7B6

RGB 255 215 182

HSL 27.12, 1%, 0.86%

LAB 88.56, 9.25, 21.49

 

CMYK 0 / 9 / 21 / 0

HEX #FFE9C9

RGB 255 233 201

HSL 35.56, 1%, 0.89%

LAB 93.34, 2.58, 18.28

 

CMYK 0 / 2 / 14 / 0

HEX #FFFBDC

RGB 255 251 220

HSL 53.14, 1%, 0.93%

LAB 98.2, -3.72, 15.34

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 18 / 31 / 15

HEX #D9B395

RGB 217 179 149

HSL 26.47, 0.47%, 0.72%

LAB 75.55, 9.44, 20.48

 

CMYK 0 / 20 / 35 / 22

HEX #C8A182

RGB 200 161 130

HSL 26.57, 0.39%, 0.65%

LAB 69.03, 10.05, 21.6

 

CMYK 0 / 22 / 39 / 28

HEX #B78F6F

RGB 183 143 111

HSL 26.67, 0.33%, 0.58%

LAB 62.39, 10.75, 22.81

 

CMYK 0 / 25 / 45 / 35

HEX #A67D5C

RGB 166 125 92

HSL 26.76, 0.29%, 0.51%

LAB 55.63, 11.57, 24.14

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 24 / 28 / 8

HEX #EAB3A8

RGB 234 179 168

HSL 10, 0.61%, 0.79%

LAB 77.61, 18.43, 13.34

 

CMYK 0 / 28 / 28 / 8

HEX #EAA8A8

RGB 234 168 168

HSL 0, 0.61%, 0.79%

LAB 75.03, 24.29, 9.67

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 8 / 28 / 8

HEX #EAD7A8

RGB 234 215 168

HSL 42.73, 0.61%, 0.79%

LAB 86.46, -0.47, 25.61

 

CMYK 0 / 1 / 28 / 8

HEX #EAE8A8

RGB 234 232 168

HSL 58.18, 0.61%, 0.79%

LAB 90.79, -9.1, 31.47

 

CMYK 7 / 0 / 28 / 8

HEX #D9EAA8

RGB 217 234 168

HSL 75.45, 0.61%, 0.79%

LAB 90.06, -16.38, 30.25

 

CMYK 15 / 0 / 28 / 8

HEX #C8EAA8

RGB 200 234 168

HSL 90.91, 0.61%, 0.79%

LAB 88.9, -22.5, 28.5

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 19 / 34 / 5

HEX #F2C4A0

RGB 242 196 160

HSL 26.34, 0.76%, 0.79%

LAB 82.32, 11.46, 24.27

 

CMYK 0 / 22 / 40 / 2

HEX #FBC397

RGB 251 195 151

HSL 26.4, 0.93%, 0.79%

LAB 82.79, 14.42, 29.79

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 12 / 21 / 12

HEX #E1C6B1

RGB 225 198 177

HSL 26.25, 0.44%, 0.79%

LAB 81.6, 6.25, 14.01

 

CMYK 0 / 8 / 14 / 15

HEX #D8C7BA

RGB 216 199 186

HSL 26, 0.28%, 0.79%

LAB 81.29, 3.8, 8.64

 

CMYK 0 / 4 / 7 / 18

HEX #D0C8C2

RGB 208 200 194

HSL 25.71, 0.13%, 0.79%

LAB 81.08, 1.73, 3.98

 

CMYK 2 / 1 / 0 / 20

HEX #C7C9CB

RGB 199 201 203

HSL 210, 0.04%, 0.79%

LAB 80.86, -0.31, -1.25

 

CMYK 0 / 28 / 25 / 8

HEX #EAA8AF

RGB 234 168 175

HSL 353.64, 0.61%, 0.79%

LAB 75.2, 25.26, 6.08

 

CMYK 0 / 24 / 28 / 8

HEX #EAB3A8

RGB 234 179 168

HSL 10, 0.61%, 0.79%

LAB 77.61, 18.43, 13.34

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 9 / 28 / 8

HEX #EAD6A8

RGB 234 214 168

HSL 41.82, 0.61%, 0.79%

LAB 86.21, 0.05, 25.27

 

CMYK 0 / 1 / 28 / 8

HEX #EAE7A8

RGB 234 231 168

HSL 57.27, 0.61%, 0.79%

LAB 90.54, -8.6, 31.12

 

CMYK 0 / 30 / 53 / 15

HEX #DA9966

RGB 218 153 102

HSL 26.38, 0.61%, 0.63%

LAB 68.49, 18.75, 36.37

 

CMYK 0 / 23 / 40 / 11

HEX #E2AF87

RGB 226 175 135

HSL 26.37, 0.61%, 0.71%

LAB 75.19, 13.43, 27.65

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 0 / 10 / 17 / 5

HEX #F2DBC9

RGB 242 219 201

HSL 26.34, 0.61%, 0.87%

LAB 88.81, 5.07, 11.72

 

CMYK 0 / 4 / 6 / 2

HEX #FAF1EB

RGB 250 241 235

HSL 24, 0.6%, 0.95%

LAB 95.68, 2, 3.95

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 18 / 0 / 28 / 8

HEX #C0EAA8

RGB 192 234 168

HSL 98.18, 0.61%, 0.79%

LAB 88.39, -25.3, 27.72

 

CMYK 27 / 28 / 0 / 8

HEX #AAA8EA

RGB 170 168 234

HSL 241.82, 0.61%, 0.79%

LAB 71.21, 15.04, -32.81

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 28 / 0 / 16 / 8

HEX #A8EAC5

RGB 168 234 197

HSL 146.36, 0.61%, 0.79%

LAB 87.58, -28.19, 11.38

 

CMYK 16 / 28 / 0 / 8

HEX #C5A8EA

RGB 197 168 234

HSL 266.36, 0.61%, 0.79%

LAB 73.43, 23.17, -29.21

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 18 / 0 / 28 / 8

HEX #C0EAA8

RGB 192 234 168

HSL 98.18, 0.61%, 0.79%

LAB 88.39, -25.3, 27.72

 

CMYK 28 / 12 / 0 / 8

HEX #A8CDEA

RGB 168 205 234

HSL 206.36, 0.61%, 0.79%

LAB 80.7, -5.7, -18.32

 

CMYK 10 / 28 / 0 / 8

HEX #D2A8EA

RGB 210 168 234

HSL 278.18, 0.61%, 0.79%

LAB 74.6, 27.22, -27.3

 

CMYK 0 / 16 / 28 / 8

HEX #EAC5A8

RGB 234 197 168

HSL 26.36, 0.61%, 0.79%

LAB 81.98, 8.9, 19.44

 

CMYK 26 / 0 / 28 / 8

HEX #ADEAA8

RGB 173 234 168

HSL 115.45, 0.61%, 0.79%

LAB 87.27, -31.72, 26.01

 

CMYK 28 / 12 / 0 / 8

HEX #A8CDEA

RGB 168 205 234

HSL 206.36, 0.61%, 0.79%

LAB 80.7, -5.7, -18.32

 

CMYK 2 / 28 / 0 / 8

HEX #E5A8EA

RGB 229 168 234

HSL 295.45, 0.61%, 0.79%

LAB 76.44, 33.24, -24.33

 

Description

Color code: HEX #EAC5A8 | qconv.com Color code: HEX #EAC5A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 197 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 197 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 28 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 28% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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