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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC41D it is the complementary color #153BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC41D shade: #EFC418, #FFD62B, #FFE83E, #FFFA51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC41D shade: #EAC41D, #D9B20A, #C8A000, #B78E00 and #A67C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC41D shade: #EAC51F, #EA8E1F, #EA571F, #EA201F and #EA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC41D shade: #EAC51F, #D9EA1F, #A2EA1F, #6BEA1F and #35EA1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC41D shade matches the following richer shades: #EAC51F and #FED10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC41D shade: #EAC51F, #D6B833, #C3AC47, #AF9F5A and #9B936E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC41D shade: #EA551F, #EA8B1F, #EAC21F, #DDEA1F and #A6EA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC41D shade: #A78B10, #CDAA13, #EAC51F, #EECE45 and #F1D86B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC41D shade: #EAC41D, #1FEA1F and #701FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC41D shade: #EAC41D, #1FEAC2 and #C21FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC41D shade: #EAC41D, #1FEA1F, #1F48EA and #EA1FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC41D shade: #EAC41D, #1FEA5C, #1F48EA and #EA1FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

Complementary color

CMYK 91 / 74 / 0 / 11

HEX #153BE2

RGB 21 59 226

HSL 228.88, 0.83%, 0.48%

LAB 35.55, 51.55, -86.02

 

CMYK 0 / 18 / 90 / 6

HEX #EFC418

RGB 239 196 24

HSL 48, 0.87%, 0.52%

LAB 80.68, 1.19, 79.2

 

CMYK 0 / 16 / 83 / 0

HEX #FFD62B

RGB 255 214 43

HSL 48.4, 1%, 0.58%

LAB 86.76, -0.81, 80.65

 

CMYK 0 / 9 / 76 / 0

HEX #FFE83E

RGB 255 232 62

HSL 52.85, 1%, 0.62%

LAB 91.38, -9.24, 79.32

 

CMYK 0 / 2 / 68 / 0

HEX #FFFA51

RGB 255 250 81

HSL 58.28, 1%, 0.66%

LAB 96.09, -17.22, 77.44

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

CMYK 0 / 18 / 95 / 15

HEX #D9B20A

RGB 217 178 10

HSL 48.7, 0.91%, 0.45%

LAB 73.94, 0.83, 75.2

 

CMYK 0 / 20 / 100 / 22

HEX #C8A000

RGB 200 160 0

HSL 48, 1%, 0.39%

LAB 67.59, 2.76, 71.08

 

CMYK 0 / 22 / 100 / 28

HEX #B78E00

RGB 183 142 0

HSL 46.56, 1%, 0.36%

LAB 61.14, 4.86, 65.76

 

CMYK 0 / 25 / 100 / 35

HEX #A67C00

RGB 166 124 0

HSL 44.82, 1%, 0.33%

LAB 54.58, 7.07, 60.36

 

CMYK 0 / 16 / 87 / 8

HEX #EAC51F

RGB 234 197 31

HSL 49.06, 0.83%, 0.52%

LAB 80.47, -1.35, 77.49

 

CMYK 0 / 39 / 87 / 8

HEX #EA8E1F

RGB 234 142 31

HSL 32.81, 0.83%, 0.52%

LAB 67.23, 27.61, 66.91

 

CMYK 0 / 63 / 87 / 8

HEX #EA571F

RGB 234 87 31

HSL 16.55, 0.83%, 0.52%

LAB 56.49, 54.53, 58.36

 

CMYK 0 / 86 / 87 / 8

HEX #EA201F

RGB 234 32 31

HSL 0.3, 0.83%, 0.52%

LAB 50.24, 71.8, 53.39

 

CMYK 0 / 87 / 87 / 8

HEX #EA1F1F

RGB 234 31 31

HSL 0, 0.83%, 0.52%

LAB 50.18, 71.98, 53.34

 

CMYK 0 / 16 / 87 / 8

HEX #EAC51F

RGB 234 197 31

HSL 49.06, 0.83%, 0.52%

LAB 80.47, -1.35, 77.49

 

CMYK 7 / 0 / 87 / 8

HEX #D9EA1F

RGB 217 234 31

HSL 65.02, 0.83%, 0.52%

LAB 88.78, -26.84, 83.58

 

CMYK 31 / 0 / 87 / 8

HEX #A2EA1F

RGB 162 234 31

HSL 81.28, 0.83%, 0.52%

LAB 85.31, -48.25, 79.31

 

CMYK 54 / 0 / 87 / 8

HEX #6BEA1F

RGB 107 234 31

HSL 97.54, 0.83%, 0.52%

LAB 82.95, -65.64, 76.36

 

CMYK 77 / 0 / 87 / 8

HEX #35EA1F

RGB 53 234 31

HSL 113.5, 0.83%, 0.52%

LAB 81.68, -76.33, 74.76

 

CMYK 0 / 16 / 87 / 8

HEX #EAC51F

RGB 234 197 31

HSL 49.06, 0.83%, 0.52%

LAB 80.47, -1.35, 77.49

 

CMYK 0 / 18 / 96 / 0

HEX #FED10B

RGB 254 209 11

HSL 48.89, 0.99%, 0.52%

LAB 85.35, 0.78, 85.02

 

CMYK 0 / 16 / 87 / 8

HEX #EAC51F

RGB 234 197 31

HSL 49.06, 0.83%, 0.52%

LAB 80.47, -1.35, 77.49

 

CMYK 0 / 14 / 76 / 16

HEX #D6B833

RGB 214 184 51

HSL 48.96, 0.67%, 0.52%

LAB 75.34, -2.64, 66.77

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC47

RGB 195 172 71

HSL 48.87, 0.51%, 0.52%

LAB 70.57, -3.52, 53.47

 

CMYK 0 / 9 / 49 / 31

HEX #AF9F5A

RGB 175 159 90

HSL 48.71, 0.35%, 0.52%

LAB 65.47, -3.63, 37.92

 

CMYK 0 / 5 / 29 / 39

HEX #9B936E

RGB 155 147 110

HSL 49.33, 0.18%, 0.52%

LAB 60.75, -3.08, 20.7

 

CMYK 0 / 64 / 87 / 8

HEX #EA551F

RGB 234 85 31

HSL 15.96, 0.83%, 0.52%

LAB 56.18, 55.38, 58.1

 

CMYK 0 / 41 / 87 / 8

HEX #EA8B1F

RGB 234 139 31

HSL 31.92, 0.83%, 0.52%

LAB 66.56, 29.18, 66.38

 

CMYK 0 / 17 / 87 / 8

HEX #EAC21F

RGB 234 194 31

HSL 48.18, 0.83%, 0.52%

LAB 79.71, 0.2, 76.88

 

CMYK 6 / 0 / 87 / 8

HEX #DDEA1F

RGB 221 234 31

HSL 63.84, 0.83%, 0.52%

LAB 89.07, -25.2, 83.94

 

CMYK 29 / 0 / 87 / 8

HEX #A6EA1F

RGB 166 234 31

HSL 80.1, 0.83%, 0.52%

LAB 85.53, -46.79, 79.57

 

CMYK 0 / 17 / 90 / 35

HEX #A78B10

RGB 167 139 16

HSL 48.87, 0.83%, 0.36%

LAB 58.71, -0.56, 60.62

 

CMYK 0 / 17 / 91 / 20

HEX #CDAA13

RGB 205 170 19

HSL 48.71, 0.83%, 0.44%

LAB 70.72, -0.12, 70.99

 

CMYK 0 / 16 / 87 / 8

HEX #EAC51F

RGB 234 197 31

HSL 49.06, 0.83%, 0.52%

LAB 80.47, -1.35, 77.49

 

CMYK 0 / 13 / 71 / 7

HEX #EECE45

RGB 238 206 69

HSL 48.64, 0.83%, 0.6%

LAB 83.31, -2.98, 68.71

 

CMYK 0 / 10 / 56 / 5

HEX #F1D86B

RGB 241 216 107

HSL 48.81, 0.83%, 0.68%

LAB 86.44, -4.49, 56.05

 

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

CMYK 87 / 0 / 87 / 8

HEX #1FEA1F

RGB 31 234 31

HSL 120, 0.83%, 0.52%

LAB 81.42, -78.6, 74.44

 

CMYK 52 / 87 / 0 / 8

HEX #701FEA

RGB 112 31 234

HSL 263.94, 0.83%, 0.52%

LAB 38.49, 72.23, -85.53

 

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

CMYK 87 / 0 / 17 / 8

HEX #1FEAC2

RGB 31 234 194

HSL 168.18, 0.83%, 0.52%

LAB 83.46, -54.87, 6.51

 

CMYK 17 / 87 / 0 / 8

HEX #C21FEA

RGB 194 31 234

HSL 288.18, 0.83%, 0.52%

LAB 49.97, 82.68, -66.29

 

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

CMYK 87 / 0 / 87 / 8

HEX #1FEA1F

RGB 31 234 31

HSL 120, 0.83%, 0.52%

LAB 81.42, -78.6, 74.44

 

CMYK 87 / 69 / 0 / 8

HEX #1F48EA

RGB 31 72 234

HSL 227.88, 0.83%, 0.52%

LAB 39.35, 47.11, -84.28

 

CMYK 0 / 87 / 0 / 8

HEX #EA1FEA

RGB 234 31 234

HSL 300, 0.83%, 0.52%

LAB 56.5, 89.17, -55.44

 

CMYK 0 / 16 / 88 / 8

HEX #EAC41D

RGB 234 196 29

HSL 48.88, 0.83%, 0.52%

LAB 80.21, -0.87, 77.69

 

CMYK 87 / 0 / 61 / 8

HEX #1FEA5C

RGB 31 234 92

HSL 138.03, 0.83%, 0.52%

LAB 81.79, -73.96, 54.9

 

CMYK 87 / 69 / 0 / 8

HEX #1F48EA

RGB 31 72 234

HSL 227.88, 0.83%, 0.52%

LAB 39.35, 47.11, -84.28

 

CMYK 0 / 87 / 26 / 8

HEX #EA1FAD

RGB 234 31 173

HSL 318.03, 0.83%, 0.52%

LAB 53.48, 81.24, -25.18

 

Description

Color code: HEX #EAC41D | qconv.com Color code: HEX #EAC41D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 196 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 196 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 88 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 88% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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