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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC2ED it is the complementary color #153D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC2ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC2ED shade: #EFC2E8, #FFD4FB, #FFE6FF, #FFF8FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC2ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC2ED shade: #EAC2ED, #D9B0DA, #C89EC7, #B78CB4 and #A67AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC2ED shade: #EBC4ED, #EDC4E5, #EDC4DA, #EDC4CF and #EDC4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC2ED shade: #EBC4ED, #DFC4ED, #D4C4ED, #C9C4ED and #C4C4ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC2ED shade matches the following richer shades: #EBC4ED, #F0BEF4 and #F5B8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC2ED shade: #EBC4ED, #E5CAE7, #E0D0E1, #DBD7DB and #D5DDD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC2ED shade: #D4C4ED, #DFC4ED, #EAC4ED, #EDC4E6 and #EDC4DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC2ED shade: #D485DA, #DFA4E4, #EBC4ED, #F6E4F7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC2ED shade: #EAC2ED, #EDC9C4 and #C4EDD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC2ED shade: #EAC2ED, #EDEAC4 and #C4EDEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC2ED shade: #EAC2ED, #EDC9C4, #C8EDC4 and #C4E9ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC2ED shade: #EAC2ED, #EDD5C4, #C8EDC4 and #C4DCED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

Complementary color

CMYK 66 / 0 / 70 / 76

HEX #153D12

RGB 21 61 18

HSL 115.81, 0.54%, 0.15%

LAB 22.09, -24.17, 21.85

 

CMYK 0 / 19 / 3 / 6

HEX #EFC2E8

RGB 239 194 232

HSL 309.33, 0.58%, 0.85%

LAB 83.32, 22.27, -12.77

 

CMYK 0 / 17 / 2 / 0

HEX #FFD4FB

RGB 255 212 251

HSL 305.58, 1%, 0.92%

LAB 89.54, 21.46, -13.39

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

CMYK 0 / 19 / 0 / 15

HEX #D9B0DA

RGB 217 176 218

HSL 298.57, 0.36%, 0.77%

LAB 76.6, 22.02, -15.52

 

CMYK 0 / 21 / 0 / 22

HEX #C89EC7

RGB 200 158 199

HSL 301.43, 0.28%, 0.7%

LAB 70.08, 22.56, -15.08

 

CMYK 0 / 23 / 2 / 28

HEX #B78CB4

RGB 183 140 180

HSL 304.19, 0.23%, 0.63%

LAB 63.44, 23.14, -14.63

 

CMYK 0 / 27 / 3 / 35

HEX #A67AA1

RGB 166 122 161

HSL 306.82, 0.2%, 0.56%

LAB 56.68, 23.78, -14.16

 

CMYK 1 / 17 / 0 / 7

HEX #EBC4ED

RGB 235 196 237

HSL 297.07, 0.53%, 0.85%

LAB 83.58, 20.78, -15.09

 

CMYK 0 / 17 / 3 / 7

HEX #EDC4E5

RGB 237 196 229

HSL 311.71, 0.53%, 0.85%

LAB 83.52, 20, -10.89

 

CMYK 0 / 17 / 8 / 7

HEX #EDC4DA

RGB 237 196 218

HSL 327.8, 0.53%, 0.85%

LAB 83.2, 18.1, -5.48

 

CMYK 0 / 17 / 13 / 7

HEX #EDC4CF

RGB 237 196 207

HSL 343.9, 0.53%, 0.85%

LAB 82.91, 16.27, -0.02

 

CMYK 0 / 17 / 17 / 7

HEX #EDC4C4

RGB 237 196 196

HSL 0, 0.53%, 0.85%

LAB 82.63, 14.54, 5.46

 

CMYK 1 / 17 / 0 / 7

HEX #EBC4ED

RGB 235 196 237

HSL 297.07, 0.53%, 0.85%

LAB 83.58, 20.78, -15.09

 

CMYK 6 / 17 / 0 / 7

HEX #DFC4ED

RGB 223 196 237

HSL 279.51, 0.53%, 0.85%

LAB 82.53, 16.85, -16.77

 

CMYK 11 / 17 / 0 / 7

HEX #D4C4ED

RGB 212 196 237

HSL 263.41, 0.53%, 0.85%

LAB 81.62, 13.29, -18.24

 

CMYK 15 / 17 / 0 / 7

HEX #C9C4ED

RGB 201 196 237

HSL 247.32, 0.53%, 0.85%

LAB 80.75, 9.79, -19.64

 

CMYK 17 / 17 / 0 / 7

HEX #C4C4ED

RGB 196 196 237

HSL 240, 0.53%, 0.85%

LAB 80.36, 8.22, -20.25

 

CMYK 1 / 17 / 0 / 7

HEX #EBC4ED

RGB 235 196 237

HSL 297.07, 0.53%, 0.85%

LAB 83.58, 20.78, -15.09

 

CMYK 2 / 22 / 0 / 4

HEX #F0BEF4

RGB 240 190 244

HSL 295.56, 0.71%, 0.85%

LAB 82.85, 26.9, -19.87

 

CMYK 2 / 26 / 0 / 2

HEX #F5B8FA

RGB 245 184 250

HSL 295.45, 0.87%, 0.85%

LAB 82.16, 32.8, -24.08

 

CMYK 1 / 17 / 0 / 7

HEX #EBC4ED

RGB 235 196 237

HSL 297.07, 0.53%, 0.85%

LAB 83.58, 20.78, -15.09

 

CMYK 1 / 13 / 0 / 9

HEX #E5CAE7

RGB 229 202 231

HSL 295.86, 0.38%, 0.85%

LAB 84.31, 14.5, -10.85

 

CMYK 0 / 8 / 0 / 12

HEX #E0D0E1

RGB 224 208 225

HSL 296.47, 0.22%, 0.85%

LAB 85.2, 8.54, -6.39

 

CMYK 0 / 2 / 0 / 14

HEX #DBD7DB

RGB 219 215 219

HSL 300, 0.05%, 0.85%

LAB 86.39, 2.09, -1.49

 

CMYK 4 / 0 / 4 / 13

HEX #D5DDD5

RGB 213 221 213

HSL 120, 0.11%, 0.85%

LAB 87.32, -4.14, 2.98

 

CMYK 11 / 17 / 0 / 7

HEX #D4C4ED

RGB 212 196 237

HSL 263.41, 0.53%, 0.85%

LAB 81.62, 13.29, -18.24

 

CMYK 6 / 17 / 0 / 7

HEX #DFC4ED

RGB 223 196 237

HSL 279.51, 0.53%, 0.85%

LAB 82.53, 16.85, -16.77

 

CMYK 1 / 17 / 0 / 7

HEX #EAC4ED

RGB 234 196 237

HSL 295.61, 0.53%, 0.85%

LAB 83.49, 20.45, -15.23

 

CMYK 0 / 17 / 3 / 7

HEX #EDC4E6

RGB 237 196 230

HSL 310.24, 0.53%, 0.85%

LAB 83.55, 20.18, -11.38

 

CMYK 0 / 17 / 8 / 7

HEX #EDC4DB

RGB 237 196 219

HSL 326.34, 0.53%, 0.85%

LAB 83.23, 18.27, -5.97

 

CMYK 3 / 39 / 0 / 15

HEX #D485DA

RGB 212 133 218

HSL 295.76, 0.53%, 0.69%

LAB 66.39, 43.57, -31.14

 

CMYK 2 / 28 / 0 / 11

HEX #DFA4E4

RGB 223 164 228

HSL 295.31, 0.54%, 0.77%

LAB 74.72, 32.34, -23.74

 

CMYK 1 / 17 / 0 / 7

HEX #EBC4ED

RGB 235 196 237

HSL 297.07, 0.53%, 0.85%

LAB 83.58, 20.78, -15.09

 

CMYK 0 / 8 / 0 / 3

HEX #F6E4F7

RGB 246 228 247

HSL 296.84, 0.54%, 0.93%

LAB 92.48, 9.42, -7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

CMYK 0 / 15 / 17 / 7

HEX #EDC9C4

RGB 237 201 196

HSL 7.32, 0.53%, 0.85%

LAB 83.84, 11.91, 7.21

 

CMYK 17 / 0 / 8 / 7

HEX #C4EDD9

RGB 196 237 217

HSL 150.73, 0.53%, 0.85%

LAB 90.47, -17.1, 5.29

 

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

CMYK 0 / 1 / 17 / 7

HEX #EDEAC4

RGB 237 234 196

HSL 55.61, 0.53%, 0.85%

LAB 92.06, -5.15, 18.85

 

CMYK 17 / 0 / 1 / 7

HEX #C4EDEA

RGB 196 237 234

HSL 175.61, 0.53%, 0.85%

LAB 90.89, -13.77, -2.96

 

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

CMYK 0 / 15 / 17 / 7

HEX #EDC9C4

RGB 237 201 196

HSL 7.32, 0.53%, 0.85%

LAB 83.84, 11.91, 7.21

 

CMYK 16 / 0 / 17 / 7

HEX #C8EDC4

RGB 200 237 196

HSL 114.15, 0.53%, 0.85%

LAB 90.24, -19.55, 15.93

 

CMYK 17 / 2 / 0 / 7

HEX #C4E9ED

RGB 196 233 237

HSL 185.85, 0.53%, 0.85%

LAB 89.92, -11.14, -5.96

 

CMYK 1 / 18 / 0 / 7

HEX #EAC2ED

RGB 234 194 237

HSL 295.81, 0.54%, 0.85%

LAB 83.01, 21.52, -15.94

 

CMYK 0 / 10 / 17 / 7

HEX #EDD5C4

RGB 237 213 196

HSL 24.88, 0.53%, 0.85%

LAB 86.79, 5.62, 11.42

 

CMYK 16 / 0 / 17 / 7

HEX #C8EDC4

RGB 200 237 196

HSL 114.15, 0.53%, 0.85%

LAB 90.24, -19.55, 15.93

 

CMYK 17 / 7 / 0 / 7

HEX #C4DCED

RGB 196 220 237

HSL 204.88, 0.53%, 0.85%

LAB 86.52, -4.47, -11

 

Description

Color code: HEX #EAC2ED | qconv.com Color code: HEX #EAC2ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 194 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 194 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 18 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 18% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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