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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB9A0 it is the complementary color #15465F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB9A0 shade: #EFB99B, #FFCBAE, #FFDDC1, #FFEFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB9A0 shade: #EAB9A0, #D9A78D, #C8957A, #B78367 and #A67154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB9A0 shade: #EAB89F, #EAA49F and #EA9F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB9A0 shade: #EAB89F, #EACC9F, #EAE19F, #DFEA9F and #CBEA9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB9A0 shade matches the following richer shades: #EAB89F, #F3B595 and #FDB28C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB9A0 shade: #EAB89F, #E0BBA8, #D7BEB2, #CDC1BB and #C4C4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB9A0 shade: #EA9FAE, #EAA49F, #EAB89F, #EACC9F and #EAE09F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB9A0 shade: #DB865B, #E29F7D, #EAB89F, #F1D1C1 and #F9EAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB9A0 shade: #EAB9A0, #C2EA9F and #9FA4EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB9A0 shade: #EAB9A0, #9FEAB8 and #B89FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB9A0 shade: #EAB9A0, #C2EA9F, #9FD1EA and #C79FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB9A0 shade: #EAB9A0, #ABEA9F, #9FD1EA and #DD9FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

Complementary color

CMYK 78 / 26 / 0 / 63

HEX #15465F

RGB 21 70 95

HSL 200.27, 0.64%, 0.23%

LAB 27.75, -6.84, -19.43

 

CMYK 0 / 23 / 35 / 6

HEX #EFB99B

RGB 239 185 155

HSL 21.43, 0.72%, 0.77%

LAB 79.28, 15.5, 22.72

 

CMYK 0 / 20 / 32 / 0

HEX #FFCBAE

RGB 255 203 174

HSL 21.48, 1%, 0.84%

LAB 85.52, 14.46, 21.47

 

CMYK 0 / 13 / 24 / 0

HEX #FFDDC1

RGB 255 221 193

HSL 27.1, 1%, 0.88%

LAB 90.24, 7.62, 18.09

 

CMYK 0 / 6 / 17 / 0

HEX #FFEFD4

RGB 255 239 212

HSL 37.67, 1%, 0.92%

LAB 95.05, 1.13, 15

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

CMYK 0 / 23 / 35 / 15

HEX #D9A78D

RGB 217 167 141

HSL 20.53, 0.5%, 0.7%

LAB 72.44, 14.87, 20.53

 

CMYK 0 / 26 / 39 / 22

HEX #C8957A

RGB 200 149 122

HSL 20.77, 0.41%, 0.63%

LAB 65.89, 15.63, 21.74

 

CMYK 0 / 28 / 44 / 28

HEX #B78367

RGB 183 131 103

HSL 21, 0.36%, 0.56%

LAB 59.23, 16.51, 23.06

 

CMYK 0 / 32 / 49 / 35

HEX #A67154

RGB 166 113 84

HSL 21.22, 0.33%, 0.49%

LAB 52.46, 17.53, 24.52

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 30 / 32 / 8

HEX #EAA49F

RGB 234 164 159

HSL 4, 0.64%, 0.77%

LAB 73.9, 25.25, 13

 

CMYK 0 / 32 / 32 / 8

HEX #EA9F9F

RGB 234 159 159

HSL 0, 0.64%, 0.77%

LAB 72.75, 27.91, 11.39

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 13 / 32 / 8

HEX #EACC9F

RGB 234 204 159

HSL 36, 0.64%, 0.77%

LAB 83.54, 4.08, 26.33

 

CMYK 0 / 4 / 32 / 8

HEX #EAE19F

RGB 234 225 159

HSL 52.8, 0.64%, 0.77%

LAB 88.85, -6.7, 33.45

 

CMYK 5 / 0 / 32 / 8

HEX #DFEA9F

RGB 223 234 159

HSL 68.8, 0.64%, 0.77%

LAB 90.34, -15.34, 35.27

 

CMYK 13 / 0 / 32 / 8

HEX #CBEA9F

RGB 203 234 159

HSL 84.8, 0.64%, 0.77%

LAB 88.94, -22.69, 33.17

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 26 / 39 / 5

HEX #F3B595

RGB 243 181 149

HSL 20.43, 0.8%, 0.77%

LAB 78.62, 18.46, 25.09

 

CMYK 0 / 30 / 45 / 1

HEX #FDB28C

RGB 253 178 140

HSL 20.18, 0.97%, 0.77%

LAB 78.82, 22.96, 30.33

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 17 / 25 / 12

HEX #E0BBA8

RGB 224 187 168

HSL 20.36, 0.47%, 0.77%

LAB 78.59, 10.41, 14.57

 

CMYK 0 / 12 / 17 / 16

HEX #D7BEB2

RGB 215 190 178

HSL 19.46, 0.32%, 0.77%

LAB 78.75, 6.94, 9.3

 

CMYK 0 / 6 / 9 / 20

HEX #CDC1BB

RGB 205 193 187

HSL 20, 0.15%, 0.77%

LAB 78.87, 3.17, 4.52

 

CMYK 1 / 1 / 0 / 23

HEX #C4C4C5

RGB 196 196 197

HSL 240, 0.01%, 0.77%

LAB 79.18, 0.19, -0.51

 

CMYK 0 / 32 / 26 / 8

HEX #EA9FAE

RGB 234 159 174

HSL 348, 0.64%, 0.77%

LAB 73.12, 29.91, 3.63

 

CMYK 0 / 30 / 32 / 8

HEX #EAA49F

RGB 234 164 159

HSL 4, 0.64%, 0.77%

LAB 73.9, 25.25, 13

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 13 / 32 / 8

HEX #EACC9F

RGB 234 204 159

HSL 36, 0.64%, 0.77%

LAB 83.54, 4.08, 26.33

 

CMYK 0 / 4 / 32 / 8

HEX #EAE09F

RGB 234 224 159

HSL 52, 0.64%, 0.77%

LAB 88.59, -6.19, 33.12

 

CMYK 0 / 39 / 58 / 14

HEX #DB865B

RGB 219 134 91

HSL 20.16, 0.64%, 0.61%

LAB 64.05, 28.47, 36.71

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 0 / 21 / 32 / 8

HEX #EAB89F

RGB 234 184 159

HSL 20, 0.64%, 0.77%

LAB 78.62, 14.6, 19.6

 

CMYK 0 / 13 / 20 / 5

HEX #F1D1C1

RGB 241 209 193

HSL 20, 0.63%, 0.85%

LAB 86.08, 8.71, 12.05

 

CMYK 0 / 6 / 9 / 2

HEX #F9EAE2

RGB 249 234 226

HSL 20.87, 0.66%, 0.93%

LAB 93.66, 3.75, 5.69

 

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

CMYK 17 / 0 / 32 / 8

HEX #C2EA9F

RGB 194 234 159

HSL 92, 0.64%, 0.77%

LAB 88.36, -25.91, 32.29

 

CMYK 32 / 30 / 0 / 8

HEX #9FA4EA

RGB 159 164 234

HSL 236, 0.64%, 0.77%

LAB 69.37, 14.14, -35.73

 

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

CMYK 32 / 0 / 21 / 8

HEX #9FEAB8

RGB 159 234 184

HSL 140, 0.64%, 0.77%

LAB 86.84, -33.36, 17.03

 

CMYK 21 / 32 / 0 / 8

HEX #B89FEA

RGB 184 159 234

HSL 260, 0.64%, 0.77%

LAB 70.12, 24.21, -34.4

 

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

CMYK 17 / 0 / 32 / 8

HEX #C2EA9F

RGB 194 234 159

HSL 92, 0.64%, 0.77%

LAB 88.36, -25.91, 32.29

 

CMYK 32 / 11 / 0 / 8

HEX #9FD1EA

RGB 159 209 234

HSL 200, 0.64%, 0.77%

LAB 81.24, -10.35, -17.55

 

CMYK 15 / 32 / 0 / 8

HEX #C79FEA

RGB 199 159 234

HSL 272, 0.64%, 0.77%

LAB 71.47, 28.74, -32.21

 

CMYK 0 / 21 / 32 / 8

HEX #EAB9A0

RGB 234 185 160

HSL 20.27, 0.64%, 0.77%

LAB 78.88, 14.2, 19.42

 

CMYK 27 / 0 / 32 / 8

HEX #ABEA9F

RGB 171 234 159

HSL 110.4, 0.64%, 0.77%

LAB 87, -33.79, 30.23

 

CMYK 32 / 11 / 0 / 8

HEX #9FD1EA

RGB 159 209 234

HSL 200, 0.64%, 0.77%

LAB 81.24, -10.35, -17.55

 

CMYK 6 / 32 / 0 / 8

HEX #DD9FEA

RGB 221 159 234

HSL 289.6, 0.64%, 0.77%

LAB 73.62, 35.54, -28.73

 

Description

Color code: HEX #EAB9A0 | qconv.com Color code: HEX #EAB9A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 185 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 185 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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