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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB7DF3F it is the complementary color #1548203F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB7DF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB7DF3F shade: #EFB7DA3F, #FFC9ED3F, #FFDBFF3F, #FFEDFF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB7DF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB7DF3F shade: #EAB7DF3F, #D9A5CC3F, #C893B93F, #B781A63F and #A66F933F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB7DF3F shade: #EAB8DF, #EAB8D2, #EAB8C4 and #EAB8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB7DF3F shade: #EAB8DF, #E8B8EA, #DAB8EA, #CCB8EA and #BFB8EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB7DF3F shade matches the following richer shades: #EAB8DF, #F2B0E4 and #F9A9E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB7DF3F shade: #EAB8DF, #E3BFDB, #DBC7D7, #D4CED3 and #CDD6CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB7DF3F shade: #DAB8EA, #E7B8EA, #EAB8E0, #EAB8D3 and #EAB8C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB7DF3F shade: #D878C3, #E198D1, #EAB8DF, #F4D8EE and #FDF8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB7DF3F shade: #EAB7DF, #EACCB8 and #B8EAE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB7DF3F shade: #EAB7DF, #E0EAB8 and #B8E0EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB7DF3F shade: #EAB7DF, #EACCB8, #B8EAC2 and #B8D6EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB7DF3F shade: #EAB7DF, #EADBB8, #B8EAC2 and #B8C7EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 1 / 2

HEX #EAB7DF3F

RGBA 234 183 223 0.25

HSLA 312.94, 0.55%, 0.82%, 0.25

LABA 80, 24.86, -12.95, 0.25

 

Complementary color

CMYK 18 / 0 / 14 / 18

HEX #1548203F

RGBA 21 72 32 0.25

HSLA 132.94, 0.55%, 0.18%, 0.25

LABA 26.44, -26.93, 19.04, 0.25

 

CMYK 0 / 6 / 2 / 2

HEX #EFB7DA3F

RGBA 239 183 218 0.25

HSLA 322.5, 0.64%, 0.83%, 0.25

LABA 80.34, 25.69, -9.7, 0.25

 

CMYK 0 / 5 / 2 / 0

HEX #FFC9ED3F

RGBA 255 201 237 0.25

HSLA 320, 1%, 0.89%, 0.25

LABA 86.58, 24.8, -10.41, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFDBFF3F

RGBA 255 219 255 0.25

HSLA 300, 1%, 0.93%, 0.25

LABA 91.3, 18.51, -12.86, 0.25

 

CMYK 0 / 2 / 0 / 0

HEX #FFEDFF3F

RGBA 255 237 255 0.25

HSLA 300, 1%, 0.96%, 0.25

LABA 95.6, 9.18, -6.47, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 5 / 1 / 2

HEX #EAB7DF3F

RGBA 234 183 223 0.25

HSLA 312.94, 0.55%, 0.82%, 0.25

LABA 80, 24.86, -12.95, 0.25

 

CMYK 0 / 6 / 1 / 4

HEX #D9A5CC3F

RGBA 217 165 204 0.25

HSLA 315, 0.41%, 0.75%, 0.25

LABA 73.56, 25.43, -12.44, 0.25

 

CMYK 0 / 7 / 2 / 5

HEX #C893B93F

RGBA 200 147 185 0.25

HSLA 316.98, 0.33%, 0.68%, 0.25

LABA 67.01, 26.05, -11.9, 0.25

 

CMYK 0 / 7 / 2 / 7

HEX #B781A63F

RGBA 183 129 166 0.25

HSLA 318.89, 0.27%, 0.61%, 0.25

LABA 60.36, 26.72, -11.32, 0.25

 

CMYK 0 / 8 / 3 / 9

HEX #A66F933F

RGBA 166 111 147 0.25

HSLA 320.73, 0.24%, 0.54%, 0.25

LABA 53.58, 27.45, -10.7, 0.25

 

CMYK 0 / 21 / 5 / 8

HEX #EAB8DF

RGB 234 184 223

HSL 313.2, 0.54%, 0.82%

LAB 80.24, 24.32, -12.6

 

CMYK 0 / 21 / 10 / 8

HEX #EAB8D2

RGB 234 184 210

HSL 328.8, 0.54%, 0.82%

LAB 79.86, 22.1, -6.15

 

CMYK 0 / 21 / 16 / 8

HEX #EAB8C4

RGB 234 184 196

HSL 345.6, 0.54%, 0.82%

LAB 79.48, 19.84, 0.86

 

CMYK 0 / 21 / 21 / 8

HEX #EAB8B8

RGB 234 184 184

HSL 0, 0.54%, 0.82%

LAB 79.18, 18.02, 6.91

 

CMYK 0 / 21 / 5 / 8

HEX #EAB8DF

RGB 234 184 223

HSL 313.2, 0.54%, 0.82%

LAB 80.24, 24.32, -12.6

 

CMYK 1 / 21 / 0 / 8

HEX #E8B8EA

RGB 232 184 234

HSL 297.6, 0.54%, 0.82%

LAB 80.39, 25.65, -18.31

 

CMYK 7 / 21 / 0 / 8

HEX #DAB8EA

RGB 218 184 234

HSL 280.8, 0.54%, 0.82%

LAB 79.11, 21.09, -20.36

 

CMYK 13 / 21 / 0 / 8

HEX #CCB8EA

RGB 204 184 234

HSL 264, 0.54%, 0.82%

LAB 77.91, 16.6, -22.3

 

CMYK 18 / 21 / 0 / 8

HEX #BFB8EA

RGB 191 184 234

HSL 248.4, 0.54%, 0.82%

LAB 76.86, 12.52, -24

 

CMYK 0 / 21 / 5 / 8

HEX #EAB8DF

RGB 234 184 223

HSL 313.2, 0.54%, 0.82%

LAB 80.24, 24.32, -12.6

 

CMYK 0 / 27 / 6 / 5

HEX #F2B0E4

RGB 242 176 228

HSL 312.73, 0.72%, 0.82%

LAB 79.35, 32.12, -16.56

 

CMYK 0 / 32 / 7 / 2

HEX #F9A9E8

RGB 249 169 232

HSL 312.75, 0.87%, 0.82%

LAB 78.66, 38.78, -19.68

 

CMYK 0 / 21 / 5 / 8

HEX #EAB8DF

RGB 234 184 223

HSL 313.2, 0.54%, 0.82%

LAB 80.24, 24.32, -12.6

 

CMYK 0 / 16 / 4 / 11

HEX #E3BFDB

RGB 227 191 219

HSL 313.33, 0.39%, 0.82%

LAB 81.13, 17.51, -9.18

 

CMYK 0 / 9 / 2 / 14

HEX #DBC7D7

RGB 219 199 215

HSL 312, 0.22%, 0.82%

LAB 82.28, 9.79, -5.41

 

CMYK 0 / 3 / 0 / 17

HEX #D4CED3

RGB 212 206 211

HSL 310, 0.07%, 0.82%

LAB 83.36, 2.97, -1.75

 

CMYK 4 / 0 / 3 / 16

HEX #CDD6CF

RGB 205 214 207

HSL 133.33, 0.1%, 0.82%

LAB 84.78, -4.33, 2.39

 

CMYK 7 / 21 / 0 / 8

HEX #DAB8EA

RGB 218 184 234

HSL 280.8, 0.54%, 0.82%

LAB 79.11, 21.09, -20.36

 

CMYK 1 / 21 / 0 / 8

HEX #E7B8EA

RGB 231 184 234

HSL 296.4, 0.54%, 0.82%

LAB 80.3, 25.32, -18.46

 

CMYK 0 / 21 / 4 / 8

HEX #EAB8E0

RGB 234 184 224

HSL 312, 0.54%, 0.82%

LAB 80.27, 24.5, -13.09

 

CMYK 0 / 21 / 10 / 8

HEX #EAB8D3

RGB 234 184 211

HSL 327.6, 0.54%, 0.82%

LAB 79.88, 22.26, -6.65

 

CMYK 0 / 21 / 16 / 8

HEX #EAB8C5

RGB 234 184 197

HSL 344.4, 0.54%, 0.82%

LAB 79.5, 19.99, 0.35

 

CMYK 0 / 44 / 10 / 15

HEX #D878C3

RGB 216 120 195

HSL 313.13, 0.55%, 0.66%

LAB 63.32, 47.47, -22.94

 

CMYK 0 / 32 / 7 / 12

HEX #E198D1

RGB 225 152 209

HSL 313.15, 0.55%, 0.74%

LAB 71.6, 35.98, -18.05

 

CMYK 0 / 21 / 5 / 8

HEX #EAB8DF

RGB 234 184 223

HSL 313.2, 0.54%, 0.82%

LAB 80.24, 24.32, -12.6

 

CMYK 0 / 11 / 2 / 4

HEX #F4D8EE

RGB 244 216 238

HSL 312.86, 0.56%, 0.9%

LAB 89.17, 13.4, -7.2

 

CMYK 0 / 2 / 0 / 1

HEX #FDF8FC

RGB 253 248 252

HSL 312, 0.56%, 0.98%

LAB 98.05, 2.36, -1.34

 

CMYK 0 / 22 / 5 / 8

HEX #EAB7DF

RGB 234 183 223

HSL 312.94, 0.55%, 0.82%

LAB 80, 24.86, -12.95

 

CMYK 0 / 13 / 21 / 8

HEX #EACCB8

RGB 234 204 184

HSL 24, 0.54%, 0.82%

LAB 84.04, 7.45, 13.83

 

CMYK 21 / 0 / 4 / 8

HEX #B8EAE0

RGB 184 234 224

HSL 168, 0.54%, 0.82%

LAB 89.12, -17.97, -0.41

 

CMYK 0 / 22 / 5 / 8

HEX #EAB7DF

RGB 234 183 223

HSL 312.94, 0.55%, 0.82%

LAB 80, 24.86, -12.95

 

CMYK 4 / 0 / 21 / 8

HEX #E0EAB8

RGB 224 234 184

HSL 72, 0.54%, 0.82%

LAB 90.85, -11.59, 23.22

 

CMYK 21 / 4 / 0 / 8

HEX #B8E0EA

RGB 184 224 234

HSL 192, 0.54%, 0.82%

LAB 86.72, -10.84, -9.2

 

CMYK 0 / 22 / 5 / 8

HEX #EAB7DF

RGB 234 183 223

HSL 312.94, 0.55%, 0.82%

LAB 80, 24.86, -12.95

 

CMYK 0 / 13 / 21 / 8

HEX #EACCB8

RGB 234 204 184

HSL 24, 0.54%, 0.82%

LAB 84.04, 7.45, 13.83

 

CMYK 21 / 0 / 17 / 8

HEX #B8EAC2

RGB 184 234 194

HSL 132, 0.54%, 0.82%

LAB 88.41, -23.72, 14.25

 

CMYK 21 / 9 / 0 / 8

HEX #B8D6EA

RGB 184 214 234

HSL 204, 0.54%, 0.82%

LAB 84.08, -5.68, -13.14

 

CMYK 0 / 22 / 5 / 8

HEX #EAB7DF

RGB 234 183 223

HSL 312.94, 0.55%, 0.82%

LAB 80, 24.86, -12.95

 

CMYK 0 / 6 / 21 / 8

HEX #EADBB8

RGB 234 219 184

HSL 42, 0.54%, 0.82%

LAB 87.78, -0.34, 19.09

 

CMYK 21 / 0 / 17 / 8

HEX #B8EAC2

RGB 184 234 194

HSL 132, 0.54%, 0.82%

LAB 88.41, -23.72, 14.25

 

CMYK 21 / 15 / 0 / 8

HEX #B8C7EA

RGB 184 199 234

HSL 222, 0.54%, 0.82%

LAB 80.17, 2.25, -19.02

 

Description

Color code: HEX #EAB7DF3F | qconv.com Color code: HEX #EAB7DF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 183 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 183 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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