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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB7DC it is the complementary color #154823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB7DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EAB7DC: #EFB7D7, #FFC9EA, #FFDBFD, #FFEDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB7DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EAB7DC: #EAB7DC, #D9A5C9, #C893B6, #B781A3 and #A66F90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

Complementary color

CMYK 71 / 0 / 51 / 72

HEX #154823

RGB 21 72 35

HSL 136.47, 0.55%, 0.18%

LAB 26.49, -26.38, 17.31

 

CMYK 0 / 23 / 10 / 6

HEX #EFB7D7

RGB 239 183 215

HSL 325.71, 0.64%, 0.83%

LAB 80.25, 25.19, -8.22

 

CMYK 0 / 21 / 8 / 0

HEX #FFC9EA

RGB 255 201 234

HSL 323.33, 1%, 0.89%

LAB 86.49, 24.29, -8.95

 

CMYK 0 / 14 / 1 / 0

HEX #FFDBFD

RGB 255 219 253

HSL 303.33, 1%, 0.93%

LAB 91.24, 18.15, -11.9

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 24 / 7 / 15

HEX #D9A5C9

RGB 217 165 201

HSL 318.46, 0.41%, 0.75%

LAB 73.47, 24.91, -10.93

 

CMYK 0 / 27 / 9 / 22

HEX #C893B6

RGB 200 147 182

HSL 320.38, 0.33%, 0.68%

LAB 66.92, 25.52, -10.36

 

CMYK 0 / 30 / 11 / 28

HEX #B781A3

RGB 183 129 163

HSL 322.22, 0.27%, 0.61%

LAB 60.26, 26.2, -9.75

 

CMYK 0 / 33 / 13 / 35

HEX #A66F90

RGB 166 111 144

HSL 324, 0.24%, 0.54%

LAB 53.48, 26.93, -9.09

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 22 / 9 / 8

HEX #EAB7D4

RGB 234 183 212

HSL 325.88, 0.55%, 0.82%

LAB 79.68, 22.97, -7.5

 

CMYK 0 / 22 / 13 / 8

HEX #EAB7CC

RGB 234 183 204

HSL 335.29, 0.55%, 0.82%

LAB 79.45, 21.64, -3.5

 

CMYK 0 / 22 / 17 / 8

HEX #EAB7C3

RGB 234 183 195

HSL 345.88, 0.55%, 0.82%

LAB 79.21, 20.21, 1.01

 

CMYK 0 / 22 / 20 / 8

HEX #EAB7BB

RGB 234 183 187

HSL 355.29, 0.55%, 0.82%

LAB 79.01, 18.99, 5.05

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 23 / 7 / 88

HEX #1E171C

RGB 30 23 28

HSL 317.14, 0.13%, 0.1%

LAB 8.76, 4.68, -2.19

 

CMYK 0 / 22 / 6 / 68

HEX #513F4C

RGB 81 63 76

HSL 316.67, 0.13%, 0.28%

LAB 28.97, 10.38, -4.89

 

CMYK 0 / 22 / 6 / 48

HEX #84677C

RGB 132 103 124

HSL 316.55, 0.12%, 0.46%

LAB 47.05, 15.37, -7.24

 

CMYK 0 / 22 / 6 / 28

HEX #B78FAC

RGB 183 143 172

HSL 316.5, 0.22%, 0.64%

LAB 63.91, 19.98, -9.41

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 12 / 22 / 8

HEX #EACFB7

RGB 234 207 183

HSL 28.24, 0.55%, 0.82%

LAB 84.76, 5.74, 15.38

 

CMYK 22 / 0 / 3 / 8

HEX #B7EAE3

RGB 183 234 227

HSL 171.76, 0.55%, 0.82%

LAB 89.14, -17.66, -1.96

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 6 / 0 / 22 / 8

HEX #DCEAB7

RGB 220 234 183

HSL 76.47, 0.55%, 0.82%

LAB 90.54, -13.17, 23.26

 

CMYK 22 / 6 / 0 / 8

HEX #B7DCEA

RGB 183 220 234

HSL 196.47, 0.55%, 0.82%

LAB 85.6, -9.09, -10.87

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 12 / 22 / 8

HEX #EACFB7

RGB 234 207 183

HSL 28.24, 0.55%, 0.82%

LAB 84.76, 5.74, 15.38

 

CMYK 22 / 0 / 16 / 8

HEX #B7EAC5

RGB 183 234 197

HSL 136.47, 0.55%, 0.82%

LAB 88.42, -23.5, 12.68

 

CMYK 22 / 10 / 0 / 8

HEX #B7D2EA

RGB 183 210 234

HSL 208.24, 0.55%, 0.82%

LAB 82.97, -3.89, -14.81

 

CMYK 0 / 22 / 6 / 8

HEX #EAB7DC

RGB 234 183 220

HSL 316.47, 0.55%, 0.82%

LAB 79.91, 24.33, -11.47

 

CMYK 0 / 5 / 22 / 8

HEX #EADEB7

RGB 234 222 183

HSL 45.88, 0.55%, 0.82%

LAB 88.52, -2.02, 20.63

 

CMYK 22 / 0 / 16 / 8

HEX #B7EAC5

RGB 183 234 197

HSL 136.47, 0.55%, 0.82%

LAB 88.42, -23.5, 12.68

 

CMYK 22 / 17 / 0 / 8

HEX #B7C3EA

RGB 183 195 234

HSL 225.88, 0.55%, 0.82%

LAB 79.06, 4.09, -20.7

 

Description

Color code: HEX #EAB7DC | qconv.com Color code: HEX #EAB7DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 183 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 183 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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