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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB73ACE it is the complementary color #1548C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB73ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB73ACE shade: #EFB735CE, #FFC948CE, #FFDB5BCE, #FFED6ECE and #FFFF81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB73ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB73ACE shade: #EAB73ACE, #D9A527CE, #C89314CE, #B78101CE and #A66F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB73ACE shade: #EAB739, #EA8739, #EA5739 and #EA3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB73ACE shade: #EAB739, #EAE739, #BEEA39, #8EEA39 and #5EEA39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB73ACE shade matches the following richer shades: #EAB739 and #FCBE27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB73ACE shade: #EAB739, #D8AF4A, #C7A85C, #B5A06E and #A3997F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB73ACE shade: #EA5639, #EA8639, #EAB539, #EAE439 and #C1EA39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB73ACE shade: #BC8C14, #E2A718, #EAB739, #EEC45E and #F2D283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB73ACE shade: #EAB73A, #4AEA39 and #6E39EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB73ACE shade: #EAB73A, #39EAB5 and #B539EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB73ACE shade: #EAB73A, #4AEA39, #396EEA and #D839EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB73ACE shade: #EAB73A, #39EA5C, #396EEA and #EA39C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 7

HEX #EAB73ACE

RGBA 234 183 58 0.81

HSLA 42.61, 0.81%, 0.57%, 0.81

LABA 77.08, 6.76, 66.62, 0.81

 

Complementary color

CMYK 72 / 51 / 0 / 18

HEX #1548C5CE

RGBA 21 72 197 0.81

HSLA 222.61, 0.81%, 0.43%, 0.81

LABA 35.65, 33.04, -69.13, 0.81

 

CMYK 0 / 19 / 63 / 5

HEX #EFB735CE

RGBA 239 183 53 0.81

HSLA 41.94, 0.85%, 0.57%, 0.81

LABA 77.56, 8.7, 69.04, 0.81

 

CMYK 0 / 17 / 58 / 0

HEX #FFC948CE

RGBA 255 201 72 0.81

HSLA 42.3, 1%, 0.64%, 0.81

LABA 83.71, 6.87, 68.49, 0.81

 

CMYK 0 / 11 / 52 / 0

HEX #FFDB5BCE

RGBA 255 219 91 0.81

HSLA 46.83, 1%, 0.68%, 0.81

LABA 88.29, -1.35, 65.53, 0.81

 

CMYK 0 / 6 / 46 / 0

HEX #FFED6ECE

RGBA 255 237 110 0.81

HSLA 52.55, 1%, 0.72%, 0.81

LABA 92.99, -9.13, 62.51, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 18 / 61 / 7

HEX #EAB73ACE

RGBA 234 183 58 0.81

HSLA 42.61, 0.81%, 0.57%, 0.81

LABA 77.08, 6.76, 66.62, 0.81

 

CMYK 0 / 19 / 66 / 12

HEX #D9A527CE

RGBA 217 165 39 0.81

HSLA 42.47, 0.7%, 0.5%, 0.81

LABA 70.74, 8.28, 66.65, 0.81

 

CMYK 0 / 21 / 73 / 17

HEX #C89314CE

RGBA 200 147 20 0.81

HSLA 42.33, 0.82%, 0.43%, 0.81

LABA 64.32, 10.04, 65.65, 0.81

 

CMYK 0 / 24 / 81 / 23

HEX #B78101CE

RGBA 183 129 1 0.81

HSLA 42.2, 0.99%, 0.36%, 0.81

LABA 57.82, 12.05, 63.32, 0.81

 

CMYK 0 / 27 / 81 / 28

HEX #A66F00CE

RGBA 166 111 0 0.81

HSLA 40.12, 1%, 0.33%, 0.81

LABA 51.24, 14.4, 58.11, 0.81

 

CMYK 0 / 22 / 76 / 8

HEX #EAB739

RGB 234 183 57

HSL 42.71, 0.81%, 0.57%

LAB 77.07, 6.72, 66.98

 

CMYK 0 / 42 / 76 / 8

HEX #EA8739

RGB 234 135 57

HSL 26.44, 0.81%, 0.57%

LAB 65.84, 32.08, 56.08

 

CMYK 0 / 63 / 76 / 8

HEX #EA5739

RGB 234 87 57

HSL 10.17, 0.81%, 0.57%

LAB 56.69, 55.29, 46.71

 

CMYK 0 / 76 / 76 / 8

HEX #EA3939

RGB 234 57 57

HSL 0, 0.81%, 0.57%

LAB 52.64, 66.37, 42.38

 

CMYK 0 / 22 / 76 / 8

HEX #EAB739

RGB 234 183 57

HSL 42.71, 0.81%, 0.57%

LAB 77.07, 6.72, 66.98

 

CMYK 0 / 1 / 76 / 8

HEX #EAE739

RGB 234 231 57

HSL 58.98, 0.81%, 0.57%

LAB 89.36, -17.64, 78.36

 

CMYK 19 / 0 / 76 / 8

HEX #BEEA39

RGB 190 234 57

HSL 74.92, 0.81%, 0.57%

LAB 87.04, -36.79, 75.08

 

CMYK 39 / 0 / 76 / 8

HEX #8EEA39

RGB 142 234 57

HSL 91.19, 0.81%, 0.57%

LAB 84.43, -54.12, 71.68

 

CMYK 60 / 0 / 76 / 8

HEX #5EEA39

RGB 94 234 57

HSL 107.46, 0.81%, 0.57%

LAB 82.66, -67.63, 69.36

 

CMYK 0 / 22 / 76 / 8

HEX #EAB739

RGB 234 183 57

HSL 42.71, 0.81%, 0.57%

LAB 77.07, 6.72, 66.98

 

CMYK 0 / 25 / 85 / 1

HEX #FCBE27

RGB 252 190 39

HSL 42.54, 0.97%, 0.57%

LAB 80.55, 10.16, 76.4

 

CMYK 0 / 22 / 76 / 8

HEX #EAB739

RGB 234 183 57

HSL 42.71, 0.81%, 0.57%

LAB 77.07, 6.72, 66.98

 

CMYK 0 / 19 / 66 / 15

HEX #D8AF4A

RGB 216 175 74

HSL 42.68, 0.65%, 0.57%

LAB 73.39, 4.08, 55.77

 

CMYK 0 / 16 / 54 / 22

HEX #C7A85C

RGB 199 168 92

HSL 42.62, 0.49%, 0.57%

LAB 70.12, 1.88, 43.07

 

CMYK 0 / 12 / 39 / 29

HEX #B5A06E

RGB 181 160 110

HSL 42.25, 0.32%, 0.57%

LAB 66.59, 0.48, 28.89

 

CMYK 0 / 6 / 22 / 36

HEX #A3997F

RGB 163 153 127

HSL 43.33, 0.16%, 0.57%

LAB 63.43, -0.69, 15

 

CMYK 0 / 63 / 76 / 8

HEX #EA5639

RGB 234 86 57

HSL 9.83, 0.81%, 0.57%

LAB 56.53, 55.71, 46.54

 

CMYK 0 / 43 / 76 / 8

HEX #EA8639

RGB 234 134 57

HSL 26.1, 0.81%, 0.57%

LAB 65.62, 32.6, 55.86

 

CMYK 0 / 23 / 76 / 8

HEX #EAB539

RGB 234 181 57

HSL 42.03, 0.81%, 0.57%

LAB 76.58, 7.77, 66.51

 

CMYK 0 / 3 / 76 / 8

HEX #EAE439

RGB 234 228 57

HSL 57.97, 0.81%, 0.57%

LAB 88.58, -16.18, 77.65

 

CMYK 18 / 0 / 76 / 8

HEX #C1EA39

RGB 193 234 57

HSL 73.9, 0.81%, 0.57%

LAB 87.23, -35.62, 75.32

 

CMYK 0 / 26 / 89 / 26

HEX #BC8C14

RGB 188 140 20

HSL 42.86, 0.81%, 0.41%

LAB 61.22, 8.51, 62.67

 

CMYK 0 / 26 / 89 / 11

HEX #E2A718

RGB 226 167 24

HSL 42.48, 0.81%, 0.49%

LAB 72.14, 10.77, 72.07

 

CMYK 0 / 22 / 76 / 8

HEX #EAB739

RGB 234 183 57

HSL 42.71, 0.81%, 0.57%

LAB 77.07, 6.72, 66.98

 

CMYK 0 / 18 / 61 / 7

HEX #EEC45E

RGB 238 196 94

HSL 42.5, 0.81%, 0.65%

LAB 81, 3.61, 55.73

 

CMYK 0 / 13 / 46 / 5

HEX #F2D283

RGB 242 210 131

HSL 42.7, 0.81%, 0.73%

LAB 85.31, 1.04, 43.14

 

CMYK 0 / 22 / 75 / 8

HEX #EAB73A

RGB 234 183 58

HSL 42.61, 0.81%, 0.57%

LAB 77.08, 6.76, 66.62

 

CMYK 68 / 0 / 76 / 8

HEX #4AEA39

RGB 74 234 57

HSL 114.24, 0.81%, 0.57%

LAB 82.16, -71.74, 68.71

 

CMYK 53 / 76 / 0 / 8

HEX #6E39EA

RGB 110 57 234

HSL 257.97, 0.81%, 0.57%

LAB 41.5, 62.56, -80.57

 

CMYK 0 / 22 / 75 / 8

HEX #EAB73A

RGB 234 183 58

HSL 42.61, 0.81%, 0.57%

LAB 77.08, 6.76, 66.62

 

CMYK 76 / 0 / 23 / 8

HEX #39EAB5

RGB 57 234 181

HSL 162.03, 0.81%, 0.57%

LAB 83.47, -55.78, 13.38

 

CMYK 23 / 76 / 0 / 8

HEX #B539EA

RGB 181 57 234

HSL 282.03, 0.81%, 0.57%

LAB 50.32, 73.77, -65.81

 

CMYK 0 / 22 / 75 / 8

HEX #EAB73A

RGB 234 183 58

HSL 42.61, 0.81%, 0.57%

LAB 77.08, 6.76, 66.62

 

CMYK 68 / 0 / 76 / 8

HEX #4AEA39

RGB 74 234 57

HSL 114.24, 0.81%, 0.57%

LAB 82.16, -71.74, 68.71

 

CMYK 76 / 53 / 0 / 8

HEX #396EEA

RGB 57 110 234

HSL 222.03, 0.81%, 0.57%

LAB 49.45, 25.41, -67.73

 

CMYK 8 / 76 / 0 / 8

HEX #D839EA

RGB 216 57 234

HSL 293.9, 0.81%, 0.57%

LAB 55.55, 80.24, -57.12

 

CMYK 0 / 22 / 75 / 8

HEX #EAB73A

RGB 234 183 58

HSL 42.61, 0.81%, 0.57%

LAB 77.08, 6.76, 66.62

 

CMYK 76 / 0 / 61 / 8

HEX #39EA5C

RGB 57 234 92

HSL 131.86, 0.81%, 0.57%

LAB 82.1, -71.29, 55.34

 

CMYK 76 / 53 / 0 / 8

HEX #396EEA

RGB 57 110 234

HSL 222.03, 0.81%, 0.57%

LAB 49.45, 25.41, -67.73

 

CMYK 0 / 76 / 15 / 8

HEX #EA39C7

RGB 234 57 199

HSL 311.86, 0.81%, 0.57%

LAB 56.63, 78.67, -35.37

 

Description

Color code: HEX #EAB73ACE | qconv.com Color code: HEX #EAB73ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 183 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 183 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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