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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB1D7 it is the complementary color #154E28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB1D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB1D7 shade: #EFB1D2, #FFC3E5, #FFD5F8, #FFE7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB1D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB1D7 shade: #EAB1D7, #D99FC4, #C88DB1, #B77B9E and #A6698B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB1D7 shade: #EBB2D8, #EBB2C9, #EBB2BA and #EBB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB1D7 shade: #EBB2D8, #EBB2E7, #DFB2EB, #D0B2EB and #C1B2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB1D7 shade matches the following richer shades: #EBB2D8, #F2ABDB and #FAA3DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB1D7 shade: #EBB2D8, #E3BAD5, #DBC2D3, #D3CAD0 and #CBD2CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB1D7 shade: #DFB2EB, #EBB2E7, #EBB2D8, #EBB2C9 and #EBB2BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB1D7 shade: #D971B7, #E292C7, #EBB2D8, #F3D3E9 and #FCF4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB1D7 shade: #EAB1D7, #EBD0B2 and #B2EBE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB1D7 shade: #EAB1D7, #D8EBB2 and #B2D8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB1D7 shade: #EAB1D7, #EBD0B2, #B2EBC5 and #B2CDEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB1D7 shade: #EAB1D7, #EBE1B2, #B2EBC5 and #B2BCEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

Complementary color

CMYK 73 / 0 / 49 / 69

HEX #154E28

RGB 21 78 40

HSL 140, 0.58%, 0.19%

LAB 28.8, -28.1, 17.25

 

CMYK 0 / 26 / 12 / 6

HEX #EFB1D2

RGB 239 177 210

HSL 328.06, 0.66%, 0.82%

LAB 78.72, 27.55, -7.78

 

CMYK 0 / 24 / 10 / 0

HEX #FFC3E5

RGB 255 195 229

HSL 326, 1%, 0.88%

LAB 84.97, 26.61, -8.55

 

CMYK 0 / 16 / 3 / 0

HEX #FFD5F8

RGB 255 213 248

HSL 310, 1%, 0.92%

LAB 89.69, 20.4, -11.59

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

CMYK 0 / 27 / 10 / 15

HEX #D99FC4

RGB 217 159 196

HSL 321.72, 0.43%, 0.74%

LAB 71.92, 27.29, -10.49

 

CMYK 0 / 30 / 12 / 22

HEX #C88DB1

RGB 200 141 177

HSL 323.39, 0.35%, 0.67%

LAB 65.36, 27.96, -9.88

 

CMYK 0 / 33 / 14 / 28

HEX #B77B9E

RGB 183 123 158

HSL 325, 0.29%, 0.6%

LAB 58.7, 28.68, -9.22

 

CMYK 0 / 37 / 16 / 35

HEX #A6698B

RGB 166 105 139

HSL 326.56, 0.26%, 0.53%

LAB 51.92, 29.45, -8.48

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 24 / 14 / 8

HEX #EBB2C9

RGB 235 178 201

HSL 335.79, 0.59%, 0.81%

LAB 78.3, 24.18, -3.57

 

CMYK 0 / 24 / 21 / 8

HEX #EBB2BA

RGB 235 178 186

HSL 351.58, 0.59%, 0.81%

LAB 77.9, 21.87, 4

 

CMYK 0 / 24 / 24 / 8

HEX #EBB2B2

RGB 235 178 178

HSL 0, 0.59%, 0.81%

LAB 77.71, 20.71, 8.06

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 24 / 2 / 8

HEX #EBB2E7

RGB 235 178 231

HSL 304.21, 0.59%, 0.81%

LAB 79.2, 29.29, -18.47

 

CMYK 5 / 24 / 0 / 8

HEX #DFB2EB

RGB 223 178 235

HSL 287.37, 0.59%, 0.81%

LAB 78.19, 26.13, -22.27

 

CMYK 11 / 24 / 0 / 8

HEX #D0B2EB

RGB 208 178 235

HSL 271.58, 0.59%, 0.81%

LAB 76.83, 21.34, -24.46

 

CMYK 18 / 24 / 0 / 8

HEX #C1B2EB

RGB 193 178 235

HSL 255.79, 0.59%, 0.81%

LAB 75.56, 16.65, -26.51

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 29 / 10 / 5

HEX #F2ABDB

RGB 242 171 219

HSL 319.44, 0.73%, 0.81%

LAB 77.94, 33.24, -13.79

 

CMYK 0 / 35 / 12 / 2

HEX #FAA3DD

RGB 250 163 221

HSL 320, 0.9%, 0.81%

LAB 77.12, 40.41, -16.02

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 18 / 6 / 11

HEX #E3BAD5

RGB 227 186 213

HSL 320.49, 0.42%, 0.81%

LAB 79.76, 19.12, -7.99

 

CMYK 0 / 11 / 4 / 14

HEX #DBC2D3

RGB 219 194 211

HSL 319.2, 0.26%, 0.81%

LAB 80.93, 11.74, -5.26

 

CMYK 0 / 4 / 1 / 17

HEX #D3CAD0

RGB 211 202 208

HSL 320, 0.09%, 0.81%

LAB 82.19, 4.19, -1.88

 

CMYK 3 / 0 / 2 / 18

HEX #CBD2CD

RGB 203 210 205

HSL 137.14, 0.07%, 0.81%

LAB 83.55, -3.29, 1.64

 

CMYK 5 / 24 / 0 / 8

HEX #DFB2EB

RGB 223 178 235

HSL 287.37, 0.59%, 0.81%

LAB 78.19, 26.13, -22.27

 

CMYK 0 / 24 / 2 / 8

HEX #EBB2E7

RGB 235 178 231

HSL 304.21, 0.59%, 0.81%

LAB 79.2, 29.29, -18.47

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 24 / 14 / 8

HEX #EBB2C9

RGB 235 178 201

HSL 335.79, 0.59%, 0.81%

LAB 78.3, 24.18, -3.57

 

CMYK 0 / 24 / 21 / 8

HEX #EBB2BA

RGB 235 178 186

HSL 351.58, 0.59%, 0.81%

LAB 77.9, 21.87, 4

 

CMYK 0 / 48 / 16 / 15

HEX #D971B7

RGB 217 113 183

HSL 319.62, 0.58%, 0.65%

LAB 61.64, 49.39, -18.69

 

CMYK 0 / 35 / 12 / 11

HEX #E292C7

RGB 226 146 199

HSL 320.25, 0.58%, 0.73%

LAB 70.07, 37.82, -14.82

 

CMYK 0 / 24 / 8 / 8

HEX #EBB2D8

RGB 235 178 216

HSL 320, 0.59%, 0.81%

LAB 78.73, 26.65, -11.06

 

CMYK 0 / 13 / 4 / 5

HEX #F3D3E9

RGB 243 211 233

HSL 318.75, 0.57%, 0.89%

LAB 87.74, 14.81, -6.69

 

CMYK 0 / 3 / 1 / 1

HEX #FCF4F9

RGB 252 244 249

HSL 322.5, 0.57%, 0.97%

LAB 96.92, 3.54, -1.46

 

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

CMYK 0 / 11 / 24 / 8

HEX #EBD0B2

RGB 235 208 178

HSL 31.58, 0.59%, 0.81%

LAB 84.99, 4.88, 18.36

 

CMYK 24 / 0 / 2 / 8

HEX #B2EBE7

RGB 178 235 231

HSL 175.79, 0.59%, 0.81%

LAB 89.23, -18.8, -3.96

 

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

CMYK 8 / 0 / 24 / 8

HEX #D8EBB2

RGB 216 235 178

HSL 80, 0.59%, 0.81%

LAB 90.43, -15.83, 25.63

 

CMYK 24 / 8 / 0 / 8

HEX #B2D8EB

RGB 178 216 235

HSL 200, 0.59%, 0.81%

LAB 84.26, -8.29, -13.43

 

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

CMYK 0 / 11 / 24 / 8

HEX #EBD0B2

RGB 235 208 178

HSL 31.58, 0.59%, 0.81%

LAB 84.99, 4.88, 18.36

 

CMYK 24 / 0 / 16 / 8

HEX #B2EBC5

RGB 178 235 197

HSL 140, 0.59%, 0.81%

LAB 88.41, -25.57, 12.62

 

CMYK 24 / 13 / 0 / 8

HEX #B2CDEB

RGB 178 205 235

HSL 211.58, 0.59%, 0.81%

LAB 81.36, -2.53, -17.8

 

CMYK 0 / 24 / 8 / 8

HEX #EAB1D7

RGB 234 177 215

HSL 320, 0.58%, 0.81%

LAB 78.37, 26.68, -11.07

 

CMYK 0 / 4 / 24 / 8

HEX #EBE1B2

RGB 235 225 178

HSL 49.47, 0.59%, 0.81%

LAB 89.26, -3.87, 24.27

 

CMYK 24 / 0 / 16 / 8

HEX #B2EBC5

RGB 178 235 197

HSL 140, 0.59%, 0.81%

LAB 88.41, -25.57, 12.62

 

CMYK 24 / 20 / 0 / 8

HEX #B2BCEB

RGB 178 188 235

HSL 229.47, 0.59%, 0.81%

LAB 76.94, 6.6, -24.51

 

Description

Color code: HEX #EAB1D7 | qconv.com Color code: HEX #EAB1D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 177 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 177 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 8 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 8% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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