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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB15D it is the complementary color #154EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB15D shade: #EFB158, #FFC36B, #FFD57E, #FFE791 and #FFF9A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB15D shade: #EAB15D, #D99F4A, #C88D37, #B77B24 and #A66911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB15D shade: #EAB15D, #EA8B5D, #EA645D and #EA5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB15D shade: #EAB15D, #EAD75D, #D7EA5D, #B1EA5D and #8BEA5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB15D shade matches the following richer shades: #EAB15D and #F9B44E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB15D shade: #EAB15D, #DBAE6B, #CCAB7A, #BDA889 and #AEA598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB15D shade: #EA645D, #EA895D, #EAAF5D, #EAD55D and #D9EA5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB15D shade: #D88C1C, #E59F38, #EAB15D, #EFC281 and #F3D4A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB15D shade: #EAB15D, #7BEA5D and #765DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB15D shade: #EAB15D, #5DEAAF and #AF5DEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB15D shade: #EAB15D, #7BEA5D, #5D97EA and #CB5DEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB15D shade: #EAB15D, #5DEA68, #5D97EA and #EA5DDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

Complementary color

CMYK 87 / 52 / 0 / 36

HEX #154EA2

RGB 21 78 162

HSL 215.74, 0.77%, 0.36%

LAB 34.43, 15.12, -50.4

 

CMYK 0 / 26 / 63 / 6

HEX #EFB158

RGB 239 177 88

HSL 35.36, 0.83%, 0.64%

LAB 76.37, 13.58, 53.33

 

CMYK 0 / 24 / 58 / 0

HEX #FFC36B

RGB 255 195 107

HSL 35.68, 1%, 0.71%

LAB 82.57, 12.03, 51.86

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57E

RGB 255 213 126

HSL 40.47, 1%, 0.75%

LAB 87.17, 4.24, 48.18

 

CMYK 0 / 9 / 43 / 0

HEX #FFE791

RGB 255 231 145

HSL 46.91, 1%, 0.78%

LAB 91.89, -3.15, 44.75

 

CMYK 0 / 2 / 36 / 0

HEX #FFF9A4

RGB 255 249 164

HSL 56.04, 1%, 0.82%

LAB 96.69, -10.12, 41.55

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 27 / 66 / 15

HEX #D99F4A

RGB 217 159 74

HSL 35.66, 0.65%, 0.57%

LAB 69.5, 13.06, 51.58

 

CMYK 0 / 30 / 73 / 22

HEX #C88D37

RGB 200 141 55

HSL 35.59, 0.57%, 0.5%

LAB 63.02, 14.47, 52.74

 

CMYK 0 / 33 / 80 / 28

HEX #B77B24

RGB 183 123 36

HSL 35.51, 0.67%, 0.43%

LAB 56.45, 16.13, 53.52

 

CMYK 0 / 37 / 90 / 35

HEX #A66911

RGB 166 105 17

HSL 35.44, 0.81%, 0.36%

LAB 49.8, 18.07, 53.36

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 41 / 60 / 8

HEX #EA8B5D

RGB 234 139 93

HSL 19.57, 0.77%, 0.64%

LAB 67.09, 31.97, 39.8

 

CMYK 0 / 57 / 60 / 8

HEX #EA645D

RGB 234 100 93

HSL 2.98, 0.77%, 0.64%

LAB 59.34, 51.4, 30.14

 

CMYK 0 / 60 / 60 / 8

HEX #EA5D5D

RGB 234 93 93

HSL 0, 0.77%, 0.64%

LAB 58.14, 54.56, 28.61

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 8 / 60 / 8

HEX #EAD75D

RGB 234 215 93

HSL 51.91, 0.77%, 0.64%

LAB 85.45, -7.85, 61.04

 

CMYK 8 / 0 / 60 / 8

HEX #D7EA5D

RGB 215 234 93

HSL 68.09, 0.77%, 0.64%

LAB 88.96, -24.88, 64.46

 

CMYK 24 / 0 / 60 / 8

HEX #B1EA5D

RGB 177 234 93

HSL 84.26, 0.77%, 0.64%

LAB 86.5, -39.43, 61.05

 

CMYK 41 / 0 / 60 / 8

HEX #8BEA5D

RGB 139 234 93

HSL 100.43, 0.77%, 0.64%

LAB 84.55, -52.42, 58.34

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 28 / 69 / 2

HEX #F9B44E

RGB 249 180 78

HSL 35.79, 0.93%, 0.64%

LAB 78.07, 15.58, 60.03

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 21 / 51 / 14

HEX #DBAE6B

RGB 219 174 107

HSL 35.89, 0.61%, 0.64%

LAB 73.8, 8.33, 40.41

 

CMYK 0 / 16 / 40 / 20

HEX #CCAB7A

RGB 204 171 122

HSL 35.85, 0.45%, 0.64%

LAB 71.8, 5.3, 29.71

 

CMYK 0 / 11 / 28 / 26

HEX #BDA889

RGB 189 168 137

HSL 35.77, 0.28%, 0.64%

LAB 69.92, 2.81, 18.82

 

CMYK 0 / 5 / 13 / 32

HEX #AEA598

RGB 174 165 152

HSL 35.45, 0.12%, 0.64%

LAB 68.15, 0.97, 7.89

 

CMYK 0 / 57 / 60 / 8

HEX #EA645D

RGB 234 100 93

HSL 2.98, 0.77%, 0.64%

LAB 59.34, 51.4, 30.14

 

CMYK 0 / 41 / 60 / 8

HEX #EA895D

RGB 234 137 93

HSL 18.72, 0.77%, 0.64%

LAB 66.65, 33.01, 39.27

 

CMYK 0 / 25 / 60 / 8

HEX #EAAF5D

RGB 234 175 93

HSL 34.89, 0.77%, 0.64%

LAB 75.42, 12.9, 49.7

 

CMYK 0 / 9 / 60 / 8

HEX #EAD55D

RGB 234 213 93

HSL 51.06, 0.77%, 0.64%

LAB 84.93, -6.84, 60.47

 

CMYK 7 / 0 / 60 / 8

HEX #D9EA5D

RGB 217 234 93

HSL 67.23, 0.77%, 0.64%

LAB 89.11, -24.09, 64.66

 

CMYK 0 / 35 / 87 / 15

HEX #D88C1C

RGB 216 140 28

HSL 35.74, 0.77%, 0.48%

LAB 64.51, 20.99, 64.64

 

CMYK 0 / 31 / 76 / 10

HEX #E59F38

RGB 229 159 56

HSL 35.72, 0.77%, 0.56%

LAB 70.69, 17.25, 61.06

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 0 / 19 / 46 / 6

HEX #EFC281

RGB 239 194 129

HSL 35.45, 0.77%, 0.72%

LAB 81.03, 7.94, 38.66

 

CMYK 0 / 13 / 32 / 5

HEX #F3D4A6

RGB 243 212 166

HSL 35.84, 0.76%, 0.8%

LAB 86.45, 4.24, 26.76

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 47 / 0 / 60 / 8

HEX #7BEA5D

RGB 123 234 93

HSL 107.23, 0.77%, 0.64%

LAB 83.89, -57.21, 57.41

 

CMYK 50 / 60 / 0 / 8

HEX #765DEA

RGB 118 93 234

HSL 250.64, 0.77%, 0.64%

LAB 49.03, 45.24, -68.24

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 60 / 0 / 25 / 8

HEX #5DEAAF

RGB 93 234 175

HSL 154.89, 0.77%, 0.64%

LAB 84.11, -51.63, 17.51

 

CMYK 25 / 60 / 0 / 8

HEX #AF5DEA

RGB 175 93 234

HSL 274.89, 0.77%, 0.64%

LAB 54.95, 57.42, -58.39

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 47 / 0 / 60 / 8

HEX #7BEA5D

RGB 123 234 93

HSL 107.23, 0.77%, 0.64%

LAB 83.89, -57.21, 57.41

 

CMYK 60 / 35 / 0 / 8

HEX #5D97EA

RGB 93 151 234

HSL 215.32, 0.77%, 0.64%

LAB 62, 5.86, -47.56

 

CMYK 13 / 60 / 0 / 8

HEX #CB5DEA

RGB 203 93 234

HSL 286.81, 0.77%, 0.64%

LAB 58.48, 63.99, -52.56

 

CMYK 0 / 24 / 60 / 8

HEX #EAB15D

RGB 234 177 93

HSL 35.74, 0.77%, 0.64%

LAB 75.9, 11.84, 50.27

 

CMYK 60 / 0 / 56 / 8

HEX #5DEA68

RGB 93 234 104

HSL 124.68, 0.77%, 0.64%

LAB 83, -63.53, 51.28

 

CMYK 60 / 35 / 0 / 8

HEX #5D97EA

RGB 93 151 234

HSL 215.32, 0.77%, 0.64%

LAB 62, 5.86, -47.56

 

CMYK 0 / 60 / 5 / 8

HEX #EA5DDE

RGB 234 93 222

HSL 305.11, 0.77%, 0.64%

LAB 62.16, 69.47, -39.74

 

Description

Color code: HEX #EAB15D | qconv.com Color code: HEX #EAB15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 177 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 177 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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