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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB034 it is the complementary color #154FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB034 shade: #EFB02F, #FFC242, #FFD455, #FFE668 and #FFF87B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB034 shade: #EAB034, #D99E21, #C88C0E, #B77A00 and #A66800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB034 shade: #EAB034, #EA7F34, #EA4E34 and #EA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB034 shade: #EAB034, #EAE134, #C2EA34, #91EA34 and #60EA34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB034 shade matches the following richer shades: #EAB034 and #FCB622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB034 shade: #EAB034, #D8A946, #C5A358, #B39C6A and #A1957D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB034 shade: #EA4C34, #EA7D34, #EAAD34, #EADE34 and #C5EA34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB034 shade: #B88313, #DD9E17, #EAB034, #EEBE59 and #F2CD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB034 shade: #EAB034, #4CEA34 and #6434EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB034 shade: #EAB034, #34EAAD and #AD34EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB034 shade: #EAB034, #4CEA34, #3471EA and #D134EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB034 shade: #EAB034, #34EA52, #3471EA and #EA34CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

Complementary color

CMYK 90 / 61 / 0 / 20

HEX #154FCB

RGB 21 79 203

HSL 220.88, 0.81%, 0.44%

LAB 37.96, 30.76, -68.83

 

CMYK 0 / 26 / 80 / 6

HEX #EFB02F

RGB 239 176 47

HSL 40.31, 0.86%, 0.56%

LAB 75.83, 12.17, 69.48

 

CMYK 0 / 24 / 74 / 0

HEX #FFC242

RGB 255 194 66

HSL 40.63, 1%, 0.63%

LAB 81.97, 10.23, 69.08

 

CMYK 0 / 17 / 67 / 0

HEX #FFD455

RGB 255 212 85

HSL 44.82, 1%, 0.67%

LAB 86.51, 1.87, 66.14

 

CMYK 0 / 10 / 59 / 0

HEX #FFE668

RGB 255 230 104

HSL 50.07, 1%, 0.7%

LAB 91.17, -6.06, 63.09

 

CMYK 0 / 3 / 52 / 0

HEX #FFF87B

RGB 255 248 123

HSL 56.82, 1%, 0.74%

LAB 95.92, -13.55, 60.08

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 27 / 85 / 15

HEX #D99E21

RGB 217 158 33

HSL 40.76, 0.74%, 0.49%

LAB 68.98, 11.86, 66.93

 

CMYK 0 / 30 / 93 / 22

HEX #C88C0E

RGB 200 140 14

HSL 40.65, 0.87%, 0.42%

LAB 62.56, 13.76, 65.51

 

CMYK 0 / 33 / 100 / 28

HEX #B77A00

RGB 183 122 0

HSL 40, 1%, 0.36%

LAB 56.07, 15.93, 62.33

 

CMYK 0 / 37 / 100 / 35

HEX #A66800

RGB 166 104 0

HSL 37.59, 1%, 0.33%

LAB 49.51, 18.36, 56.97

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 46 / 78 / 8

HEX #EA7F34

RGB 234 127 52

HSL 24.73, 0.81%, 0.56%

LAB 64.1, 36.02, 56.54

 

CMYK 0 / 67 / 78 / 8

HEX #EA4E34

RGB 234 78 52

HSL 8.57, 0.81%, 0.56%

LAB 55.27, 58.8, 47.79

 

CMYK 0 / 78 / 78 / 8

HEX #EA3434

RGB 234 52 52

HSL 0, 0.81%, 0.56%

LAB 52.06, 67.67, 44.5

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 4 / 78 / 8

HEX #EAE134

RGB 234 225 52

HSL 57.03, 0.81%, 0.56%

LAB 87.77, -14.88, 78.39

 

CMYK 17 / 0 / 78 / 8

HEX #C2EA34

RGB 194 234 52

HSL 73.19, 0.81%, 0.56%

LAB 87.27, -35.44, 76.84

 

CMYK 38 / 0 / 78 / 8

HEX #91EA34

RGB 145 234 52

HSL 89.34, 0.81%, 0.56%

LAB 84.54, -53.38, 73.33

 

CMYK 59 / 0 / 78 / 8

HEX #60EA34

RGB 96 234 52

HSL 105.49, 0.81%, 0.56%

LAB 82.69, -67.46, 70.93

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 28 / 87 / 1

HEX #FCB622

RGB 252 182 34

HSL 40.73, 0.97%, 0.56%

LAB 78.62, 14.21, 76.09

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 22 / 68 / 15

HEX #D8A946

RGB 216 169 70

HSL 40.68, 0.65%, 0.56%

LAB 71.84, 7.04, 55.89

 

CMYK 0 / 17 / 55 / 23

HEX #C5A358

RGB 197 163 88

HSL 41.28, 0.48%, 0.56%

LAB 68.58, 3.38, 43.19

 

CMYK 0 / 13 / 41 / 30

HEX #B39C6A

RGB 179 156 106

HSL 41.1, 0.32%, 0.56%

LAB 65.28, 1.36, 29.3

 

CMYK 0 / 7 / 22 / 37

HEX #A1957D

RGB 161 149 125

HSL 40, 0.16%, 0.56%

LAB 62.13, 0.42, 14.29

 

CMYK 0 / 68 / 78 / 8

HEX #EA4C34

RGB 234 76 52

HSL 7.91, 0.81%, 0.56%

LAB 54.98, 59.59, 47.5

 

CMYK 0 / 47 / 78 / 8

HEX #EA7D34

RGB 234 125 52

HSL 24.07, 0.81%, 0.56%

LAB 63.68, 37.05, 56.14

 

CMYK 0 / 26 / 78 / 8

HEX #EAAD34

RGB 234 173 52

HSL 39.89, 0.81%, 0.56%

LAB 74.59, 11.79, 66.46

 

CMYK 0 / 5 / 78 / 8

HEX #EADE34

RGB 234 222 52

HSL 56.04, 0.81%, 0.56%

LAB 86.99, -13.4, 77.69

 

CMYK 16 / 0 / 78 / 8

HEX #C5EA34

RGB 197 234 52

HSL 72.2, 0.81%, 0.56%

LAB 87.47, -34.26, 77.09

 

CMYK 0 / 29 / 90 / 28

HEX #B88313

RGB 184 131 19

HSL 40.73, 0.81%, 0.4%

LAB 58.48, 11.66, 60.57

 

CMYK 0 / 29 / 90 / 13

HEX #DD9E17

RGB 221 158 23

HSL 40.91, 0.81%, 0.48%

LAB 69.39, 13.38, 69.93

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 0 / 20 / 63 / 7

HEX #EEBE59

RGB 238 190 89

HSL 40.67, 0.81%, 0.64%

LAB 79.46, 6.4, 56.29

 

CMYK 0 / 15 / 48 / 5

HEX #F2CD7F

RGB 242 205 127

HSL 40.7, 0.82%, 0.72%

LAB 84, 3.23, 43.5

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 68 / 0 / 78 / 8

HEX #4CEA34

RGB 76 234 52

HSL 112.09, 0.81%, 0.56%

LAB 82.18, -71.68, 70.26

 

CMYK 57 / 78 / 0 / 8

HEX #6434EA

RGB 100 52 234

HSL 255.82, 0.81%, 0.56%

LAB 39.76, 63.53, -83.48

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 78 / 0 / 26 / 8

HEX #34EAAD

RGB 52 234 173

HSL 159.89, 0.81%, 0.56%

LAB 83.23, -58.13, 17.2

 

CMYK 26 / 78 / 0 / 8

HEX #AD34EA

RGB 173 52 234

HSL 279.89, 0.81%, 0.56%

LAB 48.61, 74.03, -68.64

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 68 / 0 / 78 / 8

HEX #4CEA34

RGB 76 234 52

HSL 112.09, 0.81%, 0.56%

LAB 82.18, -71.68, 70.26

 

CMYK 78 / 52 / 0 / 8

HEX #3471EA

RGB 52 113 234

HSL 219.89, 0.81%, 0.56%

LAB 50.07, 22.99, -66.73

 

CMYK 11 / 78 / 0 / 8

HEX #D134EA

RGB 209 52 234

HSL 291.76, 0.81%, 0.56%

LAB 53.98, 80.34, -59.71

 

CMYK 0 / 25 / 78 / 8

HEX #EAB034

RGB 234 176 52

HSL 40.88, 0.81%, 0.56%

LAB 75.32, 10.21, 67.13

 

CMYK 78 / 0 / 65 / 8

HEX #34EA52

RGB 52 234 82

HSL 129.89, 0.81%, 0.56%

LAB 81.94, -73.01, 59.31

 

CMYK 78 / 52 / 0 / 8

HEX #3471EA

RGB 52 113 234

HSL 219.89, 0.81%, 0.56%

LAB 50.07, 22.99, -66.73

 

CMYK 0 / 78 / 13 / 8

HEX #EA34CB

RGB 234 52 203

HSL 310.22, 0.81%, 0.56%

LAB 56.35, 80.55, -38.1

 

Description

Color code: HEX #EAB034 | qconv.com Color code: HEX #EAB034 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 176 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 176 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 78 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 78% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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